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Its brilliance lies in its simplicity. Lights out doesn't attempt to confuse anyone, nor does it look to introduce a totally original idea. Instead, it boldly and unambiguously taunts the audience with the message, "you were all afraid of the dark as kids and most of you still are."

Never has a scary movie villain had such an easy foil—light. Literally any kind of light—sun, fluorescent, bright. They each work perfectly well. Shine any sort of light in the direction of this movie's monster and she disappears. Poof. She's gone and everyone is safe. Writing this, I recognize that this doesn't sound even the tiniest bit scary. Yet somehow, as I sat in my well-lit house after watching the movie, I felt afraid.

A brief telling of the plot: there's a monster-demon-ghost-girl named Diana that lives only in darkness because light hurts her, and sometimes she kills people. She haunts other people in the movie who try to not be killed by her and also they try to defeat her. That's really all there is to know. Yes, it's a very simple plot, but still an enjoyable one, at least in this instance.

Something about the beautiful simplicity of the scare tactics just worked. Nothing confusing, nothing shocking. There weren't even very many classic hanging suspense moments interrupted by loud, jolt scares. These we textbook jump scares. A seemingly safe moment with normal amounts of sound that slowly drifts to silence then POW! A jump scare.

You may be thinking, "this sounds lame. How does this brutally basic approach yields effective scares?" Great question, my astute and thoughtful reader.

I've thought about this question and come up with a few explanations. First, we owe a tremendous credit to the actress who played Diana (Alicia Vela-Baley). Her intimidating posture and sickly contorting and Freddy Kruegerish flailing arms bring to life a terrifying character, whose mere presence on screen is enough to leave viewers unsettled. There's something about crouching, and Vela-Baley is great at it. Seeing a person crouch in a well-lit area is comical. But looking at a crouching figure in the shadows, that will make your skin crawl. The other explanation that I will offer is the visceral nature of the scares. Much of the movie takes place in the dark and the dark is scary. We are evolutionarily predispositioned to fear the dark. It's a survival instinct. Don't argue with me on this. I'm right.

Anyway, the dimly-lit, shadowy settings are the perfect playground for visceral and pure jump scares. Director David F. Sandberg hits all the right beats in framing and lurking camera movement to maximize this simple and smart approach.

So, that's it. If you can't stand jump scares or scary movies, don't see Lights Out. Honestly, I'm not sure why you're even reading this review if you don't like scary movies. If you do like jump scares and scary movies, watch Lights Out. And maybe buy a couple extra lightbulbs or a nightlight before you do.

This movie will get your pulse up fast, revealing the "horror" very early on. Interestingly enough, it keeps that pulse up throughout the movie despite of this. The concept of something that can only appear and be seen if it's dark (and with a somewhat supernatural ability to destroy light bulbs) is bound to lead to a jump scare or ten whenever it appears. Towards the end you've almost gotten so used to it that the scare effect wears off a bit, and is one of two reason I don't rank this a 10. But thanks to a good story and good actors, the movie still holds its ground to the very end.

The characters are really good, well written and performed, and with a young boy that if not before, totally kick started his future acting career with this movie. Who doesn't love a young prodigy? The plot has some weight and emotion to it, and with a solid ending that wraps things up in a much more satisfying way than most similar movies.

The other small drawback with this movie for me was mostly because of slightly unrealistic behavior from our main characters, occasionally. Like when miss heels from Jurrasic World is worried that when she releases T-Rex it won't be able to follow her if she runs. So, she waits for it to come close, walks for a bit, then runs. Those kinds of unrealistic behaviors. But I've seen much worse, and this movie doesn't take the "unrealistic" very far, or often, so I suggest you just put this on and roll with it!

All in all you get everything you want from a jump scare movie with Lights Out, with a good plot and good actors that deliver, and a scare factor we all can relate to. You might not be so happy with turning of your lights going to bed later that night, so if you have a weak stomach you might wanna sit this one out.

Mystery and horror movie including chills , intrigue , terrifying happenings and it's certainly better than most other films of the same genre concerning a diabolic and mysterious terror appearing at a house . Enjoyable horror movie with thrills , chills and strange events , while the roles scream and panic her way through most of their scenes and including limited CGI . One of the film's strongest points is the fact that there's quite a lot of fun to be had with the supernatural aspects of the storyline . Stars Rebecca (Teresa Palmer) who must unlock the horror behind her traumatized little sibling's (Gabriel Bateman)grisly experiences that once tested her sanity , bringing her face to face with a supernatural spirit attached to their mother (Maria Bello) . At mother's house takes place a series of strange and eerie incidents . Later on , Rebecca is shocked when to be aware about the weird person there inhabits . Everything then changes in eerie way and things go wrong . You were right to be afraid of the dark. Darkness will consume you. Every Child Need To Feel Loved.

A creepy and thrilling film about a haunting house where lives a weird being , it packs inexplicable disturbing occurrences , shocks, thrills , suspense , chills, hair-rising events and surprising final twist . This starts off at the very beginning occuring mysterious happenings , as the camera lurks suspensenful behind its actors and beside them and above them and everywhere else . A scary and unsettling flick that garnered very positive reception on the internet in spite of its short budget , as the picture goes on growing more and more and developing little by little until the unexpected conclusion . The main and support cast are pretty well , giving attractive performances such as Teresa Palmer , Maria Bello , Gabriel Bateman , Alexander DiPersia and brief acting by Billy Burke as unfortunate father.

The pic contains a dark and colorful cinematography by Marc Spicer . Equally, a mysterious and suspenseful musical score by Benjamin Wallfisch , composing a sinister atmosphere . The motion picture was competently directed by horror expert David F. Sandberg who made the decision to focus on practical effects and avoided as much computed generator effects as possible . Being feature film debut of David F. Sandberg . As David decided to expand his original short film Lights out (2013) into a feature film thanks to producer James Wan , the latter has financed and directed notorious horror movies , such as : Swamp Thing , The Curse of La Llorona , Saw saga , Annabelle: Creation , Conjuring saga , Insidious saga , Demonic , Annabelle , among others . While fimmaker David Sanberg has made a few films all of them limited to short movies and terror genre as Annabelle : Creation , adding a peculiar superhero movie : ¡Shazam! (2019) . Rating 6.5/10. Acceptable and decent terror movie. Well worth watching.

If you want to make it in Hollywood's horror industry nowadays, you have to make a scarily good short movie with one terrific idea and a handful of spooky images, and then simply hope that it'll go viral on the internet. If it works, influential producers will undoubtedly offer you a big sum of money to turn the short into a full-feature film and, with a bit of luck, your career is launched. It worked for Andy Muschietti with "Mama", and now he's helming the massively popular "It" remakes. It even worked for James Wan in 2003 already, with "Saw", and he's now so successful that he can act as influential producer to launch the careers of new arrivals, like he did for David F. Sandberg and his splendid "Lights Out".

I'm honestly happy to state that "Lights Out" is - at least in my own personal and humble opinion - the first mainstream horror movie in a very long time that is truly good and genuinely frightening. As cliched as it might sound, "Lights Out" is the type of fresh new film that restores hope and faith in in the horror genre for old and narrowly cynical fans like myself. The story is simple but highly effective, the lead characters are sympathetic and identifiable for a change, and the special effects (or even the lack thereof) definitely rank the most unnerving ones of the decade. Yes, it's another tale of an eerie ghost terrorizing a poor family, and admittedly several of the jump-scare moments are foreseeable, but the Diana character is authentically nightmarish and for me it was quite exceptional that I hoped for all these likable lead characters to survive instead of to die a quick & painfully.

It wasn't until I checked the credits that I realized this was based off of the short film by David F. Sandberg. I knew the lights off/lights on shadow figure thing seemed familiar. While I really loved the short film, I don't necessarily agree that it needed the full length treatment. I feel like we see this a lot - capitalize off some popular internet thing that, when extended, loses some of what made it special in the first place. The short film was unsettling and creepy as it was; giving it a back story and more detail made it feel cheapened. I'm not a huge fan of "BOO!" gotcha horror movies, though; I come from a generation that was raised on the original Halloween and, for me, that is the apex of subtle, creepy, slow burn etc - everything that makes one get enveloped in a movie. When there are two many jump-atchas, it is jarring and does not make for high replay value (for me, anyway). I thought the mental asylum backstory was so played out; I feel like maybe that trope should be burned alive. We get it. Although that's kind of how I also feel about kids being creepy (or "troubled"), too. There's just so little variation in horror these days. Not all bad, though - I feel like the choice of Teresa Palmer as Maria Bello (Sophie)'s character's daughter was a fantastic choice. I not only enjoyed her performance but I feel she looks the part; she looks like a younger version of her.