Lucy in the Sky: Uma Lágrima na Imensidão

First of all, the only sci-fi part of the film is that the Space Shuttle program never ended. Second, as many other reviewers noticed, the movie starts really well, then it fizzles... it just fizzles. One can actually hear the feeble flatulent sound of the ideas in the movie going absolutely nowhere. The difference between the beginning and the ending is so vast that your mind is blown away and you go crazy, not unlike being in space for the first time.

It's a frightening window into what men see strong women as being: rigid, driven, single minded, egocentric, scary and ultimately going nuts whenever they need to chill and get the task done. It's Natalie Portman going crazy again on a difficult job, despite all the Southern cliches about no nonsense old nanas, toughing it out and working twice as hard as men to get to the same point and the mixed and meaningless metaphors uttered on a piano sound background. And why does she go crazy? Because of a man. Well, amongst other things that also happen because of men, like her marriage to a perfectly nice husband that does not look like Jon Hamm.

Bottom line: if you want a movie so deep that you will scour IMDb comments to understand what the hell happened, yet so superficial as to be 95% cliches, this is the thing for you. And no, Dan Stevens does NOT go crazy too and break the Universe. That's something else.

I have to agree with most of the reviewers on here, this movie didn't deliver at all. I had high expectations, was hoping for a decent sci-fi movie but instead I got a quite boring drama. I wouldn't say the actors were bad, far from that, Natalie Portman and the rest did their job, but the story was just weak, certainly for the first half of the movie. The movie was also much too long, certainly for the story they wanted to tell. I wouldn't waste too much time on this one if I were you.

Can't say much about this, Portman's accent is almost as bad a s the wig she wears in it, (apologies if its not a wig,)

disappointed was hoping for more.

We look for anything over 5/10 to at least make it pass some of the many hours pass during our extended time at home, this is where we draw the line of Passable, anything below this we would not recommend as it would be better to paint a wall then watch it dry.

Deep character studies can make fantastic films if you have a great performance behind the character. Movies about post-traumatic stress can add a level of drama that a lot of films simply can't. In the case of Lucy in the Sky, this is a film that deals with both for the entire duration. So, what went wrong here? This movie is proof that not every true story will make a worthwhile feature film. This is one of the worst films of the year.

Following Lucy (Natalie Portman) as she arrives back on Earth after a mission in space, a combination of wishing to go back and not wanting the life she original had begins to take her over. Not only does could that set-up lend itself to a fascinating character study, but I would have preferred it to not be a true story. As I said, this story doesn't have enough depth to lend itself to a full feature film. After setting up where this character has been and where she is now, Lucy in the Sky has nowhere to go.

Natalie Portman is completely committed to this character and is easily the biggest saving grace of this film. On top of her great performance, there is a very unique way this film is presented. With aspect ration constantly changing throughout the film, it felt like a neat little experiment to have the shape of the screen feel like it was how Lucy was feeling in the moment. Sadly, both of these elements deserved a better film to be a part of. Never once I feel that this was a great character being explored, but rather just a great character, not being explored enough, placed in a terrible film.

I could try to find positives in the fact that the space sequences are beautiful to look at in terms of visual effects, but those sequences end after the first five minutes. The addition of performers like Jon Hamm or Zazie Beetz should normally feel like an elevation, but they're ultimately underused. The climax of this film felt like it should have taken place toward the middle of the movie, because it wasn't all that exciting and like the rest of the movie, pretty much goes nowhere and makes you question what the point of this movie even was.

I'm not one who usually bashed on a film, because I like to see the good in most movies, but it's very difficult when a director like Noah Hawley, who I have loved on many television projects, chooses a poor first outing for his feature film debut. After watching this film at the Toronto International Film Festival, it became the first film that I've ever seen at a festival that I straight-up disliked. There are saving graces when it comes to Natalie Portman, the visual presentation, and even the direction by Noah Hawley, in terms of getting great performances out of everyone, but this is one of the weakest stories that I've seen on the big screen in years.

Everything was barely acceptable up until the hardware store scene, where she buys a hammer, a knife, ropes AND A WIG all items together in the same shelf of a hardware store!!! A woman's wig??? Come on, man!

These things get me out of the movie.