AVALIAÇÃO DA IMDb
7,8/10
13 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA spirited 18-year-old woman is married off to a man she barely knows as she combats the daily struggles of living in Hiroshima during World War II.A spirited 18-year-old woman is married off to a man she barely knows as she combats the daily struggles of living in Hiroshima during World War II.A spirited 18-year-old woman is married off to a man she barely knows as she combats the daily struggles of living in Hiroshima during World War II.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 10 vitórias e 11 indicações no total
Ava Pickard
- Suzu (Young)
- (English version)
- (narração)
Kenna Pickard
- Harumi
- (English version)
- (narração)
Karen Strassman
- Rin
- (English version)
- (narração)
Melodee Spevack
- Kiseno
- (English version)
- (narração)
Michael Sorich
- Juro
- (English version)
- (narração)
Tony Azzolino
- Yoichi
- (English version)
- (narração)
Anne Yatco
- Additional Voices
- (English version)
- (narração)
Bailey Bucher
- Additional Voices
- (English version)
- (narração)
Bryce Papenbrook
- Additional Voices
- (English version)
- (narração)
Cherami Leigh
- Additional Voices
- (English version)
- (narração)
Christopher Corey Smith
- Additional Voices
- (English version)
- (narração)
- (as Christopher Smith)
Cindy Robinson
- Additional Voices
- (English version)
- (narração)
Cristina Valenzuela
- Additional Voices
- (English version)
- (narração)
Dane Price
- Additional Voices
- (English version)
- (narração)
Dorothy Elias-Fahn
- Additional Voices
- (English version)
- (narração)
- (as Johanna Luis)
Joe Ochman
- Additional Voices
- (English version)
- (narração)
- (as Joseph Whimms)
Julie Ann Taylor
- Additional Voices
- (English version)
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is by no means the first animated film from Japan about life in that country during the Second World War. Isao Takahata's Grave of the Fireflies came out in 1988, and while there are similarities, there are also many differences.
The lead character is called Suzu and we follow her life in and around Kure and Hiroshima before, during and after Japan's involvement in the Second World War. While there is no mention of the attack on Pearl Harbour, America's attacks on mainland Japan are shown in graphic detail. The hardship and suffering of the civilian population is the main focus of the film and punches are definitely not pulled.
All in all a great animated film, personally I'm going to try to watch more films directed by Sunao Katabuchi.
The lead character is called Suzu and we follow her life in and around Kure and Hiroshima before, during and after Japan's involvement in the Second World War. While there is no mention of the attack on Pearl Harbour, America's attacks on mainland Japan are shown in graphic detail. The hardship and suffering of the civilian population is the main focus of the film and punches are definitely not pulled.
All in all a great animated film, personally I'm going to try to watch more films directed by Sunao Katabuchi.
"In This Corner of the World" is one of the most beautiful anime I have ever seen. It is a story that will touch the heart of the viewer, a story that tells what seems a simple story, but that has layers and more layers in it, and that will stay with you for a long time after the end credits roll.
The story centers on Suzu, a young girl from Hiroshima, before, during and after the Second World War. She has a brother and a sister, she loves to paint and draw (and is a real artist), she enjoys simple things and has an easy smile, she just wants to be happy and help the ones that surround her.
However, life is never so simple and here, the war comes into play. And "In This Corner of the World" does a great job in balancing the small (Suzu) with the big (Hiroshima, the war and its consequences...). Even if Suzu is almost always there, on the screen, many little details, small conversations, and the interaction between characters depict a world of violence, of hate, of power and unresolved conflict. It is sad, it is touching and it shouldn't be a surprise if it makes you cry.
The animation is amazing. It is all very cute and smily, which makes the hard moments hit harder, the sad moments be sadder, and the angry moments make you angrier. The color palette, and the character's expressions help to bring the story to life and to make all of them feel real and close and their needs and desires truthful.
It is a great movie and totally worth viewing. Highly recommended.
The story centers on Suzu, a young girl from Hiroshima, before, during and after the Second World War. She has a brother and a sister, she loves to paint and draw (and is a real artist), she enjoys simple things and has an easy smile, she just wants to be happy and help the ones that surround her.
However, life is never so simple and here, the war comes into play. And "In This Corner of the World" does a great job in balancing the small (Suzu) with the big (Hiroshima, the war and its consequences...). Even if Suzu is almost always there, on the screen, many little details, small conversations, and the interaction between characters depict a world of violence, of hate, of power and unresolved conflict. It is sad, it is touching and it shouldn't be a surprise if it makes you cry.
The animation is amazing. It is all very cute and smily, which makes the hard moments hit harder, the sad moments be sadder, and the angry moments make you angrier. The color palette, and the character's expressions help to bring the story to life and to make all of them feel real and close and their needs and desires truthful.
It is a great movie and totally worth viewing. Highly recommended.
Greetings again from the darkness. There is something hypnotic about the hand-drawn animation of writer/director Sunao Katabuchi's film based on the 2007-09 Japanese manga (comic) by Fumiyo Kouno. With some similarities to Takahata's 1988 classic Grave of the Fireflies, it's more than a wartime drama – it's a story of the human spirit.
It's 1935 and Suzu is a young girl who lives in Eba, a town in Hiroshima. She is an exceptional artist with a vibrant imagination and an adventurous approach to life. Her innocence and pleasant childhood existence is rocked when, as a teenager, she receives an out-of-the-blue marriage proposal from a stranger. Life with his family in Kure forces Suzu into a daily routine of cleaning, mending and cooking – all while longing for her family in Eba.
The film clicks through the months and years, and provides a history of war time from the perspective of a family and village. While the date of August 6, 1945 hovers on the viewer's mind, we experience how family dynamics are affected by war time. For Suzu, her daily routines such as food preparation provide a necessary structure and distraction, despite the ever-worsening shortage of food and supplies. These stresses are compounded by air raid warnings over the radio and Suzu suffers through vivid nightmares.
We so easily connect with Suzu as she continually fights through hardships – both physical and emotional – because of her determination to live a good life and overcome all obstacles. This is such expert story telling with a beautiful presentation, that the film periodically reminds us that war is close by. Even in a war torn country, the people must find a way to go about daily life while treasuring the rare moments of joy and understanding the strength of togetherness. It's rare that an animated movie can deliver such a humanist look at fully formed characters and their feelings all within a historical setting.
It's 1935 and Suzu is a young girl who lives in Eba, a town in Hiroshima. She is an exceptional artist with a vibrant imagination and an adventurous approach to life. Her innocence and pleasant childhood existence is rocked when, as a teenager, she receives an out-of-the-blue marriage proposal from a stranger. Life with his family in Kure forces Suzu into a daily routine of cleaning, mending and cooking – all while longing for her family in Eba.
The film clicks through the months and years, and provides a history of war time from the perspective of a family and village. While the date of August 6, 1945 hovers on the viewer's mind, we experience how family dynamics are affected by war time. For Suzu, her daily routines such as food preparation provide a necessary structure and distraction, despite the ever-worsening shortage of food and supplies. These stresses are compounded by air raid warnings over the radio and Suzu suffers through vivid nightmares.
We so easily connect with Suzu as she continually fights through hardships – both physical and emotional – because of her determination to live a good life and overcome all obstacles. This is such expert story telling with a beautiful presentation, that the film periodically reminds us that war is close by. Even in a war torn country, the people must find a way to go about daily life while treasuring the rare moments of joy and understanding the strength of togetherness. It's rare that an animated movie can deliver such a humanist look at fully formed characters and their feelings all within a historical setting.
A coming of age story set during WWII depicting the story of Suzu a girl forced to marry away from her home. Viewers may find parallels to 'Grave of the fireflies' another animated Japanese film depicting war time struggles of the ordinary people. In fact the struggles of the everyman(woman) is heavily featured in this story of a young girl in a fish out of water situation while maintaining her inherent innocence in spite of the horrors of war.
It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.
What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.
It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.
What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.
If you have chance to watch this movie, no matter what you must. And if you like it, you had better go looking ofor original manga book. I have been huge fan of original manga work but am still surprised the quality of this animation version. It was so true to original and yet what added has all tasty meanings. I found this masterpiece of animation as a rare case of triumph being transitioning media.
Você sabia?
- CuriosidadesWith a runtime of 168 minutes, the extended version is the longest animated film ever produced.
- Versões alternativasA rumoured extended version, supposedly titled "Kono Sekai no (Sara ni Ikutsumono) Katsumi ni" ("In This Corner (and Other Corners) of the World"), has supposedly ~30 minutes of additional footage, that is reported to emphasize the relationship between Rin, Shusaku and Suzu. Slated to premiere in mid-December 2019.
- ConexõesFeatured in In This Corner: Then and Now (2017)
- Trilhas sonoraskanashikite yarikirena
by Kotringo
Principais escolhas
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- How long is In This Corner of the World?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- In This Corner of the World
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 172.147
- Fim de semana de estreia nos EUA e Canadá
- US$ 24.205
- 13 de ago. de 2017
- Faturamento bruto mundial
- US$ 19.496.308
- Tempo de duração2 horas 9 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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