O Destino de uma Nação

I'm sure I am not alone in having seen everything ever filmed about the man.

But this is nothing like I have seen before. He is so funny.

We see his ability to make jokes like never before and there is more here than just dry sarcastic references.

He keeps us in stitches. He must have told 25 jokes.

This film starts in the days when Chamberlain knows he cannot continue as prime minister, alongside the crippling uncertainty of his cabinet meetings, and through to when the entire country, as a result of his speeches, stands firmly behind Churchill as war leader.

What surprised me the most was how large a role the opposition party played in Churchill's rise to power.

Excellent supporting cast from those distinguished actors we have seen in many BBC productions and "Game of Thrones".

Ben Mendelsohn's portrayal of King George VI was stunningly well done.

A real delight at Tiff - too bad no Q&A for my screening.

Not many films nowadays touches people deep inside their hearts.

This one did. At least mine. I am not often generous with grading movies, but I proudly give this a 8/10.

And no Im not an englishman, im Swedish!

Gary Oldman is SUPERIOR in his acting. He is simply flawless in his acting. He even twitches his eyes from time to time making him look tired and old in his very eyes.

I dont know what else to say than bravo, and on to Victory!

Churchill takes over a failing Government as Germany rages war on Europe.

It's a fascinating piece of history, there are countless films about world war two, but this focuses on the story from Churchill's point of view, how he came to power, and the obstacles he had in his way.

An incredible production, the visuals are staggering, I remember being blown away at the cinema, years later it's still as impressive.

It's a powerhouse performance from Gary Oldman, I believe he studied Churchill for quite some time, he is captivating from start to end here, he's always immensely watchable, here though, even by his standards, this was dazzling, the mannerisms, the eyes, the irascibility, it's perfect.

Kristin Scott Thomas, Lily James and Samuel West are all terrific in their respective roles, the acting throughout is first rate, plenty of well known faces for you to recognise.

It's one of those films I never get bored of watching.

A classic, 10/10.

This biopic of a very narrow period in Winston Churchill's life - May 1940 to be exact - was probably made to earn British actor Gary Oldman the academy award, but man, did he ever earn it! This film won Oscars for Best Actor for Oldman and for makeup, and I'd say they definitely earned that. Great trouble is taken to make sure you believe you are looking right at Sir Winston. Oldman literally disappears into the part.

The film opens with Parliament in open rebellion over Prime Minister Neville Chamberlain's failure to deal with Hitler and the opposition party demanding his resignation. Chamberlain wants Halifax to replace him, another appeasement advocate cut from the same cloth as he, but Halifax refuses saying his "time has not yet come". So Winston's party picks him literally - while holding their noses - because nobody else wants the job. And for good reason. Hitler is knocking over European countries with the ease of dominoes and the entire British army is trapped at Dunkirk, with so many damaged ships blocking the harbor that no other ship can get into it to rescue them.

Next we meet Oldman's portrayal of Sir Winston. He is a man of enormous appetites - food, drink, cigars - and sometimes tremendous temper. His spending brings him to the brink of bankruptcy multiple times. His party doesn't like him. The king resents him for how he advised his brother when he was planning to marry Wallis Simpson. And Chamberlain and Halifax STILL want to appease Hitler and because Churchill does not, they are working to undermine him, particularly with the king.

The film uses two obvious plot devices that are probably not based in fact. One is Churchill's young secretary who at first he scares to death with his tantrums, but later the two become close as he softens his approach with her . The other is a trip into a subway to get "the man on the street's opinion" about Hitler that just seems eye-rollingly over the top. There is a baby that the mother oddly says looks like Churchill, what seems like an interracial couple in 1940, and a woman who, from the way she is dressed, appears to be a socialist. Yet they to a man, to a woman, to a child, encourage Churchill to fight Hitler to the end. This fictitious event seems to be stolen from Shakespeare, but if you must steal, then steal from the best.

Honorable mention has to go to Kristen Scott Thomas as Clementine, Winston's supportive wife who is often overlooked by history. Also deserving mention is Ben Mendelsohn as King George VI, who is portraying a man much more comfortable as monarch than he was portrayed in Then King's Speech, but then this is not his story.

Yes, it is not historically accurate, but if Churchill did confront the situations and people he confronted in this film, he probably would have acted exactly as he was portrayed here.

I knock off one star for not at least TRYING to explain to the audience WHY - with Hitler obviously not trustworthy - members of Parliament would not realize the choice was between slavery and war. The answer is that WWI cost Britain a generation of young men. Literally every British young man who went to war either died or was maimed. And in the end the entire conflict seemed like it had been for nothing. And so many of the British - and more of the Americans - did not want to go through this a second time with the exact same country, not realizing until it was almost too late that the Kaiser was no Hitler.

As a film this is quite good; it's not dull, the performances are good, the production design is excellent, the script is a professional piece of work and even Oldman's make-up is not too distracting.

However, something is not right. If most people get their history from movies, this is concerning. It's obvious that actual events occurred with real people and what they did and said but in a movie this gets pasteurized into what smart people believe will be more thrilling, more sympathetic, more emotional. That process necessarily alters things into something that is even anachronistically rendered and therefore not in the record.

This defect occurs frequently in this movie , so it's not history but myth making. A good example is Churchill's dive into the Underground to meet the common person to steel his resolve. Now Churchill had a mixed view of the average voter, and he was a patrician, but even that aside, he did not need to take a Tube train survey to gauge opinion.

This scene is poached from Shakespeare's Henry V where the king goes among his soldiers the night before battle to hear them and take courage from their strength. Steal from the best is a good policy, but it's not history. It's Shakespearean history and that trades effect for accuracy too.

The audience is given this scene to present Churchill as an instrument of democracy; he's acting for what the people want, therefore he's doing the right thing. It's called pandering.

Well, it is just a movie.