Pequenas Asas

I hate that stereotype that women directors just make movies for women. Well... it happens in this case. I'm man and very sensual type of man and believe me, I cry almost every movie I watch but this one... This movie was so bland that I couldn't cry. I mean come on. The girl didn't react to anything in anyway. In fact, there were so little that happened to her. She learned to drive a car just in a few training sessions. She was doing great in everything she did. Her mother had panic attacks but she didn't care. She was selfish and wanted to find her father. And when the mother cried, it was comical. I mean wtf is that?

In the audience there were only older women crying and for what? "Because this is a story of a little girl who grew up and" Shut up. That's a easy way to make people feel something. It is like a jump scare in horror movies.

This movie tries to be something great but in reality, it was boring and colourless. No imagination whatsoever

(I'm sorry for my bad English) I can describe this movie in one sentence: This a movie which doesn't take any risks. It was really boring cinematicly and story... well, nothing special. This movie is not original in any way. It's a movie for womens.

Is that drama that we see the mother crying over her child and then we see that the child is doing alright. Is that dramatic in any way? I didn't cry nor laugh. It was just weird.'And when the mother cries to her child, it's has shown as a comic relief like what is this?? Why director wants to make sad things funny but when he want's to make people cry, there is nothing for cry about because the child is doing fine.

There is one thing that I like this movie and that is that the schizophrenia was showed really mature way.

It was not a bad movie but me, person who watches over 200 movies in a year, it was not speciall in any way.

I heard that the producer of this film says, that it is like French new wave but in Finland. I laughed so hard when I heard that. Has he even seen the films of French new wave? I doubt that because this film is not that good, not in a thousand years. This was a movie that anybody could have made. There was no originality, no bravery, no risk had been made. This movies is a movie that you forget in a week at most. I saw it last night and I can't remember anything specific thing because there were nothing interesting. It was just talking heads, that's it.

If you look that how people have rated this movie in this platform, 16 people have rated this movie 10/10. That's insane. That means that 16 people thinks this movie is best movie ever been made. But probably 16 beings doesn't remember anything about this movie in a next month.

The movie is stunning on location, the soundtrack transports you to this young girl's world, Her journey is about finding out who she is, where she comes from, and to feel connection. One night Varpu spontaneously goes on a date with a boy her age (she is 12 years old approx) in the middle of the night ,after not being able to sleep, He teaches her to drive in a stolen car but expects more of her than she is willing to give. Anybody would go back home, jump in bed, before being found out. This young girl, however, decides to go on a road trip alone, in search of her identity. Linnea Skog deserves an Oscar for her interpretation of this beautiful unassuming character. The writer, Selma Vilhunen, did a beautiful job developing the main character Varpu (the young girl) and directing this film about human connection.

Billed in Australia as 'Coming of Age', usually a turn-off for me. Saw it anyway, one does get a little reckless down here, you know.

The first reel didn't dispel my misgivings, but it came home well after that, showing unexpected nuance, including the character of the girl's troubled father.

Nice showing by Skog, acting out the difficult brief of a girl supposed to be 'wise beyond her years'. I'm not surprised some of the other girls became her real-life friends.

I was sufficiently OK that I'd try out other movies by this director.