A Intervenção

Greetings again from the darkness. Clea DuVall: Actress/Writer/Director/Producer. No one who has followed her outstanding career (especially as a standout in many independent films) can be surprised that she is spreading her creative wings into all aspects of filmmaking. Her directorial debut can best be described as a contemporary version of Lawrence Kasdan's The Big Chill (1983) for today's thirty-somethings.

Casting is key for an ensemble project, and it's especially difficult for a serio-comedy exploring the insecurities and inherent unhappiness that corresponds to the closest relationships. The premise here is that four couples meet at a beautiful and isolated lake house just outside of Savannah. The motivation for this meet up of old friends is a "marriage intervention" for one of the couples … something that must have seemed better in theory than it plays out in reality.

The couple whose marriage is in the target zone is played by Cobie Smulders (The Avengers, "How I Met Your Mother") as exhausted mother of three Ruby, and Vincent Piazza ("Boardwalk Empire") as the long-ago-gave-up-trying Peter. The others are played by Melanie Lynskey ("Two and a Half Men") as Annie, who has continually postponed her wedding to super nice guy fiancé Matt played by Jason Ritter; Natasha Lyonne ("Orange is the New Black") as Sarah, long-time partner to Ruby's sister Jessie (Clea DuVall); and Ben Schwartz ("House of Lies") as Jack, who brings his free-spirited, much younger girlfriend Lola (Alia Shawkat, State of Grace).

We quickly witness the bitterness and lack of caring that has poisoned the marriage of Ruby and Peter, and of course, it doesn't take long to spot all the cracks in the relationships and personalities of the others. Annie is a control-freak who appears to be a full blown alcoholic, while Matt is such a nice guy, that he refuses to stand up for himself and have some pride. Sarah and Jessie avoid any serious discussion regarding why they aren't living together yet, while Jessie's weakness for younger girls plays a role – as does Sarah's secret. Jack is obviously avoiding dealing with some personal issue (which we later learn) as he plays kissie-face with the no-strings-attached Lola (not Lolita).

The script tries to tackle an enormous number of issues, sub-plots and characters, and while we pretty easily get a feel for each, we never understand how these people ever agreed that a group attack was the best strategy. No amount of charades, barbecue or kickball can hide the messes that define each of these folks … whether married or not.

The actors have tremendous comedy timing and handle these moments much better than the ultra-dramatic moments. Cobie Smulders and Ben Schwartz are real standouts here, which is quite a compliment given the tremendous on screen talents on display. It's a group that can gracefully pull off a Subaru joke while also playing cut-throat charades and dodging thrown peaches.

Ms. DuVall will undoubtedly go on to make better films than this one, but as a first project it offers some terrific moments. Sara Quinn (of Tegan and Sara) scores the film, and though some excellent tunes are included, the music was at times disruptive to the flow of the story. The film will probably hit home with a great many who fall into the thirty-something age group, though older viewers will likely prefer to re-visit The Big Chill from more than 30 years ago.

I was very interested in seeing Clea DuVall's directorial debut. For years I have only known her as an actress (a very capable one) so I wanted to see what her skills behind the camera, and behind the typewriter if I must say, were. I definitely think there are some contrivances here, flaws that continually stick out. The film is a bit disjointed at times and unsure of where it really wants to go, and yet it still never falls apart and is quite enjoyable. Although the screenplay is very flawed, it also shows a good amount of talent in its dialogue that makes me interested in what DuVall can create next. The reason it works so well is probably because of the very talented and dedicated cast. I do recommend it.

Loved it. Natasha and Melanie were hilarious as always and Clea is an outstanding director!

I've never written a review here but seeing this movie being compared to Big Chill, one of the finest movies about relationships ever, I couldn't help myself. I love these kind of movies but this is just bad filmmaking. Soulless, bad written characters and horrible story. Cannot believe that director is best friends with otherwise great Lynskey, cause she's given her one of the the worst roles of her life.

Well...I went to go see the movie because I like all the people that were in it. Jason Ritter, Natasha Lyonne, Alia Shawkat. The talent in the movie drew me in, I wanted to see it.

It's one of those movies that seems to be for a specific group of people. Like this generations Thirty-Something. Got to point out that the group of actors use look good for Thirty-Somethings, which more points out how different being Thirty-something now is than it was when that show aired.

But this is not the focus of the movie. The focus is on the intervention, a group of friends who have known each other forever try to convince two of their friends that they're in a bad marriage and need to end it. It's very ironic as you learn real quick, as everyone is tossing rocks when they all live in glass houses.

It has it's funny moments as the movie is very relateable about life and relationships, as everyone discovers where they are is not necessary where they belong. It makes for a lot of laughs, but sometimes I felt the dramatic performances were rushed to make it more funny.

The intervention is an OK film, it works for me cause I like the cast in it and the laughs come from a it's so funny it's true situation. I can see it not working for everyone for the same reasons.

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