AVALIAÇÃO DA IMDb
5,7/10
6,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaBiographical sports drama based on the life of former Indian international cricketer, Mohammad AzharuddinBiographical sports drama based on the life of former Indian international cricketer, Mohammad AzharuddinBiographical sports drama based on the life of former Indian international cricketer, Mohammad Azharuddin
- Direção
- Roteiristas
- Artistas
Sammy Jonas Heaney
- Kid no.4
- (as a different name)
Hemant Choudhary
- Ad film director
- (as Hemant Chaudhary)
Virendra Saxena
- Azhar's Dad
- (as a different name)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Before Emraan Hashmi begins to portray Azhar, A Disclaimer shows up, saying: The following film is NOT a Biopic on the sport legend, but a rather adaptation on the much-talked personality. So, 'Azhar' is not a biopic, even though it covers almost all highlights of Azhar.
What works, despite that rather underwhelming disclaimer, is the fairly engaging narrative, held nicely by Director Tony D'Souza & Lead-Actor Emraan Hashmi, who bring merit & some sincerity in the goings-on. Though far from perfect, 'Azhar' is a decently made film, that certainly isn't anywhere close to being bad.
'Azhar' is Based on the life of Indian cricketer and former national team captain Mohammad Azharuddin. Right from his triumphant success, to his controversial professional & personal life.
'Azhar' is interesting in parts. Watching Azhar romance between his two wives, as well as take on captaincy in the Indian Team, offer some genuinely arresting sequences. His triumph does leave a mark. However, when Azhar is dragged to court for "match-fixing", the courtroom sequences that follow, are plain ordinary. The courtroom sequences lack fire. Had these sequences been better, 'Azhar' would've been a far superior adaptation.
Rajat Aroraa's Screenplay is quite decent, but why is the drama in the courtroom so lazily written? The Writing needed to be stronger, no two options on that! Even the dialogue, range from massy to entirely ridiculous. Tony D'Souza's Direction is well-done. He has handled the film competently. Cinematography is good. Editing is mostly crisp, but the second-hour could've been sharper. Music by Various Artists, is excellent. Background Score merits a special mention.
Performance-Wise: Emraan Hashmi as Mohammad Azharuddin/Azhar, is at his most sincere. The actor is in form, delivering a credible performance as the legendary sportsman. This is among Hashmi's better works, without doubt! Prachi Desai as Naureen, the first wife of Azharuddin, is excellent. Nargis Fakhri as yesteryear actress Sangeeta Bijlani, the second wife of Azharuddin, looks hot as ever, but falls flat acting wise. Lara Dutta as Meera, who fights against Azhar in court, is strictly okay. Kunaal Roy Kapur as Reddy, who defends Azhar, adapts a south Indian accent so fake, that he turns him into a caricature. Rajesh Sharma as M.K. Sharma, a slimy match fixer, is top-notch, as always. Others lend fair support.
On the whole, 'Azhar' isn't power packed, but its certainly watchable & also well-done in parts.
What works, despite that rather underwhelming disclaimer, is the fairly engaging narrative, held nicely by Director Tony D'Souza & Lead-Actor Emraan Hashmi, who bring merit & some sincerity in the goings-on. Though far from perfect, 'Azhar' is a decently made film, that certainly isn't anywhere close to being bad.
'Azhar' is Based on the life of Indian cricketer and former national team captain Mohammad Azharuddin. Right from his triumphant success, to his controversial professional & personal life.
'Azhar' is interesting in parts. Watching Azhar romance between his two wives, as well as take on captaincy in the Indian Team, offer some genuinely arresting sequences. His triumph does leave a mark. However, when Azhar is dragged to court for "match-fixing", the courtroom sequences that follow, are plain ordinary. The courtroom sequences lack fire. Had these sequences been better, 'Azhar' would've been a far superior adaptation.
Rajat Aroraa's Screenplay is quite decent, but why is the drama in the courtroom so lazily written? The Writing needed to be stronger, no two options on that! Even the dialogue, range from massy to entirely ridiculous. Tony D'Souza's Direction is well-done. He has handled the film competently. Cinematography is good. Editing is mostly crisp, but the second-hour could've been sharper. Music by Various Artists, is excellent. Background Score merits a special mention.
Performance-Wise: Emraan Hashmi as Mohammad Azharuddin/Azhar, is at his most sincere. The actor is in form, delivering a credible performance as the legendary sportsman. This is among Hashmi's better works, without doubt! Prachi Desai as Naureen, the first wife of Azharuddin, is excellent. Nargis Fakhri as yesteryear actress Sangeeta Bijlani, the second wife of Azharuddin, looks hot as ever, but falls flat acting wise. Lara Dutta as Meera, who fights against Azhar in court, is strictly okay. Kunaal Roy Kapur as Reddy, who defends Azhar, adapts a south Indian accent so fake, that he turns him into a caricature. Rajesh Sharma as M.K. Sharma, a slimy match fixer, is top-notch, as always. Others lend fair support.
On the whole, 'Azhar' isn't power packed, but its certainly watchable & also well-done in parts.
Biopics are gaining popularity in Indian Cinema as it tells the true incident of a person or event portrayed on the silver screen. With Dirty Picture, Bhaag Milkha Bhaag and Manjhi-The Mountain Man following the trend, it is thoroughly inspiring and motivating. Will "Azhar" lives up to the reputation and gives you hard-hitting drama with realistic views on life ? Well, let us check it out
"Azhar" tells the untold story of legendary cricket Mohammaed Azharuddin (played by Emraan Hashmi) who was center of controversy due to one incident which changed his life.
It takes nerve of steel to make biography of a famous personality who took 16 years of his life to fight for justice. First time film maker Tony D Souza does gives a sincere attempt but it too far from making any impact. The film talks about the cricket which is considered as the most famous game in India but matches shown in the film lacks the excitement. Tony D Souza only shows the brighter side of legendary cricketer but when a biography is being made, true introspection of a person's life should be depicted which include the grey areas as well. This is clearly missing in the film. The content of the film and even the characters have not been defined. The real-life drama has been tweaked into reel world with extra spices. The screenplay in the first half is pretty smooth but falls down in the later half. Art direction is good. Cinematography is excellent. Music is tuneful. Dialogues are too corny.
Being fan of Azharuddin, I was expecting Emraan Hashmi to deep-dive into the character. Unfortunately, I was disappointed. The actor tries hard but falls flat on the face. Still his performance is sincere compared to his previous films. Other actors like Lara Dutta and Kunal Roy Kapur gives a good performance. Prachi Desai does well in small role while Nargis Fakhri disappoints.
Overall, "Azhar" is a golden opportunity gone wasted.
"Azhar" tells the untold story of legendary cricket Mohammaed Azharuddin (played by Emraan Hashmi) who was center of controversy due to one incident which changed his life.
It takes nerve of steel to make biography of a famous personality who took 16 years of his life to fight for justice. First time film maker Tony D Souza does gives a sincere attempt but it too far from making any impact. The film talks about the cricket which is considered as the most famous game in India but matches shown in the film lacks the excitement. Tony D Souza only shows the brighter side of legendary cricketer but when a biography is being made, true introspection of a person's life should be depicted which include the grey areas as well. This is clearly missing in the film. The content of the film and even the characters have not been defined. The real-life drama has been tweaked into reel world with extra spices. The screenplay in the first half is pretty smooth but falls down in the later half. Art direction is good. Cinematography is excellent. Music is tuneful. Dialogues are too corny.
Being fan of Azharuddin, I was expecting Emraan Hashmi to deep-dive into the character. Unfortunately, I was disappointed. The actor tries hard but falls flat on the face. Still his performance is sincere compared to his previous films. Other actors like Lara Dutta and Kunal Roy Kapur gives a good performance. Prachi Desai does well in small role while Nargis Fakhri disappoints.
Overall, "Azhar" is a golden opportunity gone wasted.
Azhar review :
Before reviewing Azhar, it's important to understand what a biopic means and how Bollywood has misunderstood it:
A biopic is a cinematic adaptation of various events of a non- fictional personality (living or dead) dramatising (to some extent) crucial aspects of his/her life.
Unfortunately, Bollywood mistakes biopic to be a cinematic "glorification" of a real life person to such an extent that it turns him/ her in to a superhero of sorts. It worked fine with 'Neerja' whose story itself, was heroic. But when you do that to a controversial figure like Mohammad Azharrudin, it ends up looking fake. Truly, the climatic revealation of why Azhar fixed those three international matches of his otherwise illustrious career takes away all the good the movie built up to right till then....
A long disclaimer read out in the start tells you that the movie is not a biopic but an adaptation of Mohammad Azharrudin's life for entertainment purposes. Wow! I wish they had also stated that it will end up making him in to a messiah of sorts while tarnishing his fellow players including Ravi Shastri and the legendary Kapil Dev.
Anyways, the film covers all the major events of the former Indian captain's life - from his childhood when his Nanajaan (Kulbhushan Kharbanda, endearing) motivates him to vent his anger through the cricket bat rather than words, his still unbeaten back to back three centuries on debut, his handling of resentful senior players on being suddenly elevated to captaincy position as well as his personal life - initially blissful with his first wife Naureen (Prachi Desai) and his subsequent affair with bollywood actress Sangeeta (Nargis Fakhri).
Presented in non linear format, the narrative flows well and certain scenes like Azhar talking cricket lingo in his awkward first meeting with Naureen and his ad shoot with Sangeeta which is the germinating point for their affair are well executed.
On the other hand, certain questions like how did Azhar learn his trademark flick shot, what made him the outstanding fielder he was, how did he handle the tremendous success he got as a captain before the match fixing allegations struck him are unexplored. I wish director Tony D'Souza had touched upon these aspects.
Even the match fixing scandal is fleetingly passed with one scene where the bookie (Rajesh Sharma) is introduced to Azhar in the dressing room and a few scenes later, a deal is struck between the two of them.
On the film's positive is Emraan Hashmi knocking it out of the stadium with a solid performance. He doesn't physically resemble Azhar but gets the cricketers mannerisms and body language spot on. Maturing as an actor with every film of his, Emraan has come a long way from his serial kisser days. Of course, he gets his lip lock in Azhar as well but now, the guy can act like never before...
The supporting cast is a mixed bag. Rajesh Sharma is convincing as the bookie. Prachi Desai is okey dokey. Nargis Fakhri still can't act and here, she doesn't even try. Azhar's fellow mates (Shastri, Siddhu, Kapil, Manoj Prabhakar) are too one dimensional and caricatured to leave a mark.
On the tech front, editing appears flawed with an entire scene repeated for no rhyme or reason. The two romantic numbers are soulful but the Oye Oye song is poorly recreated.
Overall, Azhar works better as an entertainer than a biopic. It's desperate attempt to make him a messiah is its undoing. One time watch, nevertheless!
Regards, Sumeet Nadkarni.
Before reviewing Azhar, it's important to understand what a biopic means and how Bollywood has misunderstood it:
A biopic is a cinematic adaptation of various events of a non- fictional personality (living or dead) dramatising (to some extent) crucial aspects of his/her life.
Unfortunately, Bollywood mistakes biopic to be a cinematic "glorification" of a real life person to such an extent that it turns him/ her in to a superhero of sorts. It worked fine with 'Neerja' whose story itself, was heroic. But when you do that to a controversial figure like Mohammad Azharrudin, it ends up looking fake. Truly, the climatic revealation of why Azhar fixed those three international matches of his otherwise illustrious career takes away all the good the movie built up to right till then....
A long disclaimer read out in the start tells you that the movie is not a biopic but an adaptation of Mohammad Azharrudin's life for entertainment purposes. Wow! I wish they had also stated that it will end up making him in to a messiah of sorts while tarnishing his fellow players including Ravi Shastri and the legendary Kapil Dev.
Anyways, the film covers all the major events of the former Indian captain's life - from his childhood when his Nanajaan (Kulbhushan Kharbanda, endearing) motivates him to vent his anger through the cricket bat rather than words, his still unbeaten back to back three centuries on debut, his handling of resentful senior players on being suddenly elevated to captaincy position as well as his personal life - initially blissful with his first wife Naureen (Prachi Desai) and his subsequent affair with bollywood actress Sangeeta (Nargis Fakhri).
Presented in non linear format, the narrative flows well and certain scenes like Azhar talking cricket lingo in his awkward first meeting with Naureen and his ad shoot with Sangeeta which is the germinating point for their affair are well executed.
On the other hand, certain questions like how did Azhar learn his trademark flick shot, what made him the outstanding fielder he was, how did he handle the tremendous success he got as a captain before the match fixing allegations struck him are unexplored. I wish director Tony D'Souza had touched upon these aspects.
Even the match fixing scandal is fleetingly passed with one scene where the bookie (Rajesh Sharma) is introduced to Azhar in the dressing room and a few scenes later, a deal is struck between the two of them.
On the film's positive is Emraan Hashmi knocking it out of the stadium with a solid performance. He doesn't physically resemble Azhar but gets the cricketers mannerisms and body language spot on. Maturing as an actor with every film of his, Emraan has come a long way from his serial kisser days. Of course, he gets his lip lock in Azhar as well but now, the guy can act like never before...
The supporting cast is a mixed bag. Rajesh Sharma is convincing as the bookie. Prachi Desai is okey dokey. Nargis Fakhri still can't act and here, she doesn't even try. Azhar's fellow mates (Shastri, Siddhu, Kapil, Manoj Prabhakar) are too one dimensional and caricatured to leave a mark.
On the tech front, editing appears flawed with an entire scene repeated for no rhyme or reason. The two romantic numbers are soulful but the Oye Oye song is poorly recreated.
Overall, Azhar works better as an entertainer than a biopic. It's desperate attempt to make him a messiah is its undoing. One time watch, nevertheless!
Regards, Sumeet Nadkarni.
AZHAR REVIEW :- One of the most awaited film of Emran Hashmi's career from its trailer release to today. When i saw the Trailer of Azhar that time only, i decided to watch this film on First Day First Show. Reasons are known, Emran was looking promising after a long period plus i was interested in knowing our Cricketer Azharuddin's controversial life. Finally watched the Film and i am completely satisfied with this product, it completed all my expectations which were not high.
Acting- Excellent job by Emran Hashmi. I haven't seen his some acting oriented movies so i cant decide but still i say it is his Best Performance i've ever seen. His walking Style, Batting style, Dialogue delivery everything was perfect. Not award winning though, but still Kudos for him. Prachi Desai, Nargis Fakhri and Lara Dutta failed to match Emran. They didn't have much screen space, may be that was the reason but really their Make up talks louder than their Acting. Other star cast was strictly okay.
Music :- Certainly, not up to the mark. Songs just come and go. Nothing to remember. Same with Background Music.
Cinematography :- Worse. Really some scenes looks like daily soaps, especially Cricket match scenes. Disappointing field for the film.
Screenplay :- Good but not great. Good because of 130 minutes run time, and not great because editing could have been better. Many scenes and especially songs deserves cut. 2-3 loo breaks are there but still Film doesn't make you feel bore.
Dialogues :- Superb ! Clap worthy, whistle worthy and touching. I don't want to spoil much cause it will affect the impact of those dialogues.
Direction :- First of all i want to praise Tony D'Souza for daring to make controversial film like this and want to thank him for revealing some truths about Azharuddin. Direction is very good, surpassed my expectations. Tony crafted film very well, especially Interval and Climax scene.
Final Words :- Overall a good movie which deserved your one time watch for many reasons. We love you 'Fighter Azharuddin' forever. Thanks to Balaji Production for making this film so that we realise some unknown facts about our Azhar. Go for it, and don't watch it as a movie watch it as Azhar's real life story, movies like this comes very rarely. 7/10 stars by me.
Acting- Excellent job by Emran Hashmi. I haven't seen his some acting oriented movies so i cant decide but still i say it is his Best Performance i've ever seen. His walking Style, Batting style, Dialogue delivery everything was perfect. Not award winning though, but still Kudos for him. Prachi Desai, Nargis Fakhri and Lara Dutta failed to match Emran. They didn't have much screen space, may be that was the reason but really their Make up talks louder than their Acting. Other star cast was strictly okay.
Music :- Certainly, not up to the mark. Songs just come and go. Nothing to remember. Same with Background Music.
Cinematography :- Worse. Really some scenes looks like daily soaps, especially Cricket match scenes. Disappointing field for the film.
Screenplay :- Good but not great. Good because of 130 minutes run time, and not great because editing could have been better. Many scenes and especially songs deserves cut. 2-3 loo breaks are there but still Film doesn't make you feel bore.
Dialogues :- Superb ! Clap worthy, whistle worthy and touching. I don't want to spoil much cause it will affect the impact of those dialogues.
Direction :- First of all i want to praise Tony D'Souza for daring to make controversial film like this and want to thank him for revealing some truths about Azharuddin. Direction is very good, surpassed my expectations. Tony crafted film very well, especially Interval and Climax scene.
Final Words :- Overall a good movie which deserved your one time watch for many reasons. We love you 'Fighter Azharuddin' forever. Thanks to Balaji Production for making this film so that we realise some unknown facts about our Azhar. Go for it, and don't watch it as a movie watch it as Azhar's real life story, movies like this comes very rarely. 7/10 stars by me.
A poorly made movie which had a good story and a wonderful protagonist. Storytelling is the only thing which stands out. Director and Actors just donot add value to the movie. Characters r not at all worked out.
Você sabia?
- CuriosidadesThis is Emraan Hashmi's third movie concerned with cricket.
- Trilhas sonorasBol Do Na Zara
lyrics by Rashmi Singh and Virag Mishra
performed by Armaan Malik
Music by: Amaal Mallik
Arranged & Produced by: Meghdeep Bose
Principais escolhas
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- How long is Azhar?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- ₹ 380.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 147.521
- Tempo de duração2 horas 10 minutos
- Cor
- Proporção
- 2.35 : 1
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