O Rei Macaco 2: A Lenda Continua

The Monkey King 2 picks up right where the first Monkey King left off, continuing the story based on the legendary Journey to the West tales. This sequel is quite a level up from the first in a lot of ways. It's calmer and all around more precise and focused in its filmmaking, which in itself makes for a better upgrade, but the special effects and overall look of the film have been ratcheted up as well. Not that the previous installment was bad, but The Monkey King 2 finally presents a version of this classic Chinese story that lives up to its original epic otherworldliness.

The film is beautifully and intricately designed. The sets are grand, even when they aren't really there. The costumes are lavish, holding great detail and weight. From monkey fur to pig nose, the makeup effects are stunning and amusing. The fight sequences are dramatically extraordinary, as they should be for deities at battle, with great choreographed wirework for literal high-flying action. The CG animation is not the absolute best, but even that doesn't deter from the film. There's so much going on anyway that nothing is ever able to pull you out of the adventure. There is always something else more beyond belief to draw your eye. Since the film was actually shot in 3D, not converted to the format afterwards, it perfectly matches the bigger than life feel of the film and is extremely successful and atmospheric.

The Monkey King is the stuff of legends, and the actors here are perfectly cast in a rich variety of characters. Xiaoshenyang is an adorably perverted piggy Zhu Bajie, Him Law makes a hefty brute in Sha Wujing and Feng Shaofeng comes honest as monk Tang Sanzang. Li Gong is absolutely flawless as the villainous White Bone Demon, a knockout that throws back to classic female villains that are as deadly as they are beautiful. She is formidable. This is what Angelina Jolie should have been in Maleficent. Likewise for her henchwomen and their entrance into the film is a dazzling moment of horror. Aaron Kwok, starring as The Monkey King himself, gives a smoother portrayal than his predecessor. I'm unsure if it was a character choice after the events of the first movie or an actor's choice to make the character a little cooler, but it's a good choice nonetheless, making him simultaneously more relatable and dreamy, but still with his playful monkey mannerisms and charm.

The Monkey King 2 is a top notch spectacle, in incredible 3D, that puts Hollywood's latest over the top endeavors to shame. With movies like Gods of Egypt, and all of its gloriously shiny cultural appropriation, happening more often than not, it is wonderful to see a big budget film made by and for its own culture. It adds more than authenticity. It's also amazing to see how majorly the movie has done in the Chinese box office. No doubt due to its timed release around the Chinese New Year, celebrating the year of the monkey, the film has already set a world record of $548 million in one week, topping Star Wars: The Force Awakens which previously held the spot. And The Monkey King 2 well deserves all the success that the year of the monkey brings to it.

Love the movie. Thought it was entertaining and my kids wanted to see it again. But we all agree Donnie Yen was a better choice for The Monkey King / Sun Wu Kong The Monkey King Havoc in Heaven's Palace was our first choice and favorite among the two so far. Havoc in Heaven's Palace seem to have more story structure and the kids liked the characters better and loved the historical fight scenes with Donnie Yen's Character. My wife seemed to like the most the musical score of the film and we purchased the soundtrack in which we listen to quite often.

My Kids also each wanted there own Blu-Ray in which I purchased for all three of them. With anything the first is always the better of the two but recommend both.

This is full length movie based on one of China's most famous legends, The Monkey King. It stars Aaron Kwok in the title role, tasked to escort a traveling monk, Tang Seng (Shaofeng Feng), to the west to fetch ancient Buddha scriptures while protecting him from the evil White-Bone Demon (Gong Li).

While the TV-series adaptation of the story has the Monkey King and his counterparts dealing a host of demons and monsters to protect the monk in each episode, this movie places emphasis on one demon, the White-Bone Demon, portrayed stunningly by Gong Li. She is a menacing force to be reckoned with, capable of spreading chaos and casualties to those dare to cross her - all the while maintaining her spellbinding beauty.

Kwok is excellent as the Monkey King, feisty and powerful in his own might. Xiao Shen-Yang did great as Zhu Bajie - a womanizer who provides much needed comic relief - and Chung Him Law gave an effective portrayal of Sha Seng - a character more on the sidelines but did a great battle with the skeleton monsters and showed the most concern for the master's well-being.

The movie was a little too high on the CGI in some parts, but it works well mostly, especially in the scenes involving the White Bone Demon as she floats around zapping her dark magic. The visual effects really captures the majesty of the kingdom and rich countryside, and the make-up and costumes brought the characters to life in very detail.

The plot was fast-paced from start to finish, full of suspense and adventure, and the dramatic elements of trust and second chances really make the film all the more interesting. An excellent adaptation of this epic journey!

Grade A

I know the Monkey King is a huge thing in China. I herd about it before and have see the American adaption, the Forbidden Kingdom, with Jet Li as the Monkey king.

This movie was visually bad ass. I loved the design of the title character. All the CGI actually worked to make the movie feel very big and very epic. It makes me wish it was released in IMAX here in the States, not just in 3D. The final battle in the movie was mind blowing.

But I just did not get into the tale of the Monkey King. I don't know why this story is so popular and the movie did nothing to change this thought. It was suppose to be funny in certain places, but I did not get it and it just seem that a lot of things were happen just to produce a cool special effect for it, not to drive any story.

It was fun to look at but not the most compelling story, speaking as someone unfamiliar with the story being told

When the first Monkey King premiered there was lofty expectation, yet what we got was lackluster ancient mythology with outdated graphic. Understandably, this can hinder audience's interest for the sequel, but worry not, "The Monkey King 2" is leagues above its predecessor, using better animation, excellent production and friendlier characters to deliver a more amicable magical tale.

This is the story of Sun Wukong as he first meets with Tang Sanzang, the monk who will journey to the west to get the scripture. Perhaps this story will be familiar to Asian audience, and it's refreshing to see it's presented with gorgeous modern presentation. Aaron Kwok as Sun Wukong is arguably better than Donnie Yen, he has more zeal which fits the scrappy Monkey King better, specifically with his body language. Granted, he enjoys higher level of production to create the persona.

Gong Li as Lady White fits as the villain. One can't go wrong in casting a charismatic actor and polish her character in CG, costume and make-up. She brings a heavier impact to every scene she's in. This also translates to other characters as well. Lady White's fellow monsters are uniquely portrayed as half women half beast, almost similar to something from Del Toro's universe and the make-up doesn't disappoint.

Rendition of the monk, Baije and Wujing always spark interest, and the version this movie produces is definitely cordial. Their attires change throughout the phases as they're displayed in flashy fashion yet still recognizable in the intricacy. A few comedic moments are pleasantly delivered with good chemistry. It is simply a better cast in general than the first movie had.

The most improvement is seen in CG department, which looks breathtaking as a fantasy adventure even in first glance. Settings as well as costume present a delicate balance with its contrasting color. Each event grants a distinct unique view as the group travels through cities and villages. At some points it even resembles another journey from the West, "Lord of The Ring" in its natural splendor and enigmatic creature.

It is not without flaws, although these are not major by any means. The plot tries to create more perspectives, but its core story is no different than many Monkey King shows from TV and movie. Ironically, the familiar sense can be too predictable. The visual can get sketchy as well, but for the most parts they hold up nicely, its more intense scenes are definitely visually pleasing.

Brandishing new graphic, cast and vista, this is a leap to silver screen fitting for the name of "Monkey King"