Situado durante os últimos dias do Império Otomano, segue um triângulo amoroso entre Michael, um brilhante estudante de medicina, a bela e sofisticada Anna, e Chris, um renomado jornalista a... Ler tudoSituado durante os últimos dias do Império Otomano, segue um triângulo amoroso entre Michael, um brilhante estudante de medicina, a bela e sofisticada Anna, e Chris, um renomado jornalista americano radicado em Paris.Situado durante os últimos dias do Império Otomano, segue um triângulo amoroso entre Michael, um brilhante estudante de medicina, a bela e sofisticada Anna, e Chris, um renomado jornalista americano radicado em Paris.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 8 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's a shame that this film's IMDb page has effectively been hijacked by trolls because it covers a politically sensitive topic. Over 90% of all voters have either given it 1 or 10 stars, clearly attempting to sway the rating one way or another without actually watching the film and judging it on merit. 'The Promise' doesn't actually focus on the Armenian genocide itself, rather it is set during the final years of the Ottoman Empire and centers for the most part on a developing love triangle involving the main character.
Looking at this film objectively and without joining the many others in disputing its historical accuracy, I thought 'The Promise' was an impressive and well-made drama film. The plot is engaging and well-constructed and is effective in balancing the telling of historical events with an emerging romance. It also looks great - the production and cinematography is excellent and it features some stunning scenery. Unfortunately the genuine ratings and reviews for this film have been drowned out by so many one-line one-star fake reviews.
Looking at this film objectively and without joining the many others in disputing its historical accuracy, I thought 'The Promise' was an impressive and well-made drama film. The plot is engaging and well-constructed and is effective in balancing the telling of historical events with an emerging romance. It also looks great - the production and cinematography is excellent and it features some stunning scenery. Unfortunately the genuine ratings and reviews for this film have been drowned out by so many one-line one-star fake reviews.
God bless all the people who made this fill possible. Not just for the Amermenian genocide perpetrated by the Turks, but for the Greeks and Assyria s also.
On another note, it it completely insane how there are so many 1 star reviews on a movie of this caliber. I guess it helps reveal the evil is still alive to this day when it comes to this subject.
On another note, it it completely insane how there are so many 1 star reviews on a movie of this caliber. I guess it helps reveal the evil is still alive to this day when it comes to this subject.
Well, screw those who would destroy History because truth hurts their feelings. The Armenian genocide happened, and whoever tries to censor this film will do so in vain, or so I hope.
The movie is good, in general Oscar Isaac doesn't disappoint, and Le Bon adorably shines. That said, the crude, sad part is hard enough to watch, especially when you consider what's been shown is a mild version of what happened.
It's a good movie, even though a ten is too much, I have to over-vote it to compensate for those who willingly down-vote in order to bury the truth in the sand. Worth to get to know what happened, if only because many wouldn't want you to.
The movie is good, in general Oscar Isaac doesn't disappoint, and Le Bon adorably shines. That said, the crude, sad part is hard enough to watch, especially when you consider what's been shown is a mild version of what happened.
It's a good movie, even though a ten is too much, I have to over-vote it to compensate for those who willingly down-vote in order to bury the truth in the sand. Worth to get to know what happened, if only because many wouldn't want you to.
I was curious which version of the Armenian Genocide this movie would tell. A fiction, that 1.5 million Armenians, 500,000 Greeks, and 250,000 Assyrian Christians were victims of a "civil war?" Or would its makers place responsibility where it belongs -- on the leaders of the Ottoman Empire in WW-I?
To this day, the Turkish government refuses to admit the crime and its supporters took great lengths to derail this movie by flooding internet cinema sites with poor 1.5 ratings to discourage Americans from seeing the film. This, despite the courageous efforts of Turkish dissidents and opposition political leaders who have dared to speak up on the ugliest episode in their country's history.
The story portrayed against the backdrop of this crucial period of history is a simple one. A gifted medical student, Michael played by Oscar Isaacs (Inside Llewyn Davis/Ex-Machina/A Most Violent Year) whose acting matches the intensity of the times -- receives his betrothed's dowry to complete his medical education in Constantinople. Michael arrives just as the genocide begins and falls in love with the beautiful Anna, an Armenian music protégé --performed by French-Canadian Charlotte Le Bon (The Hundred Foot Journey/The Walk) who lives with her lover Chris Meyers, an AP reporter determined to expose the genocide (played by Christian Bale (Empire of the Sun/American Hustle/American Psycho).
Director Terry George, a native of Belfast, Northern Ireland (Hotel Rwanda/In the Name of the Father/Hart's War) skillfully factors in crises of the heart without trivializing the gravity of the horrific massacre in Anatolia.
I digress here to confess a lesson learned. Coming from a Hellenic heritage scared by 400 years of Ottoman occupation, I expected a larger Greek presence in this movie. My ethnocentric desire to see a Greek army coming to the Armenians' rescue, made me miss entirely the message conveyed in this work. I selfishly asked "...why were my people left out of this flick?" Fortunately, as the end of the movie approached, two thoughts came.
First, the Armenians deserve to have THEIR story told uncluttered by others. Besides, at least we Greeks HAD a country to escape to.
Second, I realized that my people were in the movie and yours were, too. The Cambodians under Pol Pot, Native Americans, the Armenians and the victims of Naziism in Europe: Gypsies, Homosexuals, the horribly so-called "Mental Deficients" the peasants/workers of Russia, and of course, the Jews, are all our people!
Perhaps someday when we realize that our Humanity is all we have to share with one another, such movies will no longer be necessary.
To this day, the Turkish government refuses to admit the crime and its supporters took great lengths to derail this movie by flooding internet cinema sites with poor 1.5 ratings to discourage Americans from seeing the film. This, despite the courageous efforts of Turkish dissidents and opposition political leaders who have dared to speak up on the ugliest episode in their country's history.
The story portrayed against the backdrop of this crucial period of history is a simple one. A gifted medical student, Michael played by Oscar Isaacs (Inside Llewyn Davis/Ex-Machina/A Most Violent Year) whose acting matches the intensity of the times -- receives his betrothed's dowry to complete his medical education in Constantinople. Michael arrives just as the genocide begins and falls in love with the beautiful Anna, an Armenian music protégé --performed by French-Canadian Charlotte Le Bon (The Hundred Foot Journey/The Walk) who lives with her lover Chris Meyers, an AP reporter determined to expose the genocide (played by Christian Bale (Empire of the Sun/American Hustle/American Psycho).
Director Terry George, a native of Belfast, Northern Ireland (Hotel Rwanda/In the Name of the Father/Hart's War) skillfully factors in crises of the heart without trivializing the gravity of the horrific massacre in Anatolia.
I digress here to confess a lesson learned. Coming from a Hellenic heritage scared by 400 years of Ottoman occupation, I expected a larger Greek presence in this movie. My ethnocentric desire to see a Greek army coming to the Armenians' rescue, made me miss entirely the message conveyed in this work. I selfishly asked "...why were my people left out of this flick?" Fortunately, as the end of the movie approached, two thoughts came.
First, the Armenians deserve to have THEIR story told uncluttered by others. Besides, at least we Greeks HAD a country to escape to.
Second, I realized that my people were in the movie and yours were, too. The Cambodians under Pol Pot, Native Americans, the Armenians and the victims of Naziism in Europe: Gypsies, Homosexuals, the horribly so-called "Mental Deficients" the peasants/workers of Russia, and of course, the Jews, are all our people!
Perhaps someday when we realize that our Humanity is all we have to share with one another, such movies will no longer be necessary.
Should be required viewing in every high school Social Studies class to show the dangers of alternative facts and disputed leadership and the necessity of individual moral fortitude. History forgotten is history repeated. Every viewer will be forced to examine what they would be willing to sacrifice, what actions would they take, what can or can't they live with? While the romance is beautiful and an obvious audience draw, it is the beautiful photography and the Oscar caliber acting by Oscar Issac earning my score. How sad is it no studio would touch this subject requiring the private funding of an Armenian billionaire?
Você sabia?
- CuriosidadesAll the proceeds from the film's theatrical run went to nonprofit organizations, including the Elton John AIDS Foundation and other human rights and humanitarian groups.
- Erros de gravaçãoNear the end, Michael, as the narrator says that Yeva joined the Women's Army Auxiliary Corps (actually, he says "Women's Army Corps, a common movie mistake) after the Japanese attack on Pearl, but she is wearing a U.S. Marine Corps uniform.
- Citações
Mikael Boghosian: God help me, I want revenge.
Ana: I don't care. Hey, our revenge will be to survive.
- ConexõesFeatured in Intent to Destroy (2017)
- Trilhas sonorasThe Promise
Written and Performed by Chris Cornell
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- La promesa
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.224.288
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.095.718
- 23 de abr. de 2017
- Faturamento bruto mundial
- US$ 12.448.676
- Tempo de duração2 horas 13 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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