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7,5/10
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Segue as vidas de duas enfermeiras voluntárias em lados opostos da Guerra Civil: a abolicionista da Nova Inglaterra Mary Phinney e a apoiante confederada Emma Green.Segue as vidas de duas enfermeiras voluntárias em lados opostos da Guerra Civil: a abolicionista da Nova Inglaterra Mary Phinney e a apoiante confederada Emma Green.Segue as vidas de duas enfermeiras voluntárias em lados opostos da Guerra Civil: a abolicionista da Nova Inglaterra Mary Phinney e a apoiante confederada Emma Green.
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(I hope what I have written is not considered spoilers - I would not do that intentionally!)
I understand a lot of the criticisms written in these reviews. My reaction to watching Episode 1 was "What is this? Desperate Housewives of Civil War Medicine??" - because it seemed so "overheated" and unbelievable. For example, when Nurse Phinney has to sleep on the floor of the ward among the soldiers' beds, I exclaimed, "That didn't happen! That would never have happened! But then I started to read the true story of Nurse Phinney, "Adventures of an Army Nurse in Two Wars" and guess what - it DID happen plus a whole lot more!
What I saw as "overheated" in terms of the drama between hospital personnel was actually DOWNPLAYED from the true reality!!! The surgeons and doctors did NOT want female nurses around and wanted to drive them OUT. The hospital WAS as chaotic, as shown. And as far as soldiers not being fed - YUP, it was only TOO TRUE!!! There was a shocking amount of graft and profiteering going on in the food supply chain! I highly recommend the true story of Nurse Phinney - it is quite a read!!
I understand a lot of the criticisms written in these reviews. My reaction to watching Episode 1 was "What is this? Desperate Housewives of Civil War Medicine??" - because it seemed so "overheated" and unbelievable. For example, when Nurse Phinney has to sleep on the floor of the ward among the soldiers' beds, I exclaimed, "That didn't happen! That would never have happened! But then I started to read the true story of Nurse Phinney, "Adventures of an Army Nurse in Two Wars" and guess what - it DID happen plus a whole lot more!
What I saw as "overheated" in terms of the drama between hospital personnel was actually DOWNPLAYED from the true reality!!! The surgeons and doctors did NOT want female nurses around and wanted to drive them OUT. The hospital WAS as chaotic, as shown. And as far as soldiers not being fed - YUP, it was only TOO TRUE!!! There was a shocking amount of graft and profiteering going on in the food supply chain! I highly recommend the true story of Nurse Phinney - it is quite a read!!
I had high hopes for Mercy Street. Fictionalized history has become increasingly popular in recent years, and this show had potential to be one of the more memorable ones, with a previously untapped setting and a cast full of talented actors. Sadly, the show has turned out to be mostly unremarkable.
The basic premise is simple: a widowed woman is sent to become head nurse at a military hospital converted from a hotel in Union-occupied Alexandria, Virginia. On top of this premise, the show's writers have piled enough dramatic crises and neurotic characters to populate a full soap opera. Everyone is constantly shouting at each other and plotting behind each other's backs.
Given the setting, conflict and friction is understandable, and of course a drama needs, well, drama. But with only six episodes, they've created enough plot lines to easily fill a US-standard 22-episode season, if not more. Everything is just so busy that the only way we learn anything about the characters is through their conflicts. Calm moments are few and far between. Most performances border on scenery- chewing, except of course when they jump well past that border.
That said, there are a number of things to enjoy. Mary Elizabeth Winstead, always a treat, seems so comfortable with the trappings of the period you'd think she was born into it. Donna Murphy is exquisite as the quintessential Southern matriarch, turning borderline overacting into a virtue. Tara Summers has channeled all the snarky disdain of Alan Rickman while Jack Falahee is the spitting image in looks and charm of a young Johnny Depp. Gary Cole, one of the few cast members not constantly gnaw at the walls, adds just enough temper to his usual near-deadpan dryness to be a realistic Southern businessman trying to hold onto what little he has left after the Union takes everything.
The real surprise, though, is Josh Radnor. If you've only seen him in How I Met Your Mother, you'd have no idea that he's capable of the quietly powerful performance he turns in here. Yes, he does spend a lot of time chomping on the set, but he balances that with more subtle moments that reveal significant talent he hasn't had much opportunity to utilize. In many ways, he reminds me of Mandy Patinkin in his younger days.
Ultimately, the show is entertaining enough to be worth watching if you like fictionalized history. Just don't expect more from it than it is.
The basic premise is simple: a widowed woman is sent to become head nurse at a military hospital converted from a hotel in Union-occupied Alexandria, Virginia. On top of this premise, the show's writers have piled enough dramatic crises and neurotic characters to populate a full soap opera. Everyone is constantly shouting at each other and plotting behind each other's backs.
Given the setting, conflict and friction is understandable, and of course a drama needs, well, drama. But with only six episodes, they've created enough plot lines to easily fill a US-standard 22-episode season, if not more. Everything is just so busy that the only way we learn anything about the characters is through their conflicts. Calm moments are few and far between. Most performances border on scenery- chewing, except of course when they jump well past that border.
That said, there are a number of things to enjoy. Mary Elizabeth Winstead, always a treat, seems so comfortable with the trappings of the period you'd think she was born into it. Donna Murphy is exquisite as the quintessential Southern matriarch, turning borderline overacting into a virtue. Tara Summers has channeled all the snarky disdain of Alan Rickman while Jack Falahee is the spitting image in looks and charm of a young Johnny Depp. Gary Cole, one of the few cast members not constantly gnaw at the walls, adds just enough temper to his usual near-deadpan dryness to be a realistic Southern businessman trying to hold onto what little he has left after the Union takes everything.
The real surprise, though, is Josh Radnor. If you've only seen him in How I Met Your Mother, you'd have no idea that he's capable of the quietly powerful performance he turns in here. Yes, he does spend a lot of time chomping on the set, but he balances that with more subtle moments that reveal significant talent he hasn't had much opportunity to utilize. In many ways, he reminds me of Mandy Patinkin in his younger days.
Ultimately, the show is entertaining enough to be worth watching if you like fictionalized history. Just don't expect more from it than it is.
I love all historical and period pieces so watch this one after my Downton Abbey fix. However, I am continually distracted during these episodes by the non authentic accents of characters who are supposed to be Virginians but sound more like they have dropped in from Georgia or Alabama. All southern accents are not created equal. Actors use coaches to learn proper English, Irish, German, Italian, etc. accents. Someone needed to teach these actors to speak Virginian. It is jarring to hear accents that are out of place with the setting.
I could also do without all the graphic blood and gore but that seems to be part and parcel of all films these days.
The series does hold one's attention. I must have not been paying strict attention because I do not remember the action ever dealing with the Union officer smuggled by Frank. When do they discover him?
I could also do without all the graphic blood and gore but that seems to be part and parcel of all films these days.
The series does hold one's attention. I must have not been paying strict attention because I do not remember the action ever dealing with the Union officer smuggled by Frank. When do they discover him?
10itazuke
I love this series....after reading some of the reviews I realized how 'nit-picky' some people are...they should be grateful that there are programs like this on television.......today we have such garbage for a selection of programs....who cares if the dialog is lame or if nurses talk back to doctors and it wasn't customary of the day, but mind you, there have been feisty and independent women throughout history .....enjoy the non-commercial program and take in a little bit of how harsh our ancestors really did have it......or go watch some lame 'reality' show on TLC. We need more period movies and series on television
This series is unique for presenting the ambivalence and contradictions of the Civil War Era. The protagonist nurse is a staunch abolitionist who is made to accept the need to also help Confederate wounded by a doctor who is loyal to the Union and thus a traitor to his slave- owning pro-Confederate Maryland family. Nevertheless he is unmoved by abolitionist sentiments--until he meets a free black Philadelphia man he admires.
The head of the Southern family that owns the hotel-turned hospital works to save his holdings and business interests while not betraying his Southern loyalties. He opposes efforts by Union soldiers to enforce claims to return runaway slaves (seems unhistorical here set in 1862- -I thought the Union stopped returning "contraband" in 1861.)
The African-American characters debate the merits of freedom versus the security of slavery or of employment not much removed from slavery.
In short, the moral certainties of hindsight are removed and the characters must struggle in their contemporary context. I do enjoy that.
Some casting choices were surprising but they all work.
The head of the Southern family that owns the hotel-turned hospital works to save his holdings and business interests while not betraying his Southern loyalties. He opposes efforts by Union soldiers to enforce claims to return runaway slaves (seems unhistorical here set in 1862- -I thought the Union stopped returning "contraband" in 1861.)
The African-American characters debate the merits of freedom versus the security of slavery or of employment not much removed from slavery.
In short, the moral certainties of hindsight are removed and the characters must struggle in their contemporary context. I do enjoy that.
Some casting choices were surprising but they all work.
Você sabia?
- CuriosidadesThe real Alice Green actually died a few weeks short of her 15th birthday in early 1860, over a year before the start of the Civil War.
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- Laburnum House - 1300 Westwood Avenue, Richmond, Virgínia, EUA(Mansion House Hotel)
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