O Rei Macaco 2: A Lenda Continua

I know the Monkey King is a huge thing in China. I herd about it before and have see the American adaption, the Forbidden Kingdom, with Jet Li as the Monkey king.

This movie was visually bad ass. I loved the design of the title character. All the CGI actually worked to make the movie feel very big and very epic. It makes me wish it was released in IMAX here in the States, not just in 3D. The final battle in the movie was mind blowing.

But I just did not get into the tale of the Monkey King. I don't know why this story is so popular and the movie did nothing to change this thought. It was suppose to be funny in certain places, but I did not get it and it just seem that a lot of things were happen just to produce a cool special effect for it, not to drive any story.

It was fun to look at but not the most compelling story, speaking as someone unfamiliar with the story being told

The plot is the same most probably with some modifications but the screenplay was different and all the new characters in this film make it slightly difficult for us to merge in with this film.

The visual presentation of the characters and the mischievous-ness they do are all watchable to a certain limit but we get bored after some time maybe it'd be good to watch for the kids and the twists & turns and the evil gameplay stuff was well made though we've seen them all in other films.

One of the visually appealing Chinese/foreign movies ever made

overall, it's a movie for kids and a must-watch for them.

With a movie like 'The Monkey King', the only way you could go with a sequel is up, so it really isn't that surprising that 'The Monkey King 2' is a few notches better than its predecessor. Yet the two years since the release of that dull and expensive CGI eyesore sees its helmer Soi Cheang find poise, imagination and inspiration to deliver a much more assured, entertaining, and engaging cinematic rendition of the legendary 'Journey to the West' story, bolstered in no small measure by an irrepressibly lively turn by Aaron Kwok – replacing the original's Donnie Yen – as the titular Sun Wukong and excellent CGI by no less than the folks behind 'Lord of the Rings' and 'The Hobbit'.

Now that his origins are out of the way, this second chapter – set 500 years after he was imprisoned by the Goddess of Mercy – sees the young and ingenuous Tang Priest Xuanzang (Feng Shaofeng) free Wukong from under the clutches of the Five Elements Mountain after being pursued by a white tiger. Unbeknowst to Wukong, their encounter has in fact been predestined by the Goddess (Kelly Chen) herself, who has given Wukong the quest of protecting Xuanzang on his journey to retrieve some sacred scriptures. Unbeknownst to Wukong, two other characters have been given similar assignments – one, the half-man half-pig Zhu Bajie (Xiao Shenyang); and two, the Sand Demon Sha Wujing (Him Law) – thus completing the quadfecta of characters most commonly associated with the classic story.

Opting wisely not to cover too much ground, a newly appointed quartet of screenwriters (including Ran Ping and Ran Jianan, Elvis Man and Yin Yiyi) instead pick a famous segment from Wu Cheng'en's classical novel to form the backbone for this film, that of Wukong defeating the White Boned Demon (or 白骨精). The latter has been terrorising the wealthy Silk Road Kingdom of Yun for years, but her latest target is Xuanzang, whose flesh she believes will help her gain immortality. Those familiar with the source novel will remember the famous 'three strikes' between Wukong and the White Boned Demon - first as a village girl, second as an elderly woman and third as an elderly man – but rather than a literal adaptation, the writers have re-interpreted the text more broadly as a three-round fight between the Demon and Wukong, with the last reserved for an epic CGI-heavy battle that has the Demon transforming into a towering half-bodied skeleton.

Oh yes, that last sequence alone is probably the most breathtaking that we've seen in any Chinese film thus far, a combination of good old Hong Kong action-on-wirework and modern-day CGI to re-define the fantasy epic genre. In fact, Cheang seems to have adopted the template set by his Hollywood counterparts for this sequel, constructing his film as a compendium of thrilling action sequences with enough story, humour and character development to serve as narrative glue in between.

Replacing Yen as action director is none other than Sammo Hung, and the latter's penchant for showy, flamboyant moves over the former's more grounded style proves a surprisingly better fit for the genre. Seemingly relishing the opportunity to be disencumbered from the forces of gravity, Hung hardly keeps his characters feet on the ground, preferring instead to send them soaring up into the heights of heaven or circling in the air while battling each other or one another. In particular, Kwok's months of martial arts training to prepare for this role has paid off handsomely, rewarding him with a deft physicality to match his naturally buoyant personality.

Cheang has also obviously benefited from the experience of the previous film in working with effects-heavy sequences, such that the visuals here boast a dynamism which its predecessor often lacked. Equally, Cheang is a lot more at ease juggling comedy, drama and action, striking the right balance between lightness and sobriety – and the result is a film that knows when to take itself seriously and when to just have fun. The humour is wacky and well-timed, not only from Wukong's cheekiness but also from Bajie's willingness to poke fun at his pigsy look; while the drama emphasises Wukong and Xuanzang's conflicting principles, the former who sees no need to show mercy to those who do evil and the latter who is a firm believer of mercy regardless.

As much as we hate to admit it, Kwok is a much better 'Monkey King' than Yen – not only is he much more spirited than Yen ever was, Kwok is also a much more expressive actor, and even under layers of heavy makeup, one feels keenly his sense of playfulness, frustration, indignation, anger, and loyalty to Xuanzang. On the other hand, Gong Li is a much better villain than Kwok was as the Bull Demon King; like Angelina Jolie in 'Maleficient' or Charlize Theron in 'Snow White and the Huntsman', Gong Li exudes elegance and malice in equal measure, so much so that there is never any element of doubt why her two subjects and even the King of Yun Kingdom (Kris Phillips) tremble and quiver in her presence.

Even though it would have made sense for Cheang to step aside for another director to take his place after the embarrassing 2014 original, the choice to return Cheang to the helm is at the end a wise one, allowing this sequel to improve in every respect from story to character to action to drama and ultimately to CGI. No matter how opportunistic it may seem for this sequel to be released right smack at the beginning of the Lunar Year of the Monkey, 'The Monkey King 2' overcomes such cynicism by delivering crowd-pleasing four-quadrant entertainment in exuberant fashion. If it's fun and thrills you're looking for this New Year, it's fun and thrills you'll get.

When the first Monkey King premiered there was lofty expectation, yet what we got was lackluster ancient mythology with outdated graphic. Understandably, this can hinder audience's interest for the sequel, but worry not, "The Monkey King 2" is leagues above its predecessor, using better animation, excellent production and friendlier characters to deliver a more amicable magical tale.

This is the story of Sun Wukong as he first meets with Tang Sanzang, the monk who will journey to the west to get the scripture. Perhaps this story will be familiar to Asian audience, and it's refreshing to see it's presented with gorgeous modern presentation. Aaron Kwok as Sun Wukong is arguably better than Donnie Yen, he has more zeal which fits the scrappy Monkey King better, specifically with his body language. Granted, he enjoys higher level of production to create the persona.

Gong Li as Lady White fits as the villain. One can't go wrong in casting a charismatic actor and polish her character in CG, costume and make-up. She brings a heavier impact to every scene she's in. This also translates to other characters as well. Lady White's fellow monsters are uniquely portrayed as half women half beast, almost similar to something from Del Toro's universe and the make-up doesn't disappoint.

Rendition of the monk, Baije and Wujing always spark interest, and the version this movie produces is definitely cordial. Their attires change throughout the phases as they're displayed in flashy fashion yet still recognizable in the intricacy. A few comedic moments are pleasantly delivered with good chemistry. It is simply a better cast in general than the first movie had.

The most improvement is seen in CG department, which looks breathtaking as a fantasy adventure even in first glance. Settings as well as costume present a delicate balance with its contrasting color. Each event grants a distinct unique view as the group travels through cities and villages. At some points it even resembles another journey from the West, "Lord of The Ring" in its natural splendor and enigmatic creature.

It is not without flaws, although these are not major by any means. The plot tries to create more perspectives, but its core story is no different than many Monkey King shows from TV and movie. Ironically, the familiar sense can be too predictable. The visual can get sketchy as well, but for the most parts they hold up nicely, its more intense scenes are definitely visually pleasing.

Brandishing new graphic, cast and vista, this is a leap to silver screen fitting for the name of "Monkey King"

I wasn't expecting a sequel after watching the disappointing first film that was 2 years behind the original scheduled release. Despite the plethora of well-known actors/actresses, it turned out to be a huge disappointment due to the deviation from the original story. Chow Yun Fat was the most miscast actor when he was chosen to play the Jade Emperor :(

I'm glad to say that this sequel is much better than the first movie in every aspect. The script focuses mainly on Sun Wukong and the Bone Demoness. The monk is left to look like a bumbling idiot. He looks and acts like the same role in the Stephen Chow's Journey to the West. Aaron Kwok's portrayal of Sun Wukong is much less flamboyant than Donnie Yen's portrayal - and for that, I am glad.

The special effects are very well done, which is a relief considering the disaster in the first movie. If I hadn't watched Iron Man or Harry Potter before, I would be even more impressed with some of the effects in the final battle scene.

Gong Li visual presence was, for me, the epitome of womanhood :)