Operação Overlord

Overlord is one of those films that starts as one thing but then becomes something else. Following some Allied paratroopers as they land behind enemy lines toward the end of WW2, they come across a small town next to their target - a church with a radio tower on it. With the help of a local family, they must somehow get in there and take it down. However, they soon discover that the building also houses something far worse than Nazi soldiers...

I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!

At one stage thought to be some form of Cloverfield sequel/prequel, thanks to the association with wonder producer J.J Abrams and his production company Bad Robot, Overlord is very much a film set in its own universe that takes us on a gore filled World War 2 set adventure to occupied France, as a small collection of American soldiers discover that German run labs are not the ideal place to spend time in.

Directed by upcoming Australian filmmaker Julius Avery whose previous film Son of a Gun showed much promise, Overlord does a lot with its relatively small budget of $38 million as we are thrust into the D-Day invasion and follow a collection of paratroopers on a mission to destroy a German radio bunker set up at the base of an old church building.

It's not being over the top when you say the first 10 - 20 minutes of Avery's film are some of the most thrilling and dazzling of the last 12 months, with the audience given barely a moment to breathe as the films stunning opening set-piece takes place and we launch out of an under fire carrier plane with Jovan Adepo's Boyce and his fellow soldiers.

If Overlord had somehow managed to keep this pace, intensity and style up, Avery's film would be a dead-set undeniable gem but sadly the film unleashes its best too early as the film around it, whilst often entertaining and gloriously over the top, just never quite delivers the thrills, spills and chills like you'd wished it had done.

Truly becoming the cinematic equivalent of the famous Wolfenstein video game series (which must've been a direct inspiration for this tale), Overlord's mix of war time action, sci-fi, straight up visceral horror (found within the Nazi's underground labs) and thriller doesn't always hold up, even if it's great to see a film of this ilk play it completely straight with Overlord forgoing laughs as there's no winking to the camera as the nefarious goings on begin to take hold.

It's a gore-filled and claret flowing exercise, with Avery clearly at home with the action side of things and a little less so at character building, with side players like Wyatt Russell's knuckle-duster loving Ford, John Magaro's stereotypical Italian solider and Mathilde Ollivier's token French female tomboy Chloe having fun but remaining fairly forgettable with Game of Thrones star Pilou Asbæk stealing the acting show with his turn as evil Nazi Wafner.

You never regret going along for this ride with enough imagination, impressive make-up and special effects and darkly imagined horrors such a soldiers traumatic return from death keeping things moving and ever watchable, you just can't help but feel like Overlord had the potential to become a genuine classic of its genre mash-up.

Final Say -

There's a lot to like about Overlord (an unfortunate box-office dud) that's likely to find a much a larger audience on home release but despite its many strengths and standout individual scenes, this Wolfenstein come to life is a mostly enjoyable but mostly forgettable affair.

3 bullet wounds out of 5

If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.

I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.

The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.

The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.

Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."

Perfect blend of WW2 action, zombies and gore. Don't go into this expecting Oscar nominations, and you'll enjoy the ride. It was exactly what I expected- I was entertained for close to 2 hrs. Got my money's worth.

It's D-day. A squad of paratroopers are tasked with destroying a radio tower on top of a church. Their plane is shot down. After their leader gets shot by the Nazis and one steps on a landmine, four survivors remain. They find refuge with a scavenger named Chloe. The Nazis are experimenting on the locals at the church.

It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.