Cuffs
- Minissérie de televisão
- 2015
- 1 h
Um drama novo, autêntico e visceral que leva o público a um passeio emocionante pelos desafios da linha de frente do policiamento.Um drama novo, autêntico e visceral que leva o público a um passeio emocionante pelos desafios da linha de frente do policiamento.Um drama novo, autêntico e visceral que leva o público a um passeio emocionante pelos desafios da linha de frente do policiamento.
Explorar episódios
Avaliações em destaque
I don't usually write reviews but I became so cross when I heard that 'Cuffs' was axed. I just could not understand this decision and wrote straight away to Ben Stevenson who chooses drama at the BBC. Cuffs is a brilliant programme, wonderful acting, clever story lines ... a programme which entertains as well as educating. I am 72 so you can imagine the load of rubbish I have seen throughout the years and suddenly this gem of a series crops up. I nearly missed it as I don't usually start watching anything until 9 pm. I have two grandchildren of 16 and 18 and this is the kind of programme they enjoy...much better than the rubbish and unbelievable story lines of programmes like Eastenders which I never watch. What is the BBC doing about this mistake? Please use some sense and bring this series back. Polly Perkins
Cuffs is a bit unusual for a police drama, it mixes a fairly light tone with some quite serious story lines. It's realistic and fast-paced but it generally isn't gritty. There's a lightness that reflects its summer-in-Brighton setting.
Once you watch several episodes back-to-back, you start to notice how the focus isn't on the crimes themselves but the people who deal with them. The characters' backgrounds and personal situations develop over the series, and by the end we can see changes in how they relate to each other. It's not a soap, but it has the same idea of presenting characters we can relate to in various ways and finding ourselves attached to them, and that's what keeps you wanting more. The episodes also make connections between the disparate characters and crimes in a way that you wouldn't expect, overlapping one theme with another. Some of these connections are a bit "blink and you'll miss it", but when you re-watch this comes across quite well.
The cast work very well together, it's a good and balanced ensemble. The interplay between Moffat and Hawkins for example really makes us feel they have been working together for ages, it feels very natural when they have to help each other with problems outside work as well. Prager and Moretti's police constables are another good "double act", thoroughly enjoying their job despite having very different personalities.
Paul Ready deserves a special mention for his portrayal of DI Kane, a very strange man indeed who is simultaneously harsh and vulnerable. His is perhaps the most intriguing character of all despite having relatively few scenes, because Ready seems to be able to give all of his lines a depth beyond what they are on paper, as if there is far more unspoken than spoken. At first he seems not to care, but the indifference turns out to be an obsession with doing his job as well as he can despite his difficulty with socialising. He makes us want to know what makes him tick, and hopefully there will be a second series where we find out more.
Once you watch several episodes back-to-back, you start to notice how the focus isn't on the crimes themselves but the people who deal with them. The characters' backgrounds and personal situations develop over the series, and by the end we can see changes in how they relate to each other. It's not a soap, but it has the same idea of presenting characters we can relate to in various ways and finding ourselves attached to them, and that's what keeps you wanting more. The episodes also make connections between the disparate characters and crimes in a way that you wouldn't expect, overlapping one theme with another. Some of these connections are a bit "blink and you'll miss it", but when you re-watch this comes across quite well.
The cast work very well together, it's a good and balanced ensemble. The interplay between Moffat and Hawkins for example really makes us feel they have been working together for ages, it feels very natural when they have to help each other with problems outside work as well. Prager and Moretti's police constables are another good "double act", thoroughly enjoying their job despite having very different personalities.
Paul Ready deserves a special mention for his portrayal of DI Kane, a very strange man indeed who is simultaneously harsh and vulnerable. His is perhaps the most intriguing character of all despite having relatively few scenes, because Ready seems to be able to give all of his lines a depth beyond what they are on paper, as if there is far more unspoken than spoken. At first he seems not to care, but the indifference turns out to be an obsession with doing his job as well as he can despite his difficulty with socialising. He makes us want to know what makes him tick, and hopefully there will be a second series where we find out more.
I know it's the obvious kind of comparison that everyone is going to make, I've done so myself. The Bill was watched by millions, and when it ended it left a gap. The eight o'clock slot is a difficult one, it needs to be grittier then the afternoon offerings like WPC 56, and it can't be as dark or graphic as say Silent Witness or Luther.
The series aims to show what life is like on the front line for the Police, the lack of respect they face in their day to day jobs and the many obstacles in front of them.
Full of multiple story lines, a lot going on, possibly too much. The format jumps from one story to another. A distinct lack of reality in some parts, but then so did The Bill.
Nice to see Brighton used as a location, when it comes to mainstream TV you'd assume crime occurs in London, Manchester, Midsomer and Scandinavia.
It's not a show you'd cry if you missed, but it's watchable enough, it's good to have a cop show on at 8, one you can catch before you settle down at nine with a glass of Red wine. 7/10
The series aims to show what life is like on the front line for the Police, the lack of respect they face in their day to day jobs and the many obstacles in front of them.
Full of multiple story lines, a lot going on, possibly too much. The format jumps from one story to another. A distinct lack of reality in some parts, but then so did The Bill.
Nice to see Brighton used as a location, when it comes to mainstream TV you'd assume crime occurs in London, Manchester, Midsomer and Scandinavia.
It's not a show you'd cry if you missed, but it's watchable enough, it's good to have a cop show on at 8, one you can catch before you settle down at nine with a glass of Red wine. 7/10
I came across this show a few weeks ago in Australia - I'm am hooked! I love the characters & storyline. This show has so much potential to go on with many seasons to come .. just look at the success of Law & Order, CSI & SVU just to name a few. I'm finding the UK based shows do this regularly to us just to torture us ..? Maybe. For eg, Doc Martin- another brilliant UK show that I've been reading season 10 will be the last - WHY??
Miss Scarlet & the Duke is another show I look forward to watching (not sure how many seasons are planned for that )
Do we need Rapper Drake to intervene here also ?
Can someone for the love of everything that is good in England please continue with these amazing shows-please!
If not for the perverted personal relationships, this show could have been a solid 8. The obligatory gay couples are totally unnecessary detritus but the rest of the show has a good mix of humor, drama, and interesting stories. The frustrations and trials of British police and the challenges of policing are highlighted along with the diversity of situations with which the police have to deal as effectively as possible. Obviously the Justice system in Great Britain is as dysfunctional as what we in the States have to endure.
Você sabia?
- CuriosidadesThis show was set in Brighton.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How many seasons does Cuffs have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Наручники
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente