XOXO: A Vida é uma Festa

Dance music is kind of difficult to capture in film. Even portraying dance music in a pop show on television never really works, because outside of a rave club, watching dance music is a bit boring.

Director Christopher Louie in XOXO has gone with a Robert Altman route of six mainly young strangers colliding on the way to and during a rave festival.

Graham Phillips has the main role as he plays DJ Ethan a YouTuber who with the help of his friend and manager Tariq gets to DJ at the festival. However he does not have the necessary passes and the equipment he uses is not compatible with that of the festival. Tariq is unavailable as he gets lost in a drug haze as he has been inadvertently spiked. There is an older clubber who seems to be bitter about something and past business relationships. There is a beautiful young girl who is planning to hook up with someone and a young couple who give their tickets away and then trying to gain entry into the rave. There is a hotshot DJ who leeches the work of younger talent.

It is all shown in bright vibrant colours with lots of young beautiful women and plenty of texting. The music was supervised by Pete Tong and after a shaky opening when you might wonder if this film is for you, it actually settles down pretty well.

XOXO tells stories about six different people that revolved around an electronic dance music festival. A young DJ, a manager, a hopeless romantic girl, an apathetic man, and a struggling couple. Their paths will collide and somehow, the music festival will brought out their worst and their best.

Plot-wise, this movie is really generic. None of the twists and resolutions are shocking nor original. The same can be say for the characters, as they were taken out of boring overdone tropes that previous movies has. The actors did an okay job, with Brett DelBuono rises among the rest. Sarah Hyland could be much better, given her Modern Family roots.

The visuals in this movie however, are appealing and engaging. Although there are no jaw dropping shots, this movie managed to capture the festival's spirit (which basically just a lot of people taking drugs and jump around til they're tired) just right.

If you like EDM and are looking for visual references, go ahead and watch. Otherwise, save your time. You're really not missing anything.

Various people are going to XOXO, an EDM music festival in the desert. I want to do drugs. I think it would help. As for the stories, I can take most of them. I would like Ethan to be less dumb or Avilo to be less obvious. More than anything, I want him to say something to the Asian chick. I get that he's not brave enough to challenge Chopper, but he should comfort the girl to show his moral compass. Sure, the movie is trying to give him a character arc, but I need to like him more than this. I am not saying that I hate any of this movie, but some of it is more annoying than being actually funny.

XOXO is the perfect film for the millennials. It's vibrant, colorful and passionate. I really enjoy this film and personally I think it's because it speaks to the younger self in me that's wishing I could party at a music festival but now at my age I don't know if I have the energy to do it.

Written by Dylan Meyer and directed by Christopher Louie, XOXO is essentially about six early 20-something strangers at the biggest EDM festival in America and their lives collide in one dream-chasing hopelessly romantic night. Graham Phillips plays DJ Ethan who gets to perform at the festival, he finally gets his big break, but situations leading up to that are quite rocky, plus his manager is going through his own separate ordeal. This is one of those ensemble films, meaning it features several key characters and all of them have equal share of screen time and you see their respective stories cross paths with each other.

First of all, I think any of you who've been to a festival before can certainly watch XOXO and plainly see the lengths to which this film went in order to accurately depict such event down pat. And once the sun goes down, the place is jumping with all kinds of folks, some are even there to just get high on drugs. It's basically a mini woodstock but with ten times the energy. The emphasis on the lighting, the wardrobe, all kinds of colors, the way the characters' lips or eyelids just glow in the dark, XOXO sure wants you to know that you are in for a party film where everybody is just there to live in the moment. The film features some of today's young talents and rising stars who are just right for their roles whether it be to captivate or inspire. At the heart of the story is this struggle or a conflict between following regular norm or hoping for something different like pursuing your passion or pursuing romantic encounter, as silly as that may sound to people, which is why I said earlier that this is the perfect film for millennials because we are the generation of not knowing what the future holds for us, we are the generation of taking chances and hoping for something more to come around. For all intents and purposes, XOXO is here to tell us that despite uncertainty and anxiety, somehow everything's going to be OK.

-- Rama's Screen --

I seem to be finding rather mixed reviews about this movie everywhere and I just felt it necessary to write my own review.

First off, the movie itself has so many flaws that it's nearly impossible to take seriously. I really wanted to like this movie, as I do have an interest in Hayley Kiyoko and Sarah Hyland, and because I love other movies with similar aesthetics (Spring Breakers, for example) but I guess they could only work with what they had. I don't understand why either of them would stoop to this level of garbage, but sure enough they did. Money is more important than substance.

The writing. The writing is so god awful that it's almost painful to watch it play out on- screen. The acting was obviously not top-notch but I blame that mostly on the terrible script itself. The characters were stereotypical and had very little redeeming qualities, not to mention they were so thinly written that you could care less about what happens to any of them. The story itself was also bad; nothing that exciting happened throughout the entire film and there were so many moments that randomly turned into an entirely aesthetic-fueled music video. In addition, the script seemed to find it very difficult to find any balance between negative and positive exploitation of the EDM festival scene. I constantly kept asking myself, "Is this trying to mock festival goers or is it trying to embrace them?"

The only redeeming qualities about this movie was the music (as an EDM fan, I did appreciate the soundtrack choices). The only other thing I would say was moderately decent was the visuals. Many of the visuals were well-done while some were very cheesy, so it was a mixed bag in that department. I was looking forward to this movie and was extremely disappointed because they could have done so much more with the story. Overall, I would not recommend this movie unless you simply want to watch it for the aesthetics, visuals and music. Do NOT expect a good story going into it and you may end up liking it more than I did.