LBJ: A Esperança de uma Nação

When I saw the cast for this and then saw the average rating of 6.0 I thought, there must be something terribly wrong with this movie. There isn't! The cast is good through and through and Woody Harrelson which I feel is still underrated is tremendous as LBJ. It takes a little time to get the focus of the movie but it becomes clear after about a third of the film and it all builds too a very strong ending. If you like this kind of movies, you will definitely enjoy LBJ.

When you make a movie about historic events it is always hard. People will criticize it is not accurate enough or that you portrayed the person to positive or to negative depending on who it is. To sum it up, there is a lot of expectation of what a movie like LBJ should be. And people are always disappointed if they don't get what they expect. In this case I can see that people are maybe disappointed that the movie ends where LBJ's presidency begins. There is much more to tell but that was not the intend of this film so I can criticize that. From a technical standpoint, cast, direction, music, script and so on this a really good movie.

If you want to see a similar take on LBJ but with a focus more on LBJ's presidency I recommend to watch "All the way" from 2016 with Bryan Cranston as LBJ.

Greetings again from the darkness. More than 50 years after his death, President John Kennedy casts an ever-present shadow over Lyndon Baines Johnson's career as a stellar politician and a President with significant accomplishments. Part of the reason is presentation – JFK was a story book leader straight from the fashion magazines, while LBJ was a vulgar-at-times comic book adversary who looked and talked funny. Each has been portrayed on film numerous times and from various perspectives.

Woody Harrelson and his facial prosthetics play LBJ, and Mr. Harrelson seems to be enjoying the swagger and emotional range of the titular man. What this film does that's a bit different from others is embrace the comedic elements – enhanced by both the performance and the script from Joey Hartstone. It seems odd (a somewhat awkward) to have so many laughs in a movie where the infamous 1963 Presidential motorcade, and subsequent assassination, form the backdrop.

Director Rob Reiner presents LBJ in all his crude and gruff glory, but also shows the ultimate politician – a man who was constantly negotiating. Intimidation was always part of the LBJ motif, and the film effectively displays the tactics used by John and Bobby Kennedy (Jeffrey Donovan, Michael Stahl-David) to take the wind out of LBJ's sails after the election.

There are reenactments throughout the film that place us back in the middle of iconic images seared into our memories … the motorcade after the shots, the scene at Parkland, and the swearing in aboard Air Force One with Jackie still wearing her blood-stained Chanel suit. This was an incredible time in our history, as the nation was emotionally shattered. It's for this reason that much of the film seems disjointed or misguided. Too much (or maybe not enough) attention is on LBJ's strained relationship with Georgia Senator Richard Russell (Richard Jenkins), one of the most racist men we've seen on screen. Their discussion of race relations while being served dinner by the black woman is beyond uncomfortable – yet still somehow too stagey.

Most of the film is spent on LBJ's time as Senator and Vice President, with only the final act being about his famous networking upon ascending to the Presidency … after which the entire focus is on the Civil Rights Act. The flow of the film seems a bit off, though most will enjoy watching Harrelson's performance – especially when paired with Jennifer Jason Leigh's Lady Bird. Together, the two almost rescue the script.

Few things are as comfortable as a Rob Reiner film. The director who is still commonly referred to lovingly as Meathead by fans of the iconic All in the Family television series has been directing films since the early 80's and his films are consistently entertaining inoffensive fair marketed to mass audiences. The Princess Bride, A Few Good Men, The American President and The Bucket List are just a sampling of the director's filmography that audiences will be familiar.

Those that watch Rob Reiner on the talk show circuit would know that the outside of being an actor and director, he is very political activist who uses his celebrity status to bring attention to equal rights and to social issues such as violence and tobacco use.

So it is a bit of surprise that Rob Reiner has never made a film that might leverage his strong activist lifestyle. Until now, that is.

LBJ is Rob Reiner's film about the 36th President of the United States, Lyndon B. Johnson, who was thrust from the Vice-President's chair to the Oval Office desk after the assassination of John Fitzgerald Kennedy on that fateful November day in 1963.

Woody Harrelson plays LBJ and the film takes us backwards and forwards in time from LBJ's unsuccessful run for the Democratic Party nomination through JFK's assassination and ultimately through the President's fight for an Equal Rights Bill.

The heart of the film comes from LBJ's battle within his own party. Robert Kennedy (Michael Stahl-David) is hardly a fan of the foul-mouthed Texan who was hand-picked by brother John for the Vice-President position. The two will battle wills and disagree on almost all political talking points throughout their tenures. Also providing resistance to LBJ's forward thinking is Senator Richard Russell (Richard Jenkins) from the state of Georgia. Russell is portrayed as a racist that does not believe that individuals of color deserve the same rights and freedoms as all other Americans. LBJ does his best to try and win the trust of Russell and LBJ walks the thin line of keeping Russell in the fold before he abandons his friendship with the Senator in his attempt to fulfill the inroads JFK had made in his equal rights efforts prior to his assassination.

Harrelson is barely recognizable as the title character. The make-up is thick to ensure he resembles the former President. At times, the make-up is brilliant. The big ears and receding hairline of LBJ is captured expertly. But at other times – particularly in close-ups – the make-up looks like Harrelson was an extra in Warren Beatty's Dick Tracy film.

LBJ is obviously the focus, but there is ample time given to JFK. And the assassination in Texas is captured with valuable attention to detail. The assassination is a key point in the life of LBJ and Rob Reiner takes the time to film it correctly (it was filmed in Texas exactly where the shooting took place). Jeffrey Donovan (televisions Burn Notice) plays Kennedy and brings subtle touch to the role not attempting to overdo the Boston drawl.

As with all other Reiner films, LBJ plays it safe. Audiences may learn a few things about the complicated man along the way. His foul mouth, how he would have meetings while sitting on the toilet, and his insecurity always believing that he was not loved by either his inner circle or his country (he did win re-election by the widest margin in American history). To my embarrassment, I didn't know that LBJ was in a procession car with JFK the day he was killed. But LBJ is no Lincoln. Where the Spielberg film was brilliantly written and a character study of both a political family and the process to which they battled, LBJ skims the surface like a rock skipping along calmer waters. Gritty, LBJ is not.

But safe entertainment can still be good entertainment and Reiner is surely a master at that craft. There is plenty of humor in the film to keep the characters interesting and keeping the story non-linear works to valued effect. LBJ will not be considered Rob Reiner's best work, but it is exactly what you can come to expect from the director. And slipping into a comfortable shoe can be so so comfortable.

I was 10 when LBJ became president. I associated him more with possibly putting me in Vietnam than anything else. It wasn't a good impression. This movie and Harrelson's excellent portrayal fleshes out the man as someone who had mastered the art of political give and take, who was as powerful a senator as you could become, and yet someone who needed people's approval and even love. If you expect to see LBJ the great manipulator and master politician, you'll only get a little of that. More, you'll get exposed to LBJ's complex relationships with his wife Lady Bird, John and Bobby Kennedy, Kennedy's presidential staff, and one or two congressmen such as Senator Russell of Georgia. Set against a huge backdrop, this is still an intimate movie of LBJ the man. My wife and I both enjoyed it.

Lyndon Johnson gets a very sympathetic (while RFK does not) look from the most unlikely of defenders in liberal film maker Bob Reiner's LBJ. The grossly misleading title about this larger than life character however covers little of his career, deciding instead to zero in on the period around JFKs assassination, Johnson's ascendancy to the Presidency and passage of The Civil Rights Bill. It offers an interesting look at power play at the highest levels as Johnson intimidated to begin with by all the Harvard intelligentsia in the cabinet attempts to establish himself.

Woody Harrellson's LBJ passably captures the crassness and incertitude but fails to deliver the man in full that as Senate Majority leader bullied and cajoled members into line. There are flashes of the famed abrasiveness but they are far out weighed with a pouting, insecure LBJ huddling with Lady Bird. Anyone familiar with this man's public career know the material Reiner had in his arsenal to make an outstanding character study. Instead he only gives us a chapter of an incredibly controversial career when we are expecting a book. LBJ shortchanges.