A Arte da Ganância

I love shows that draw me in and make me want to watch "just one more episode"--which turns into an evening binge. For me, THE ART OF MORE is definitely that binge-worthy new series. First, the setting and premise is fresh and surprising. There are no other shows that focus on the art world--a great was to look at art across the centuries, including contemporary aspects that I hadn't really considered art, like the journals of explorers or the handwritten notes of rock stars. I also love the look at classic art from early ceramics to the Impressionists to Picasso. And from a new angle--a complex mix of genuine love of the artifacts as well as greed and corruption,the thrill of the chase and the behind the scene look through the eyes of a range of characters. Kate Boswell is perfect as the competitive, troubled, privileged art exec. As we continue to learn her back story, she becomes more and more sympathetic and engaging.

The other characters drew me in as well. Love Dennis Quaid! His twinkly eyes and wit come across even as he plays a kind of bombastic rich buffoon. Christian Cooke is compelling as an Iraq war vet and art-lover, struggling to juggle his many schemes and relationships. Cary Elwes is a delight, somehow able to portray a mix of emotions through his gestures and facial expressions.

Best for me is the way the characters back-stories are revealed layer by layer as the series continues. Lots of drama, twists and turns, tension, and fun in this compelling new show.

Kudos to Crackle for this new drama!

The Art of More taps into a fascinating world and has all the ingredients for a successful drama series. You couldn't ask for a better cast! Each actor brings a unique character and adds to the intrigue of the show. Christian Cooke is so good in this role and plays a very relatable character that you can't help but root for. I love shows that let me explore new avenues and this one brings you right to the center of the art world amidst all the action and takes you behind the scenes so you get a real taste of what actually goes on. There's glamour, drama, thriller and action all the elements to keep you hooked. Really excited to finish watching the first season!!

A really original premise and so well executed. It's a fascinating portrait of big-ticket art and the unexpected underbelly of that world. The cross-section of socio-political types, all very well conveyed in the writing and performances, mixing it up in auction-house back rooms. The lead character manages to span the gap between military fatigues and designer suits -- and we buy him in both roles. Kate Bosworth is so wonderfully fine-tuned between poise and greed. Quaid gets to be balls-out Quaid and is such fun to watch. And you actually learn a lot about art -- from the magnificent to the ridiculous. Stolen antiquities, Steve McQueen's Ferrari, the price we put on objects and how arbitrary it can be. This refreshing new show is well worth a binge watch!

I watched the pilot of the show and it is quite the Okay show (anyone looking for the next Rectify will not find it here). If someone likes Scandal they are sure to love this one as well. Bosworth, Quaid and especially Elwes are definitely earning their paychecks; Cooke (a relative newcomer) is not quite as certain in his performance and frequently gets overshadowed by his aforementioned cast mates. The show has some art talk and brushes upon some very current themes, but its overall tone seems a bit clumsy at times (although the production values are good) As I said, this is no Emmy-magnet (though whether the Emmys are a proof of quality is very debatable), but it might be an enjoyable show to continue watching and kudos to Crackle for trying something new.

This is surely one of the worst TV series of the past decade. It's hard to decide which element of the show contributes more to its staggering stupidity - the terrible dialogue, the contrived plotting, or the confused storyline. While the first season was more about the intrigue behind the art world, it devolved into a derivative action drama in the second. It's as if the producers decided that adding murder and mayhem would save the series from its other failings.

But given the fact that a third-rate Montreal production company - Muse Entertainment - was behind the series it is hardly surprising that The Art of More could ever be anything other than an artistic and commercial failure. It is a wonder that the series even made it to a second season given its hollow character.

Kate Bosworth does her best to bring some integrity to the acting but the makeup artist on the series seems to have given her face a photo-shopped gloss that distracts from her performance. Surely someone on the production team must have notice her odd appearance?

Meanwhile, Dennis Quaid chews the scenery with his over-the-top portrayal of an multi-millionaire businessman turned art collector provides unintentional comic relief.

Finally, lead actor Christian Cooke brings zero charisma or gravitas to his Iraqi war veteran now trying to make a career as an art gallery dealer while trafficking in stolen artifacts. Perhaps had the writers given him a more interesting story arc Cooke might have risen to the occasion. But in the end he is simply one further example of the many strange artistic choices made by Muse and its showrunner Brendan Kelly.

Muse should stick to making the kind of derivative Hallmark-style TV movies that it is best known for producing.