O Estudante

The plot revolves around religious interpretation validity, but just out the shell.However, religion issues are a mere devise to show the detrimental progress of the mind of a boy traumatized for the absence of a father. That father longing, becomes the Father, and the Son religious metaphor that is at the same time took literally by the main character. The boy that is treated as a devote religious man, is never taken seriously as the boy that needs urgently a shrink to disclose the only reason for being ill minded. The pain of Growing without a father and the mother as the remaining culprit, no matter how she cares. The Bible as a textbook. And the Bible as the metaphor of the lacking lessons that a father could had given to his son. Divorce is the apple eaten by the new Adams and Eves of the 21th century.

There are several issues touched upon in this film; some of them very complex, and others, rather simple. First of all, there are no protagonists in this film. All the characters are flawed to some degree; some are extremely flawed. Also, there is no clear delineation between what is right or what is wrong. If you are religious, you will believe in one set of outcomes; if you are agnostic or atheistic, you will believe in other outcomes. Does God exist? Thomas Tafero wrote about this issue in his book (Amazon.com) called The Defense, where he had to defend his atheistic beliefs against six religious leaders of different faiths to receive his PHD (very good reading I might add). Aside from the religious aspect, there are the sexual overtones of the film, and finally the persecution of innocent teachers by school administrators who constantly take the word of students over the teachers (I had this experience at Jimei University in China, when one of the administrators believed six students who lived in the same dorm who cheated on their final paper. I had to eventually pass them after giving them all an F). I never thought I would see the day when Soviet schools would be so permissive. The film is interesting to see the current state of Russian education.

"The Student" – "(M)uchenik" directed by Kirill Serebrennikov is an attempt to reconsider religious fanaticism in the modern world. The picture is based on the play "Martyr" by German author Marius von Mayenburg and it was adapted to the reality of modern Russia.

In a way the problems touched upon in the film are universal and not connected to one particular religion. An interesting aspect of the film is the constant quoting of the Bible which shows that any religion can become an instrument of aggression. The picture is a sharp and humorous satire. The teachers in the film are very well depicted, they whose heads are full of self contradictory ideas combining Stalinism, Putinism, Communism, Liberalism and religion. The school administration cannot confront a religious fanatic because they themselves do not have any ideas or principles.

When the biology teacher tries to confront Veniamin, she also looks into the Bible, which she interprets in a vulgar and primitive way. The relations between Veniamin and Grigori are interesting; he becomes very close to Veniamin but we see later that Grigori is gay which is the real reason why he becomes his disciple.

The film is shot in a minimalistic way in this low-budget production, but the actors play well and the dialogues are very funny. The ideas of the picture are important, the film has an open end just as our society has an uncertain future with growing extremism and radicalism.

Venya is a teenager with attitude, he is cared for by a single mother who works three jobs to keep body and soul together. Then one day she gets a call from his school saying he is refusing to take part in mixed swimming lessons. She imagines all the reasons why a teenage boy may not want to do such an activity but never thought that it would be against his political convictions. However, he insists that he is religiously motivated and his stance finds traction in the school principle.

As he realises that religion is power so he sets out to control those around him by becoming a sort of walking, talking Bible. The passages he quotes are very subjective and selective but when delivered with absolute conviction seem to carry more weight and their implicit truth appears loaded with spiritual and moral currency. His Nemesis in this is a forward thinking science and biology teacher but he knows he has God on his side.

Now this is taken from the play by Marius von Mayenburg who is German and the original Russian title was '(M)uchenik' which is a play on Russian words in that muchenik is 'martyr' and 'uchenik' is student – and as such is a brilliant title, but would not work in English – hence 'The Student'. The issues of religious control and the like are hot and controversial topics with parallels to way more than Christianity and as such the film has had its critics.

The acting, directing and cinematography are all excellent and the plot is both compelling and urgent for a film that runs just shy of two hours it really does not waste any time – in Russian with good sub titles this is a film that will divide opinion and I think that is no bad thing – so recommended to those who like to have to think about their cinema.

This is the cinema we should be watching right now to rest a little bit of the same old famous faces from Hollywood and the same narratives.

The storyline adapts itself to the times we are living where the ultra Orthodox thinking is starting to rise again. Maybe it's not the end we were expecting to happen but it's the one a Russian direct can afford in their own political context.