Downhill

I thought this was a comedy. It is not. Also, it is not a drama. It's like watching a home movie with two people who don't really love, or like, each other very much. And then nothing happens. Two of my favorite comedic actors are in this bucket of boredom and that makes me sad.

I was interested in seeing this film because I love Julie Louis Dreyfus' acting and Jessie Armstrong's writing. To be fair I'm not a fan of Will Ferrell but I thought with a good leading lady, good writing and a wonderful story..how can you go wrong?? Boy did it go wrong. Boring dialogue, slow and tedious, bad acting (Will Ferrell) and no real story.

It was neither a comedy or a drama. If it was intended to be both it failed on each front. The intended comedic/dramatic lines were dull and pedestrian. Although I'm not giving up on Ms. Dreyfus or Jessie Armstrong's genius, I'd recommend just skipping this one.

Julia Louis-Dreyfus and Will Ferrell star in "Downhill," a new comedy that comes out on Valentine's Day, Friday 14, 2020. The film was directed by Nat Faxon and Jim Rash.

Billie (Louis-Dreyfus) and her two boys barely escape been buried alive during a "controlled" avalanche, while Pete (Ferrell) runs for cover thinking only about his self. The scary ordeal causes them to take a fresh look at their marriage and their future together.

I had high hopes with the pairing of Louis-Dreyfus and Ferrell and what kind of comedic caper on the ski slopes might ensue. Unfortunately, this film was disappointing. This isn't the kind of "feel-good" romantic movie to take your significant other out to see on Valentine's Day.

The film isn't mushy and doesn't "resolve" like a bow on a pretty package. Instead, it is more of a "warning" in relationships, showing how miscommunication, self-centeredness, defensiveness all can contribute to breaking down bonds in relationships. The humor in it is how the couple fails to address the issue directly causing further distance, bringing others into it to plead their case, and even puts the kids in the middle. There were some cringeworthy moments throughout.

Some of the film's less flattering moments include an awkward scene with a ski instructor, crude sexual humor, and drunkenness without any really point.

I would recommend steering clear of this one, in favor of a nice evening in, preparing dinner for your partner, snuggling up on the couch and dreaming together about your hopes for the future so you don't end up like Billie and Pete unsure of what is next in store for your relationship.

Torture watching this movie. Would have walked out but my wife liked the Austrian mountain ski scenes. Nothing else about this movie was worthwhile. It struck me as a movie where the stars agreed to do it to support a family member who was trying to get into movie production but had no experience and no skill.

Greetings again from the darkness. Overwhelming apprehension. That's the feeling I had walking into the theatre for the Americanized re-make of one of my top 10 favorite movies from 2014 ... FORCE MAJEURE. Sure, it's common practice for U.S. filmmakers to farm international cinema for "new" projects, but when they mess with the really good ones, I can't help but feel nervous to the point of dread. A sliver of hope existed since this new version was co-written (along with Jesse Armstrong, creator of "Succession", and Oscar nominated for IN THE LOOP) and co-directed by Nat Faxon and Jim Rash, the creative forces behind THE WAY WAY BACK (2013).

Julia Louis-Dreyfus and Will Ferrell star as married couple Billie and Pete. Along with their two teenage sons, they are on an Austrian ski trip meant to help Pete get through grieving his father's death, and bring the family closer together. If you have seen the original or the trailer, you know what happens next. Pete's reaction to a near catastrophic event creates a divide between him and the family ... especially Billie, who is left shaken. This part is all quite similar to the original film, yet this version is different in so many ways.

Casting two brilliant comedic performers in the lead sends a strong signal that humor will play a role, and that the exceptional gravitas from filmmaker Ruben Ostlund's FORCE MAJEURE will be softened somewhat. Both of those points hold true. However, surprisingly, this re-make manages to still generate some of the shaken-to-the-core emotions that come from having trust broken in such a startling manner. Ms. Louis-Dreyfus is especially strong here, and carries a much heavier load than Mr. Ferrell. As she is balancing her shock, frustration, and anger, while still attending to their equally shaken boys, Mr. Ferrell is relegated to spending much of the film wearing a wounded puppy look as he attempts to move on without addressing the issue.

Adding to the comedy elements are Zoe Chao ("The Comeback") and Zach Woods ("The Office") as Pete's friends who get drawn into the fracas. Miranda Otto takes a break from her usually dramatic roles to play Charlotte, a wacky resort employee whose personality is a bit out of step with normalcy; although her zaniness succeeds in preventing the weight of the event from crushing Billie. Fans of the original will recognize Kristofer Hivju, who plays a resort security advisor this time. Another difference is that the kids (Julian Grey, Ammon Jacob Ford) play a bigger role in the family dynamics and fallout.

It's clear that filmmakers Faxon and Rash set out to purposefully make a more mainstream, accessible movie than the Swedish version. The film remains effective at generating conversation about survival instinct and protecting one's loved ones. It should be mentioned that this is not a typical Will Ferrell movie, and anyone expecting Frank the Tank, may only be pleased with one brief scene. Instead, this is about a man coming to grips with how his actions affected his family, and even his view of himself.