O Internato: Condenadas ao Silêncio
Título original: Gyeongseonghakgyo: Sarajin sonyeodeul
AVALIAÇÃO DA IMDb
5,7/10
4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She ... Ler tudoA sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She tries to discover what secret is hidden.A sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She tries to discover what secret is hidden.
- Prêmios
- 6 vitórias e 6 indicações no total
Kim Dong-hyun
- Driver
- (as Kim Dong-Hyun)
Park Joo-hee
- Joo-Ran's Mother
- (as Joo-hee Park)
Park Sung-yeon
- Counselor
- (as Seong-yeon Park)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The Silenced, or the title literally translated as "The Lost Girls" have all setups you want to see in a mystery boarding school/orphanage movies. It includes mysterious rules, secret room, long dark halls, and confused school girls. This movie set in Japanese occupation era in Korea, where an all-girls sanatorium/boarding school to prepare them to go to Tokyo for a scholarship while recovering their physical health. But, little did a sickly girl who are new in the house, students are missing one by one.
While all seems perfect and I am ready to love this, I encounter myself in a confusing situation where I can't differentiate all of the students' faces. They wear uniform, they share same hairstyle, quite same body type, and I am trying enough to focus on their facial features to determine who's who and I give up and only knows who is she after her name is mentioned. Although this is very subjective and minor to the whole movie, I feel this situation withdraw me to join the buildups to the climax. But ... only if the buildups are good.
Another problem is, I think the movie is too dragging to explain or showing something. It's good at first because we have some bases to know what you may expect in terms of gore/jumpscares/violence you may encounter in the movie, but some depictions (like the main character having treatment in bed) happens for at least five times without any major development. It makes me difficult to follow the narration and to build the anticipation to the climax.
When the climax is happening, I was quite entertained, but it's too stale after watching many buildups, so it just felt flat. I like it more if the buildups can be more focused on one theme and cut the drama scenes. With lots of conflicts without any sort of increasing tension (and I don't know who's who), it seems that the climax (with quite obvious resolution) can't justify the movie as something worth watching, compared to movies with similar themes.
Even though it's quite low in my perspective, for those who like some glimpses about what's happening in Japanese occupation (although it's probably not quite accurate either), you'll like this one. I, for instance, like how they used Korean and Japanese language interchangeably in the movie to depict what is the status of the language in that era. More than that, I guess you can have yourself a try if you like this kind of movie, but I'm sure it's easy to find another movie that have better buildups, and you can differentiate the actors' faces.
While all seems perfect and I am ready to love this, I encounter myself in a confusing situation where I can't differentiate all of the students' faces. They wear uniform, they share same hairstyle, quite same body type, and I am trying enough to focus on their facial features to determine who's who and I give up and only knows who is she after her name is mentioned. Although this is very subjective and minor to the whole movie, I feel this situation withdraw me to join the buildups to the climax. But ... only if the buildups are good.
Another problem is, I think the movie is too dragging to explain or showing something. It's good at first because we have some bases to know what you may expect in terms of gore/jumpscares/violence you may encounter in the movie, but some depictions (like the main character having treatment in bed) happens for at least five times without any major development. It makes me difficult to follow the narration and to build the anticipation to the climax.
When the climax is happening, I was quite entertained, but it's too stale after watching many buildups, so it just felt flat. I like it more if the buildups can be more focused on one theme and cut the drama scenes. With lots of conflicts without any sort of increasing tension (and I don't know who's who), it seems that the climax (with quite obvious resolution) can't justify the movie as something worth watching, compared to movies with similar themes.
Even though it's quite low in my perspective, for those who like some glimpses about what's happening in Japanese occupation (although it's probably not quite accurate either), you'll like this one. I, for instance, like how they used Korean and Japanese language interchangeably in the movie to depict what is the status of the language in that era. More than that, I guess you can have yourself a try if you like this kind of movie, but I'm sure it's easy to find another movie that have better buildups, and you can differentiate the actors' faces.
The plot is indeed a bit all over the place, especially in the second half, but I loved the movie nonetheless. The acting was very convincing and I felt very sympathetic to the girls. While not strictly a horror movie, this is a must see.
It isnt a good movie or bad movie. I thought it would be horror but it really just thriller and mystery the acting was good especially at the end of movie. And its kinda boring.
You can ask yourself many things with this. From morality (to mortality I guess), to group dynamics, to children with bad influences to bullying. Of course it's not that the movie points everything out, or spells everything out. Also for a movie playing mostly inside a building, this is very "far out"! There are some pretty strange things going on and by the end of it you will catch up.
Of course, the end will split a lot of people. Because while we are aware this is nothing ordinary, what we get to see is way extra ordinary. Is that something the movie can pull off? I'd say more no than yes, but it depends on the viewer. It's well done overall and it can be a pleasant watch, if you let it
Of course, the end will split a lot of people. Because while we are aware this is nothing ordinary, what we get to see is way extra ordinary. Is that something the movie can pull off? I'd say more no than yes, but it depends on the viewer. It's well done overall and it can be a pleasant watch, if you let it
It was perhaps a good film, but its style was a bit confusing. Individual scenes were suddenly cut off for no apparent reason, with the missing part shown much later in flash-back.
And unless you have a lot of friends or acquaintances that are oriental you might have trouble keeping track of the characters. (The old "they all look alike" cliché.)
For an OWM (old white male) like me, it especially didn't help that not only did most of the characters look very similar, they all wore identical clothing. The scenes that were fast paced didn't give me enough time to figure out who is who.
Just to make it worse, each character had two different names (their real name and their school name), and to top it off, one of the names was used for two different characters.
Being able to recognize the difference between Korean and Japanese might help too.
I suspect I'd like it better if I watched it a second time.
And unless you have a lot of friends or acquaintances that are oriental you might have trouble keeping track of the characters. (The old "they all look alike" cliché.)
For an OWM (old white male) like me, it especially didn't help that not only did most of the characters look very similar, they all wore identical clothing. The scenes that were fast paced didn't give me enough time to figure out who is who.
Just to make it worse, each character had two different names (their real name and their school name), and to top it off, one of the names was used for two different characters.
Being able to recognize the difference between Korean and Japanese might help too.
I suspect I'd like it better if I watched it a second time.
Você sabia?
- CuriosidadesDuring the argument between the Japanese officer and the Headmistress, the officer's haircut is very casual by Japanese military standards of that era. It looks more like a contemporary style. It's doubtful that a Japanese officer, or enlisted soldier, would have been allowed to wear his hair in such a way, as the style would more likely have been either closely cropped or very closely trimmed along the edges.
- Erros de gravaçãoThe fidelity of the props to the setting of Japanese Empire in Korea during the late 1930's is actually quite impressive. However, one detail kept cropping up over and over, and that is the intravenous (IV) equipment. What I see are spiked drip chambers using clear plastic and topped by white plastic spikes. Plus, the fluid runs through clear IV tubing regulated by white plastic roller-type flow regulators. These did not exist in the '30's. The standards of the time utilized rubber "surgical" tubing, metal thumb clamps, and rate controlled by eyeballing fluid volume administered over a given time, such as 4 ounces per hour. This would be read off of a scale printed or cast molded onto the side of the bottle.
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- How long is The Silenced?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 2.457.364
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was O Internato: Condenadas ao Silêncio (2015) officially released in India in English?
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