Muito Amadas

Numbers of movies are made around the world on prostitutes and this one is not exceptional. Nude scenes are easily used in such movies in the name of creativity to get eye balls. If makers of such movies are truly sensitive to the subject they need to make it without vulgar dialogues and scenes.

The movie is intelligent because it is balanced and accurately portrays scenes of prostitution without ever trying to take a binary stance. All actresses perform very well, in touch with the realism of the movie. It is a great insight into a part of the Moroccan life, and a mirror of our world, even when some would rather deny it exists.

"Much loved" was beyond my expectations, it felt so raw and authentic. I almost questioned if it was acting or not truly something you don't see every day. The movie sheds light on a subject that's very hard to grasp without making it shallow or glorified (which many other movies do). It shows the true paradox of a complex culture without really shedding bad light nor mocking it. The actors spoke more with their body language than with words and that made the move as exceptional as it is. You truly felt what they felt just by looking at their eyes. Lastly, by showing scenes that where truly hard to watch and no where near glorified made the characters truly come alive, they weren't shy - they where bright and filled with color.

"Much loved" is a real masterpiece and truly one of a kind.

I thing I missed the point of the movie.. Ok so there are prostitutes in Morocco.. And as always they have it hard.. But they enjoy it.. or not? So the one joins.. she aborted and the other say sometimes its better to have no kids than be a bad mum... and everyone keeps giggling.. I don't know.. I could not really get a feeling for the characters... It was extremely chaotic and playing to much on the emotions..

To be surrounded and yet be alone. To be loved and yet be invisible. To be cast away even as you are embraced. Welcome to the life of a Moroccan prostitute. From the testimonies of 200 real-life sex workers, Nabil Ayouch defied censorship to provide a fascinating, intimate and luminous glimpse into the Moroccan underworld. The story follows the fictional yet realistic lives of four women caught up in a passive- aggressive world. Bribing the police, projecting beautiful yet fabricated images and living on the edge of a knife, they turn to each other in order to live. It is beguiling to see the dark side of Morocco and witness these surreal lives that are lonely and solitary even as they are crowded with attention and "love." The acting is capable yet the story and characters could use just a little more depth. Seen at the Toronto International Film Festival 2015.