Em Busca de Fellini

Amazingly not a valentine to Fellini, this strange film invents and fluently speaks its own language throughout. It is pure storytelling - never veering into hero worship, it stays with the story of this young, fascinated woman on her peculiar journey of discovery. It manages to extract some of the more dazzling and compelling images from Fellini's films, particularly not to say emphatically, Giulietta Masina in La Strada and weave it facilely with the character's "real" time experiences. (How did they do that?!) I expected the worst but instead found it romantic and lighthanded, at times delightful. Anyone who goes to this film in search of parenting wisdom, will likely be disappointed. We are - refreshingly - shown her upbringing as a fait accompli without moralization, or in Fellini-like fashion. The film is the opposite of prescriptive.

Very lovely work.

It's 1993. Lucy Cunningham (Ksenia Solo) is a naive 20 year old living in small town Ohio with her dreamer mother Claire (Maria Bello). Claire is so protective that anything or anyone dying would require her to write a postcard to Lucy pretending to be the loved one or pet still alive and simply on a joyful trip. After reading a newspaper ad, Lucy decides to apply for a film job in the big city of Cleveland. She promptly loses her Vespa and the job turns out to be porn. She is drawn to a Fellini film festival which leads her to a life-changing journey to Italy while her mother hides her terminal illness.

This is a nice coming-of-age story. Quite frankly, I like this more than all those other finding-yourself-in-Italy movies. The three ladies create a great family connection. I find the surrealism in Cleveland very endearing. It could use more surrealism in Italy. It's definitely trying to recreate Fellini with many of the old film clips. It's very Fellini but it needs to be more. One way to create more surrealism is Lucy's drawings. It would be interesting to see her artwork come alive. While I like Ksenia Solo, she is in her late 20's but the character is only 20. At times, she can't quite reach the wide-eyed innocent that the role requires. The character is already more childlike than her twenty years. It's asking a lot from an actress in her late 20s. Overall, it's a wonderful trip with an appealing character.

If you're looking for a typical Hollywood cookie-cutter predictable film, stay at home and watch Bridget Jones because this isn't one of those.

Its stunning photography and enough of a Fellini film's "Huh?", mixed with a story which made me have to suspend belief a couple times but then I remembered it's not a documentary so I was good again. Oh, yeah - it's a movie! I got immersed, involved and actually got a bit emotional at the end.

I probably came away with a slightly different take on what the film was about than you will, and that's my favorite thing about art. Go see it and enjoy the beauty of your own journey with this lovely film.

You don't have to be a Fellini fan to enjoy and appreciate this movie, but if you have some familiarity, you will catch the references built into both the story and the cinematography (which is beautiful) and the Fellini clips integrated throughout. The story is a stylized, semi-autobiographical view of a solo trip co-writer Nancy Cartwright made to Italy in her early 20s after becoming enamored of the films of Federico Fellini. Ksenia Solo as Lucy, gives a wonderful performance, growing from wide eyed innocence and naivety through her experiences, good and bad (and bizarre). Her eyes alone speak volumes in every scene. Maria Bello and Mary Lynn Rajskub as Lucy's mother and aunt also shine as they negotiate their relationships both with Lucy and each other.

In Search of Fellini was beautifully done. Every moment of the actors' lines and scenes were authentic. The entire cast did very well in their roles, from the film extras to the lead roles. Peter Arpesella as Fellini's assistant was also very well done.

Ksenia Solo was a delight to watch as the isolated, painfully shy, innocent, and vulnerable Lucy. Enrico Oetiker as Pietro lit up the screen with his natural charisma and quiet intensity. Enrico did not have much overall screen time, but made a strong and lasting impression. Maria Bello as Lucy's mother and Mary Lyn Rajskub as Kerri were wonderfully acted.

The love interests in this film share an onscreen chemistry that is rare. Their connection was natural, organic, and profound. There are moments in this film that remind me of the unmatched magic like quality of the many Italian classics I have enjoyed. The film score flows seamlessly within this movie and is just the right complement to the action and often is quite moving. The film is not necessarily fantasy and not quite realistic, but somewhere in between...perfect for a Fellini inspired film and very well done tribute to a master.