A Guerra dos Sexos

Whilst Emma Stone puts down her marker for a possible third Oscar nomination the film as a whole left me slightly cold.  But then, when did you last see a GREAT tennis movie.  That's right.  You didn't.

But this potentially offered more because it appeared multi layered and could have been more nuanced than it is.

It tackles two themes simultaneously.  First, Billie Jean King's lesbian relationship with her hairdresser Marilyn Barnett (Andrea Riseborough) that eventually ended in controversy as she was publicly outed by her lover when they split in 1981.  Throughout King remained married to her first love Larry (played sympathetically but a little limply by Austin Stowell).  This is handled very tastefully and, for me, was the better part of the whole.

Second, and the source of the title, the movie explores sexism in the women's tennis game that led to her breaking away from the WTA and its sexist president, Jack Kramer (in an unconvincing performance by Bill Pullman), and taking on a challenge billed as THE BATTLE OF THE SEXES with 55 year old ex tennis champion and self proclaimed Male Chauvinist, Bobby Riggs (Steve Carrell).  

I disliked Carell's part greatly, not because he didn't perform it well but that it is written to make him out to be a complete idiot (which no doubt he was).  He becomes a character of himself quickly and I neither liked nor disliked him (I was annoyed by him though).  It all makes for a strange mix of comedy, politics, sexuality and revolt.

And the revolt was all too gentlemanly for me - despite the subject matter and the ire it must have stirred nobody really ever loses the plot and so the film lacks edge and dramatic tension.

What's more, it's 30 minutes too long and the overwrought soundtrack (Nicholas Britell - it really is a shocker) is over-pervasive and just plain annoying.

Emma Stone rarely puts a foot wrong in my view and at times you really do think BJK is on screen.  That part, and the general 70's styling of the movie, is excellent but it's ponderously directed and although the final shoot out between BJK and Riggs has an element of tension we all know the outcome and Britell's pomp and circumstance was gradually doing my nut in.

Just because you loved Little Miss Sunshine it does not follow that you will love this.

A light, fluffy, sweet treat, Battle of the Sexes is assuredly a crowd-pleasing movie. But much like cotton candy-the movie offers very little to digest. Overall, the movie will win over most viewers with its familiar feel-good true story angle. If you liked 2016's Hidden Figures, chances are that this is a movie for you.

It strives for and ultimately achieves the classic feel-good movie moments. Hero activist beats chauvinist pig. Good triumphs over evil. Or something like that. There is no deeper exploration. There is no hard-hitting, brutal honesty. The examinations are superficial and dive no deeper than the surface.

Basically, movie is too simple. But sexism and the problems that it causes are complicated. In the movie, everything is spelled out in a painfully obvious way. It condescends to make sure that everyone understands. The sexist characters come out in shameless and laughably overt ways. The good person defeats the bad person and everyone cheers. It's a fairy tale ending, hooray! But none of that is realistic.

Sexist and discriminatory people in power don't publicly profess their feelings in such blunt ways. So, when the movie scenes portray characters as loud and proud sexists, I can only roll my eyes. I know the movie uses these exaggerated characters and moments to make the situation abundantly clear to the audience. I just prefer a bit of subtlety.

Instead, the movie handles the delicate, nuanced topics of sexism and repression of homosexuality with the blunt force of a lumberjack with a giant axe. Wrong professional and wrong tool. We needed a surgeon with medical instruments.

The movie still has its upside. Steve Carell and Emma Stone are charming and wonderful, which is an amazing feat considering the character that Carell plays. Bobby Riggs (Carell) flaunts his chauvinism in such a flamboyant manner that showmanship is clearly his primary focus. This is one detail that the movie gets right, thanks largely to Carell. Riggs doesn't actually believe the gross, archaic things he says about women. It's an act. He says them to attract interest in the upcoming Man vs. Woman tennis match with Billie Jean King (Stone).

The storytelling is clear, even if not always smooth. The combination of King's life-changing romance along with the battle of the sexes tennis match fit awkwardly. Though, I'm sure those two things also fit awkwardly in King's life at the time, so I accept the somewhat clumsy clash of the two storylines. Again, if you liked Hidden Figures, you will like Battle of the Sexes. It's uplifting and sends a valuable and inspiring message to young girls everywhere. On that basis, I applaud the movie. Despite its flaws, it's still a story worthy of knowing.

Funny to see all those offended over a simple biographical drama crying sexism and politics. Too bad those can't simply enjoy a great film with great acting and directing. It was an interesting story told very well. 8/10 from me

Battle of the Sexes is a an enjoyable retelling of the famous 1973 tennis match between 29-year-old Billie Jean King and 55-year-old Bobby Riggs. It was the match that sparked the women's movement in sport and planted King's status as the greatest tennis player in the world. We witness the personal journey she went though as she fought for equal rights in sports and society.

Emma Stone portrays Billie Jean King as a shy and reserved opportunist who's looking to make the best of her current situation. She's a true trailblazer that's pushing for equal rights for women in sports. Steve Carell as Bobby Riggs could not be more opposite from King. He's a retired tennis champion who can't stop gambling, which frustrates his wife to the point of no return. He's also a male chauvinist who believes in the superiority of men and how women should stay in the kitchen. It couldn't be a better battle between polar opposite personalities and motives.

The film follows the parallel journeys King and Riggs go through to get to their famous match. King struggles to gain equal pay for women tennis players, which eventually leads to the creation of her own women's tennis league. While traveling for matches, she discovers her homosexuality with her hairdresser, Marilyn. She's torn between her new desires and the life she already has with her husband, Larry. Riggs meanwhile is stuck in a midlife crisis and feels that his life has been missing something since he retired. He's passing his time through gambling and wants to plan a major comeback in the tennis world. Eventually their paths cross and results in one of the biggest and important sporting events in history.

Clocking in at 121 minutes, the film takes its sweet time to build up King and Riggs' story. While it's interesting to see their stories unfold, it goes on for too long and drags in the middle parts just before the climactic match. The sharing of screen time is also very lopsided towards King while Riggs is treated almost like a supporting character for the first hour.

Directors Jonathan Dayton and Valerie Faris use their skills from Little Miss Sunshine to create a personal and emotional film. The tone of the film is pretty lighthearted and never gets too serious about the whole situation of equal rights among genders. It allows for a more feel-good sports film that is enjoyable to watch.

Shot in 70's style makes the film feel closer to a television documentary than a Hollywood production. There's a grab bag of awkward close-ups, grainy images, and off-balance shots that make the film feel more authentic and grounded in reality. The famous match is recreated with stunning detail and the biggest highlight of the film.

The acting is the saving grace of the film as Stone and Carell do an exceptional job portraying the real players. Golden Globe nominations will come for each of them and maybe even an Academy Award nomination for Stone. Sarah Silverman also shines as the rough and confident manager, Gladys. She plays well off Stone in the small amount of time she gets. Andrea Riseborough is solid as King's lover, Marilyn, who opens up King's hidden secrets and is the leading contributor to the emotional arc. Bill Pullman is the only person who doesn't pull of their role, as his sexist boss character is very one dimensional and almost cartoonish by the end.

Battle of the Sexes is a well acted and uplifting sports film that suffers from being too slow and too long. It doesn't run as smoothly as it should, but is enjoyable enough to rank among the better sports films out there, and definitely the best tennis film.

Directed by Valerie Faris and Jonathan Dayton, the film brings to life the famous 1973 tennis match between Billie Jean King, portrayed by Emma Stone, and Bobby Riggs, played by Steve Carell.

The film takes us back to a time when women's sports struggled for recognition and respect, and Billie Jean King emerges as a formidable figure fighting for gender equality both on and off the tennis court. Emma Stone captured King's determination, resilience, and internal struggle as she grapples with her own personal journey while championing the cause of equal pay and equal rights.

Steve Carell shines in his portrayal of Bobby Riggs, a charismatic and self-proclaimed male chauvinist who challenges King to a highly publicized match. Carell brings both humor and depth to the character, capturing Riggs' larger-than-life personality while also highlighting the underlying insecurities and complexities that drove him.

Beyond the tennis match itself, "Battle of the Sexes" explores the broader social and cultural context of the time. The film portrays the struggles faced by women in the sports industry and the larger feminist movement of the 1970s. It delves into the personal lives of the characters, shedding light on the challenges they faced in their relationships and their efforts to navigate societal expectations.