Perfeitos Desconhecidos

What a fantastic piece of art. A movie containing an abundance of emotions, psychology and surprises.

It has been a while I have been both touched by tears and laughter at the same time.

An incredible scenario, fantastically written, composed and acted upon. Interpersonal relationships at its finest.

The constant twists in the plot, along with great acting makes the movie to be fascinating from beginning to end.

If you like Woody Allen movies, you should definitely watch this one. Simply amazing!

Perfetti sconosciuti or Perfect Strangers is about a group of friends that are having a nice, random dinner until a quite unpleasant and intriguing game comes to someone's mind. The game gets more and more interesting as the time goes by because they are starting to wonder if they know who their friends (and partners) really are.

The concept of the movie is so simple and makes it easy to watch and follow the plot. What I actually liked most is that you start thinking how much of yourself is there to reveal and how much could you be able to reveal to someone you have allegedly known your whole life. The truth is that people get anxious when you start browsing their mobile phones or computers without their control. Even if they maybe don't hide anything, they always believe there is a chance that something doubtful or too personal could be found. But we generally don't think about it because it is wrong for someone to stick his nose in our personal data shelter.

Anyway, the whole point is well interpreted throughout the movie. I started to wonder how bad that game could go. Combined with a likable Italian humor, this movie guarantees a perfect movie night. Just hope that people with whom you are watching it don't get similar ideas!

Usually the films based on the dinner party associate with either family or the friends reunion and sometimes business related affair. But there's always a reason for such gathering like it might be a wedding, funeral, anniversary, a school reunion, getting a job or promotion, victory celebration et cetera. In this film, it was some long time friends meet which seems its their regular thing to do often. This tale covers one such fine evening to reveal what they actually do. A limited cast and one night event based film that cleverly and cautiously covers sensitive topics of the married life and trust of the friendship.

It has been almost a year since my last Italian film and now I'm happy for choosing this. I was not certain that I would like it till I saw it. So I would say same to you that see it first and then judge the product. This is really a good comedy-drama with a dark tone. We all adapted the modern way of life and gadgets makes so easy to accomplish things around us. In that, cell phones might come the first. Carrying it all the time became only next to wearing clothes, surely an artificial/digital sense of man. It also has some flaws, like it may land you in troubles as it's a part of AI, not human. I think it is easy to forecast a man's future by checking out his phone rather than his horoscope.

Seven friends, including three married couples and one single man gather for a dinner party. They have been doing it for a very long time and that's where they all can share each others current life affair. Having some laughs and serious discussions, it defines the strength of their relationship. Every occasions won't be the same, there's always a first time for everything. That's how the event comes crashing out.

While the party was going smooth, unexpectedly a game emerges that they all must place their phones on the table to prove they have no secrets from each other. Incoming and outgoing calls, texts, emails, everything must be heard by everyone at the table. What do you think would happen? Before saying anything, just place yourself in that position and do you think you can get away with a clean slate? Obviously tough to answer that, only practical observation would bring the result.

"He's seeing a therapist, not a whore! Come on!"

Every time when there's an alert for an incoming call or message, the atmosphere gets more tense and as a viewer I went blinkless. It is not about what people hid from others, it is the reaction in the room when their secret was exposed. This is when adults become teenagers who try to explain the stuff when their parents find out their secrets. And so the friends become complete strangers. Because friends must back each other in the bad times, but in this scenario, it was totally out of the proportion regarding their action. Okay, if we push away the friendship, then how's the married one should take it. Feels very simple, since everyone involved in something, it has turned out to be a complicated affair.

Like I said I've seen plenty of similar themed films, but this one was something unique in a simple way. There's a vast difference between what do you witness in the opening compared to how it concludes. A bad mouth can spoil a beautiful occasion, but now it is avoided since people learnt to shut their mouth. Just remember the film 'August: Osage County' and this film was no way close to it as a story, but developed to the next gen, the digital troubles the mankind had set to face. This film revealed how much a cell phone would cause trouble, then think what would happen with the robots of the tomorrow. Surely in 20-30 years from now, a similar film will be made with the bots.

At some point, I thought it might be the Italian version of the 'Coherence' for inclusion of lunar eclipse in the plot. I'm not going to say anything about that, you'll get it in your watch. There's no end twist, but it was an unexpected final scene. By then you will understand the meaning of the title. Awesome screenplay and well performed actors, this is one of the best films of the year so far. This is not a sci-fi or a thriller or a visual spectacular, but a smart little drama and I'm sensing that somebody might consider it for a remake. I know everyone won't like as much I did, but I won't end my review without recommending it. If you like talk movies, sure you does enjoy it.

8.5/10

I don't remember when was the last time a saw a high quality comedy. Ninety percent of comedies that come from Hollywood are immature gibberish filled with trivialities which portray life as it never is. But now finally comes a comedy movie for grown ups with thematic elements suitable for mature audiences. Perfetti sconosciuti is very funny, sometimes sad, intelligent and charming in a way only European movies can be, especially Italian and Spanish.

Seven friends gather for a dinner. Table is and always has been a central element of human activities. Food opens people up for friendship and humor. Now, these seven people carried by such delight agree to play a game which may bring to surface things they never wanted to share. They have known each other for years but it turns out only superficially. Perfetti sconosciuti is pretty serious movie when stripped from jokes and charm. That has to be so since sharing, or more so unwillingly sharing, our deepest secrets and desires with people whom we know for years in unbelievably difficult; more difficult than sharing those things with strangers. That's why I've written that this movie is a comedy made for mature audiences - younger viewers just won't be able to read fine details and understand the difficulties, which come with years, this movie brings about.

Tempo of the movie is perfectly hit. Everything looks absolutely natural. There are no more important or less important scenes. All of them come together as to form a uniform experience. That way the viewer somehow becomes eighth person invited to the dinner, figuratively speaking. This is something similar to the way conversation keeps flowing in 12 Angry Men. Since Perfetti sconosciuti is a talk movie, acting plays a pivotal role since there are no many other elements which can compensate for it, in contrast to American made comedies which are almost entirely adventure oriented. In all sincerity I have to admit that this seven people did better job with acting than most of their over-hyped and planetary famous Hollywood colleagues. All of them covered a very wide range of emotions in a very convincing manner.

This is very refreshing and brave movie to make which I warmly recommend, especially to those of you who are tired of trivial humor, trivial characters and plots. You may even discover a thing or two about yourself.

Seven long time friends are having a meet up at Rocco (Marco Giallini) and Eva's (Kasia Smutniak) house. As the dinner starts to evolve the theme of cellphones emerges bringing in very different points of views on the matter. The friendly bickering evolves to the point that the seven friends decide to play a game. Everyone is to put their cellphone on the table and any and every message, call or notification that arrives during the dinner is to be shared with everybody. What will emerge is in fact that all of these lifelong friends might actually be, fittingly, perfect strangers to one another.

Paolo Genovese, an Italian director who in the past had made decent, yet never really remarkable efforts in Italian cinema has now come out with what is the best film of 2016 so far, the film you have to watch this year, a nail biting thriller, that takes your breath away with its first reveal and never lets you catch it back, not until long after the film has ended. If there is one feature you will have to look out for in 2016 this is the one to go for.

What is most surprising about what Genovese and all of his co-writers have achieved is how simple the whole thing is. It is a basic premise. It is shot unstylishly. The plot weave has two, three at best turn points. The packaging of the film is so simple it almost puts into discussion the visual nature of film itself. Yet, what Genovese does as a director and what the screenplay achieves with its tight and relentless pacing is filling all of the simple surface of the film with a dark and riveting twist that manages to hold the viewer's interest without ever calling attention on itself.

All of the scenes are shot with basic coverage. There is no shot in the film that calls attention to itself. Where this is compensated is with incredible blocking, masterful editing and overall impeccable timing. Just as Lumet in 1957 manged to make twelve men in a room visually interesting, Genovese, even if to a slightly lesser extent, manages to take this setting and charge every action and dialogue line with a climactic effort.

When confronted with such a screenplay a director has to realize he has to step back and make the lines breathe, make the actors relevant, give the dialogue a flow and a meaning, trying not to make it become irrelevant. That is what Genovese does and to a brilliant effect, just like last year Danny Boyle made Sorkin's words enlighten the screen with energy, the director here gives the dialogue the spotlight and supports it with one little action at a time, all of which prove to be genius moves.

It could be so easy to give all the credit to these brilliant actors, who admittedly rise to this occasion and give a collection of amazing performances, yet what Genovese those is so understated, so brilliantly unnoticeable it is the mark of a superbly directed movie. He walks perfectly the line between being a showman and being laid back, he ends up forging that perfect balance which makes every edit matter and what comes out on the other side is a white-knuckle thriller.

Still, this screenplay has to be taken into account as the primary reason of success for the feature. Its character outlining is remarkable, everyone of these people feels fully rounded, you can sense all of their history weighing in on their shoulders. Every line further develops the relation between these people and takes a step forwards in defining them, you simply cling to every word trying to get to know them, their reality feels so interesting you want to be a part of it. It has almost a voyeuristic nature that is not too unlike Hitchock's "Rear Window". Naturally all of these actors have their A-game on which is the final ingredient into the craft of this overwhelming film.

Were you wondering what film is missing from your catalog this year? Well here's this Italian one-room thriller that will take you by surprise and leave you with an ending that is brave and original, which seals the deal on the film and charges it with the most thematic effort it could have ever had.