LBJ: A Esperança de uma Nação

When I saw the cast for this and then saw the average rating of 6.0 I thought, there must be something terribly wrong with this movie. There isn't! The cast is good through and through and Woody Harrelson which I feel is still underrated is tremendous as LBJ. It takes a little time to get the focus of the movie but it becomes clear after about a third of the film and it all builds too a very strong ending. If you like this kind of movies, you will definitely enjoy LBJ.

When you make a movie about historic events it is always hard. People will criticize it is not accurate enough or that you portrayed the person to positive or to negative depending on who it is. To sum it up, there is a lot of expectation of what a movie like LBJ should be. And people are always disappointed if they don't get what they expect. In this case I can see that people are maybe disappointed that the movie ends where LBJ's presidency begins. There is much more to tell but that was not the intend of this film so I can criticize that. From a technical standpoint, cast, direction, music, script and so on this a really good movie.

If you want to see a similar take on LBJ but with a focus more on LBJ's presidency I recommend to watch "All the way" from 2016 with Bryan Cranston as LBJ.

I was 10 when LBJ became president. I associated him more with possibly putting me in Vietnam than anything else. It wasn't a good impression. This movie and Harrelson's excellent portrayal fleshes out the man as someone who had mastered the art of political give and take, who was as powerful a senator as you could become, and yet someone who needed people's approval and even love. If you expect to see LBJ the great manipulator and master politician, you'll only get a little of that. More, you'll get exposed to LBJ's complex relationships with his wife Lady Bird, John and Bobby Kennedy, Kennedy's presidential staff, and one or two congressmen such as Senator Russell of Georgia. Set against a huge backdrop, this is still an intimate movie of LBJ the man. My wife and I both enjoyed it.

The movie starts with LBJ (Woody Harrelson) and wife Lady Bird (Jennifer Jason Leigh) waiting for the arrival of President Kennedy (Jeffrey Donovan) at the Dallas airport in 1963 with rival liberal Texas Senator Yarborough (Bill Pullman). In flashbacks, he promises Bobby Kennedy (Michael Stahl-David) not to run for President. He is asked to join the ticket by JFK over Bobby's object. As VP, he cajoles leading southern Democrat Senator Richard Russell (Richard Jenkins). The second half follows the JFK assassination.

There is superb acting from Harrelson in a character study of the President from director Rob Reiner. There are some glaring physical drawbacks. First thing I noticed is that Harrelson is not quite the towering presence that the President was in real life. There is a real need to have that hulking sense on the screen. It's partly his physical presence that contributes to his power. In the same vein, Jeffrey Donovan doesn't have the pretty boy face of JFK especially if the movie keep harping on that fact. It wouldn't matter if those two Presidents aren't so defined by those characteristics. What gives the movie its power comes from LBJ calling, cajoling, and negotiating with the political world. It is more problematic to try to climax with his speech which is not his biggest strength. The climax should be the passing of the civil rights bill. Instead, it is covered in the closing text. Overall, Harrelson does an admirable job despite his physical dissimilarities. Outstanding support comes from Richard Jenkins. It's a solid biopic.

Woody Harrelson completely disappears into the role of LBJ.

Great acting. A good inside look at LBJ and the aftermath of JFK's assassination, especially for those not alive when it happened.

Worth a rental.

Greetings again from the darkness. More than 50 years after his death, President John Kennedy casts an ever-present shadow over Lyndon Baines Johnson's career as a stellar politician and a President with significant accomplishments. Part of the reason is presentation – JFK was a story book leader straight from the fashion magazines, while LBJ was a vulgar-at-times comic book adversary who looked and talked funny. Each has been portrayed on film numerous times and from various perspectives.

Woody Harrelson and his facial prosthetics play LBJ, and Mr. Harrelson seems to be enjoying the swagger and emotional range of the titular man. What this film does that's a bit different from others is embrace the comedic elements – enhanced by both the performance and the script from Joey Hartstone. It seems odd (a somewhat awkward) to have so many laughs in a movie where the infamous 1963 Presidential motorcade, and subsequent assassination, form the backdrop.

Director Rob Reiner presents LBJ in all his crude and gruff glory, but also shows the ultimate politician – a man who was constantly negotiating. Intimidation was always part of the LBJ motif, and the film effectively displays the tactics used by John and Bobby Kennedy (Jeffrey Donovan, Michael Stahl-David) to take the wind out of LBJ's sails after the election.

There are reenactments throughout the film that place us back in the middle of iconic images seared into our memories … the motorcade after the shots, the scene at Parkland, and the swearing in aboard Air Force One with Jackie still wearing her blood-stained Chanel suit. This was an incredible time in our history, as the nation was emotionally shattered. It's for this reason that much of the film seems disjointed or misguided. Too much (or maybe not enough) attention is on LBJ's strained relationship with Georgia Senator Richard Russell (Richard Jenkins), one of the most racist men we've seen on screen. Their discussion of race relations while being served dinner by the black woman is beyond uncomfortable – yet still somehow too stagey.

Most of the film is spent on LBJ's time as Senator and Vice President, with only the final act being about his famous networking upon ascending to the Presidency … after which the entire focus is on the Civil Rights Act. The flow of the film seems a bit off, though most will enjoy watching Harrelson's performance – especially when paired with Jennifer Jason Leigh's Lady Bird. Together, the two almost rescue the script.