Burn Your Maps

This is the kind of movie the world needs. One that is simple and yet crazy at the same time. Like who even sits down and thinks. "Hmmm, how about a movie/book about a young white American boy who thinks he is Mongolian"? This is originality at it's finest! This may be one of the most underrated films in the past decade and I so wish for it to be seen by more people. This movie will make you laugh, it will make you cry, it will make you cringe, and make you smile; and feel all of these different emotions at the same time! I can not by any means, do this film enough justice in describing it. All I can do is encourage everyone that I can to watch this film. It will make your day, trust me!

This film tells the story of a young boy who has an obsession with him being a Mongolian nomad.

The story is already really good during the first fifteen minutes, and it gets even better as it goes along. The story is incredibly moving, and contains profound wisdom. The line saying that we come with nothing is just amazing. Who would have thought an indie film would be so wise and beautiful. I definitely recommend watching this.

I was surprised in the amount of movies that kid Jacob Tremblay already played. At his young age he's already been is some good movies, even an excellent one like Room. In Burn Your Maps he's still only eleven but already a delight to watch. His character was funny and cute, it's what made this movie worth watching. The rest of the cast was also good with Vera Farmiga and Suraj Sharma playing the other two main characters. The story is just funny, a kid wanting to be a Mongolian and even though the Mongolian scenes are filmed in Alberta, Canada it looked like it could have been in Mongolia. Nice cinematography, very good acting and a pleasant story, Burn Your Maps got it all.

This film had become my white whale in recent years. It has taken me literally 5 years to see it. It's criminal how obscure Burn Your Maps has become - particularly given the incredible performances.

It felt unique and quirky. A young boy (Tremblay) becomes fixated on the idea he's a Mongolian goat herder who belongs in a Mongolian village. Through the ingenuity of his new friend Ismail (Sharma) he's able to venture to Mongolia with his grieving Mum (Farmiga) coming along too.

Burn Your Maps is as much about the grieving process and family, as it is being your authentic self. All elements work quite well together - it could even be categorised as a travel or adventure film. It's moving and emotional, while not falling too far into overly-sentimental moments.

Farmiga and Tremblay are at their best. The scenery is stunning (Canada stepping in for Mongolia). It's a beautiful film on many levels, with the incredible landscapes and cinematography adding to what is a touching story.

Glad I finally found this and was able to watch it. Gets you thinking about life, your identity and where you want to go. Burn Your Maps is a refreshing film in a cinematic era riddled with superheroes and reboots. Will check out the short story (of which this is based) by Robyn Joy Leff now!

This delightful film is a complete fantasy, especially once it leaves its urban setting for an entirely imaginary world of sun-drenched steppes and gambolling goats, full of benevolent, wise, leisured folks who queue up as soon as they are introduced to become our heroes' new best friends and mentors. It's all far too pleasant to be believable, but you would need a heart of the purest mud not to be taken in anyway. For all its wishful thinking, the story achieves the prerequisite for fantasy: it makes you want to know where this place is so that you can move there. The script is also often funny, and the actors are uniformly excellent.

The film has been criticised for not featuring enough Mongolian characters doing authentic Mongolian things, but I think that is missing the point of the story. This is not about actual Mongolia and its people, but about the vast open spaces, exciting and unknown, that open up in front of a nine-year old, just as his parents are seeing their own vistas suddenly shuttered by a personal disaster. This new world is only Asian and exotic in ways that are accessible to the child: grand scenery, semi-free farm animals, people who live in tents, unfamiliar language. But the emotional connections the boy and his mother make while there are, naturally, with people that they could have met in America. On the contrary, it is the other characters, coming over with no expectations, who find answers there to the questions that they did not know how to ask.