A história de uma equipe de matemáticas afro-americanas e o papel central que desempenharam na NASA durante os primeiros anos do programa espacial nos Estados Unidos.A história de uma equipe de matemáticas afro-americanas e o papel central que desempenharam na NASA durante os primeiros anos do programa espacial nos Estados Unidos.A história de uma equipe de matemáticas afro-americanas e o papel central que desempenharam na NASA durante os primeiros anos do programa espacial nos Estados Unidos.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 37 vitórias e 94 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is the true story of three African-American women who worked for NASA on the Mercury program in the early 1960s. Solid performances by all, some laugh-out-loud scenes, and some very emotional moments. It's also an important look back at the civil rights issues of the time period. The climax is a bit Apollo 13ish, and I'm fairly certain some scenes were embellished, but who cares. You should walk away from this film smiling, maybe even a bit choked up.
And in spite of it being an overall positive experience, I could feel the oppression at certain points - Dorothy at the library just trying to find the right book, but it is in a part of the library to which she cannot gain admittance due to her race. Mary being reminded that she must sit in the back of the court room, again because of her race. Katherine runs across campus just to find a bathroom that she is allowed to use and never once complaining about it until she is publicly berated about her use of time. Kevin Costner's character appears to be a generally good person who doesn't care about race, and yet still never even thought about the difficulty of being forced into a certain bathroom half a mile away.
You don't need to understand the mathematics to enjoy the film, but I admit, it was fun to hear some concepts I haven't heard since my college days.
The theater was almost full, with people of all ages. I was particularly happy to see some kids there, as there is much for them to take away from this film.
Twice during the movie the audience broke into applause, and then applauded at the end credits as well. I don't recall the last time I heard that at a film. And most importantly - I did not see a cell phone light up the whole time - truly a miracle.
And in spite of it being an overall positive experience, I could feel the oppression at certain points - Dorothy at the library just trying to find the right book, but it is in a part of the library to which she cannot gain admittance due to her race. Mary being reminded that she must sit in the back of the court room, again because of her race. Katherine runs across campus just to find a bathroom that she is allowed to use and never once complaining about it until she is publicly berated about her use of time. Kevin Costner's character appears to be a generally good person who doesn't care about race, and yet still never even thought about the difficulty of being forced into a certain bathroom half a mile away.
You don't need to understand the mathematics to enjoy the film, but I admit, it was fun to hear some concepts I haven't heard since my college days.
The theater was almost full, with people of all ages. I was particularly happy to see some kids there, as there is much for them to take away from this film.
Twice during the movie the audience broke into applause, and then applauded at the end credits as well. I don't recall the last time I heard that at a film. And most importantly - I did not see a cell phone light up the whole time - truly a miracle.
In the opinion of this reviewer, an extraordinary achievement.
The characters on which the film is based were special and unique on their own, and well deserving of the sort of semi-documentary films that Hollywood likes to serve up.
However, to take that story and bump it up to a major "feel-good film" that engages the viewer from the getgo and does not let up until the very end of its 2 hour and 5 minute running time, THAT is what elevates this project to greatness.
I want to be clear on this because it is important. There are two ways to do a feel-good film. One is (ironically!) by the numbers, using proved plot arcs and other script devices to make it work. An example of this for example is the latest Disney release MOANA which has taken some heat from critics for being derivative and not original. But that, you see, is the tried and true method to achieve the effect that the producers wanted. And it works.
The other way to make a film engaging and fun is to use your instincts and your actors to get the most from each scene. No rule book, no fixed way of doing a scene, just doing what works. This is, I believe the way that writer/director Theodore Melfi set out to do Hidden Figures, and boy did he pull it off! The acting is stellar. Costner has matured in his latest film roles and his work here is as far from the nonsense he used to do (like the dreaded Robin Hood) as the earth is from the sun.
Taraji P. Henson finally lands a great role, the kind of role she was looking for when she left the hit series Person of Interest a tad early.
And every good film or TV series needs a character who is "the glue" or a reference point that the viewer can use, like a compass needle, to see where we are in the main story. Here Octavia Spencer gives the performance of her life as that "glue" and helps the director to pace the film.
Highly recommended.
The characters on which the film is based were special and unique on their own, and well deserving of the sort of semi-documentary films that Hollywood likes to serve up.
However, to take that story and bump it up to a major "feel-good film" that engages the viewer from the getgo and does not let up until the very end of its 2 hour and 5 minute running time, THAT is what elevates this project to greatness.
I want to be clear on this because it is important. There are two ways to do a feel-good film. One is (ironically!) by the numbers, using proved plot arcs and other script devices to make it work. An example of this for example is the latest Disney release MOANA which has taken some heat from critics for being derivative and not original. But that, you see, is the tried and true method to achieve the effect that the producers wanted. And it works.
The other way to make a film engaging and fun is to use your instincts and your actors to get the most from each scene. No rule book, no fixed way of doing a scene, just doing what works. This is, I believe the way that writer/director Theodore Melfi set out to do Hidden Figures, and boy did he pull it off! The acting is stellar. Costner has matured in his latest film roles and his work here is as far from the nonsense he used to do (like the dreaded Robin Hood) as the earth is from the sun.
Taraji P. Henson finally lands a great role, the kind of role she was looking for when she left the hit series Person of Interest a tad early.
And every good film or TV series needs a character who is "the glue" or a reference point that the viewer can use, like a compass needle, to see where we are in the main story. Here Octavia Spencer gives the performance of her life as that "glue" and helps the director to pace the film.
Highly recommended.
Hidden Figures is a real gem of a film.
First and foremost this is down to some incredible performances. Taraji P Henson, Octavia Spencer and Janelle Monae were an absolute joy to watch. From the very first scene with all three of them on screen together, you just knew the film was going to be something special. All three of them were fantastic and I couldn't take my eyes off of them. The supporting cast were also great, but it really was all about these three talented actresses smashing it.
The story is something very special too. It was one I knew nothing about, but am so glad I now know more about it thanks to this film. Hidden Figures tracks the careers of three women working at NASA at the height of the space race. The film is so inspiring as we witness their perseverance, their incredible spirit and talent, and their pioneering impact on humanity's exploration of space. This alone would have been impressive, but these women were able to achieve what they did in the face of gut wrenching sexism and racism. Hidden Figures does such a good job of shining a light on the racism and despicable attitudes that these women had to face, and as a result is a pretty tough watch at times.
What also makes this film very special is the expertly crafted script. If, like me, you have no idea about science and maths, don't let that put you off. The script does a great way of simplifying things, so that you can appreciate the gravity and importance of what these women were doing, without getting bogged down in heavy exposition.
I really could not recommend this film enough. Everything about it fits together so perfectly, from the direction to the acting to the score, its just such a good well rounded film.
Watch Hidden Figures ASAP! You will not be disappointed.
First and foremost this is down to some incredible performances. Taraji P Henson, Octavia Spencer and Janelle Monae were an absolute joy to watch. From the very first scene with all three of them on screen together, you just knew the film was going to be something special. All three of them were fantastic and I couldn't take my eyes off of them. The supporting cast were also great, but it really was all about these three talented actresses smashing it.
The story is something very special too. It was one I knew nothing about, but am so glad I now know more about it thanks to this film. Hidden Figures tracks the careers of three women working at NASA at the height of the space race. The film is so inspiring as we witness their perseverance, their incredible spirit and talent, and their pioneering impact on humanity's exploration of space. This alone would have been impressive, but these women were able to achieve what they did in the face of gut wrenching sexism and racism. Hidden Figures does such a good job of shining a light on the racism and despicable attitudes that these women had to face, and as a result is a pretty tough watch at times.
What also makes this film very special is the expertly crafted script. If, like me, you have no idea about science and maths, don't let that put you off. The script does a great way of simplifying things, so that you can appreciate the gravity and importance of what these women were doing, without getting bogged down in heavy exposition.
I really could not recommend this film enough. Everything about it fits together so perfectly, from the direction to the acting to the score, its just such a good well rounded film.
Watch Hidden Figures ASAP! You will not be disappointed.
Hidden Figures is a really good movie. I never read Margot Lee Shetterly's book, but I might now. This is a wonderful movie about civil rights, space travel, and new technology. It pulls in many different characters and personalities. Theodore Melt did a wonderful job directing. The story focus on the technical aspects. However the movie is never slow, it keeps moving and keeps you interested. The casting was good. Octavia Spencer, Taraji Henson, Janelle Mona, and Kevin Costner did an incredible job. There was also wonderful performances by Jim Parsons and Kirsten Dunst. Hidden Figures is a fun and exciting movie about advancement in ideas and technology. Its is also a very uplifting movie about bravery and taking chances. It is really good. I enjoyed it.
I'm an engineer. I designed computers, I grew up in the south during the 1950s and 1960s. I was heavily involved in the space race at an early age and watched every launch and recovery on black-and-white TV. I never saw separate restrooms and drinking fountains for "colored" but they were there. I never rode on segregated public buses, but they were there and I knew it. This movie, "Hidden Figures," brings all of these worlds back to me. No, it's not a painstakingly accurate picture. NASA didn't have flat-panel screens back then. Communications between the ground and the Mercury capsules were not static-free. But a lot of this movie feels real. Very real.
The protagonists in this movie are three women of color working in one of the most unwelcoming environments they might hope to find: NASA Langley, Virginia, in 1961. As women, they were employed as human "computers" because they were less expensive and they got their numbers right. As "colored" folk, they got their own separate (and sparse) restrooms and their own, separate dining facilities. This was not America's shining hour, even in some place as lofty as NASA.
At the same time, civil unrest was rising in the towns. This is the time of Martin Luther King's rise to prominence. It's a time just before the rise of militant civil rights groups. It's a time when resistance to segregation and discrimination was still civil, but as the movie shows, that resistance was beginning to firm up and become widespread.
There are several reasons to see this movie: from a civil rights perspective; from a feminism perspective; from the perspective of the early space race when we lagged the Soviet Union, badly. If you lived during this time, see the movie to remember. If you were born later, see this movie to see what things were like.
The protagonists in this movie are three women of color working in one of the most unwelcoming environments they might hope to find: NASA Langley, Virginia, in 1961. As women, they were employed as human "computers" because they were less expensive and they got their numbers right. As "colored" folk, they got their own separate (and sparse) restrooms and their own, separate dining facilities. This was not America's shining hour, even in some place as lofty as NASA.
At the same time, civil unrest was rising in the towns. This is the time of Martin Luther King's rise to prominence. It's a time just before the rise of militant civil rights groups. It's a time when resistance to segregation and discrimination was still civil, but as the movie shows, that resistance was beginning to firm up and become widespread.
There are several reasons to see this movie: from a civil rights perspective; from a feminism perspective; from the perspective of the early space race when we lagged the Soviet Union, badly. If you lived during this time, see the movie to remember. If you were born later, see this movie to see what things were like.
Você sabia?
- CuriosidadesWhen Taraji P. Henson signed on for the lead role, she met with Katherine Johnson, who was 98 years old, to discuss the character she was about to portray. Henson learned that Johnson had graduated from high school at age 14 and from college at age 18 and was still as lucid as anyone years younger. After the film was screened for Johnson, she expressed her genuine approval of Henson's portrayal but wondered why anybody would want to make a film about her life.
- Erros de gravaçãoIn the movie, the impression is given that John Glenn's flight was to have lasted seven orbits and was curtailed after three orbits due to the problem with the heat shield. This is incorrect as the flight was always scheduled for three orbits. Where the confusion comes in, on reaching orbit Glenn was given a "go" for seven orbits meaning the systems, fuel, oxygen, etc. could sustain the astronaut for seven orbits IF needed.
- Citações
Al Harrison: Here at NASA we all pee the same color.
- Trilhas sonorasCrave
Written and Performed by Pharrell Williams
Pharrell Williams performs courtesy of i am OTHER Entertainment/Columbia Records
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Talentos ocultos
- Locações de filme
- East Point, Geórgia, EUA(Katherine's home)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 169.607.287
- Fim de semana de estreia nos EUA e Canadá
- US$ 515.499
- 25 de dez. de 2016
- Faturamento bruto mundial
- US$ 235.957.472
- Tempo de duração2 horas 7 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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