A Morte de Stalin

Watched this at the cinema last night and although I was looking forward to it and was expecting it to be good I was still pleasantly surprised.

Firstly: the actors all put in very believable and impressive performances. A joy to behold. Secondly: the plot is as intruiging as it is funny and really keeps you glued to the screen. Thirdly: this made me laugh out loud at least five times during it's run-time. You know: the sort of laughs you just can't hold back even if you try.

In essence this is a very dark film that makes light of the crimes against humanity all these people were actually guilty of comitting. Some people might find it offensive that they are portrayed as quite funny and engaging characters. But I think Iannucci does such a good job reminding the audience of the nature of these people that he keeps a balance and really succeeds with this movie.

Very enjoyable. One of the best movies of the year. I really enjoyed this - and if you like whitty dialogue, good acting and an intelligently unfolded plot - you will too.

... and yet this film does just that. It revolves around the power struggle that occurs at the death of Stalin in 1953, a man who had an iron grip on Russia for 30 years and enforced his will with terror, often randomly.

So when the sycophants who surround him are suddenly bereft of his soul, they are all jockeying for power while finding it very difficult to do the one thing that would get you tortured and killed as long as they can remember - independent thinking, or even making suggestions for that matter. A simple show of hands vote becomes a hilarious demonstration of group think. They all have a collective case of Stockholm Syndrome when it comes to Stalin, still afraid of a man who is dead.

Jeffrey Tambor is doing his character Hank from the 90s sitcom "The Larry Sanders Show", and Steve Buschemi, as Nikita Khrushchev, doesn't look like any picture of Khrushchev that I ever saw at any point in his life. Plus he's basically doing his "funny looking guy" schtick from Fargo, and yet it all works.

When Lavrenti Beria, head of the secret police and probably responsible for untold terrors, gently tells Stalin's daughter that she needs to leave Russia because people who are strange like she is don't live very long, it is practically a sweet intimate moment that runs counter to everything we know about the guy.

This is a bleak yet hilarious comedy built around real events. I'd highly recommend it.

This is an excellent film. And its treatment of the Stalin Era of the Soviet Union is both darkly humorous and actually very unflinching in its depicting the monsters and their monstrosities for what they were.

I was worried that, in an attempt to extract humor from the situation that they might've glossed over just how monstrous the key characters actually were. To Iannucci and Schneider's credit however, there was absolutely no glossing over at all. Beria, for instance, is portrayed as every bit the monster in human form that he was - this, even as that portrayal is also made darkly and delightfully humorous at times.

The whole cast played their parts well and played them "straight" - which only heightened the humor and the horror of what life was like under Stalin in the Soviet Union. Even the nominal "hero" of the tale, Nakita Khrushchev, is realistically portrayed as being just as conniving and callous and power hungry as everyone else. Buscemi would seem an odd choice for that particular role but he pulls it off with style and excellence. So too does Simon Russell Beale in his portrayal of Beria.

This is a nicely done film with excellent production values, a great script, fine acting, excellent pacing, and a compelling tale that is well told.

I highly recommend it!

Taking his lead from the farcical absurdity which he has always done so well, director Iannucci turns to Soviet politics and the days after the death of Stalin. In doing so he produces a film that seems like a bit of a hard sell; truth be told it took me a minute to be motivated to watch it on the basis that it didn't "sound" good. From the opening scenes though, the tone is clear and strong. The uneasy actions of the inner circle are played out in a "relaxed" meal, while at the same time an entire orchestra frantically try to save their own lives by simply complying with a request from Stalin. These opening scenes are funny and absurd but yet they have a genuine menace and fear to them.

It is hard to describe but neither of these aspects undercut the other. The film manages to work as it plays out a massacre but yet has wonderfully funny dialogue and performances. This combination is deftly balanced and I wish I even had the skill to explain it, far less do it. The cruelty of the clamber for power, and the ruthless callousness of those who have it is chilling even as you laugh, but it is the laughter that is more impressive. The absurd but witty dialogue, combined with plenty of genuinely funny comedic touches in the small details (the accents, the pyjamas, the phrasing), all make the film very funny and had laughs where I least expected it at times. The cast are well served with the material, and are very good at making the most of it. Buscemi, Tambor, Beale, McLoughlin, Palin, Whitehouse, Friend, Isaacs, and really all the cast get the tone of the film just right. The comedic timing is spot on for all, but so too are the performances of men scheming and manipulating all the time while knowing the firing squad may be just around the corner.

Well worth watching. It has moments as funny as Thick of It etc, but yet has a darkness that makes it much more satisfying and engaging to watch.

This is not the film I was expecting. Knowing that it was both written and directed by the British Armando Iannucci who gave us the outrageous delights of "In The Loop", "The Thick of It" and Veep", I thought that I was going to encounter a full-blown, satirical comedy (and the trailer had confirmed this impression), but instead - while there are certainly plenty of laughs from a sharp script - this is an altogether darker work, full of foreboding, terror and casual slaughter, than I was anticipating. It is not just the tone that is off-kilter; the brilliant cast makes no attempt to effect a Russian accent but offers everything from a Yorkshire accent to an unashamedly American one.

Several of the characters (the dictator himself played by Adrian McLoughlin) and his eventual successor Khruschev (Steve Buscemi) are known to everyone, but others - like war hero Zhukov (Jason Isaacs) and spy chief Beria (Simon Russell Beale) - will be less-known and still others - such as Malenkov (Jeffrey Tambor) and Molotov (Michael Palin) - will be unfamiliar to many viewers, so you need to be something of an enthusiast for Soviet history to pick up on all the allusions. And real historians will rightly challenge some of the detail because there are some major errors (although these might rather be deliberate distortions to enhance the plot). Iannucci has moved from contemporary Whitehall and Washington to take us to Moscow in 1953 but, if we were expecting "Carry On Up The Kremlin", we have something much more gut-wrenching and all the more effective.

A few weeks before the release of this film, I was in Georgia and visited Gori, the town near where Stalin was born. The year after Khruschev denounced Stalin, a museum was opened in the town to venerate Stalin's leadership and essentially (and astonishingly) the messaging remains unchanged to this day. Oh, how I wish they could show this chilling movie at that museum.