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IMDbPro

Certas Mulheres

Título original: Certain Women
  • 2016
  • 12
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,4/10
17 mil
SUA AVALIAÇÃO
Laura Dern, Kristen Stewart, Michelle Williams, and Lily Gladstone in Certas Mulheres (2016)
Set against the Big Sky backdrop of southern Montana and reflecting both the immense scope and profound stillness of its setting, 'Certain Women' examines the moments both large and small that make up the lives of strong, independent women looking for ways to understand and shape the world around them.
Reproduzir trailer2:06
3 vídeos
78 fotos
Workplace DramaDrama

As vidas de três mulheres se cruzam em uma pequena cidade americana, onde cada uma está abrindo imperfeitamente um caminho.As vidas de três mulheres se cruzam em uma pequena cidade americana, onde cada uma está abrindo imperfeitamente um caminho.As vidas de três mulheres se cruzam em uma pequena cidade americana, onde cada uma está abrindo imperfeitamente um caminho.

  • Direção
    • Kelly Reichardt
  • Roteiristas
    • Kelly Reichardt
    • Maile Meloy
  • Artistas
    • Michelle Williams
    • Kristen Stewart
    • Laura Dern
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    17 mil
    SUA AVALIAÇÃO
    • Direção
      • Kelly Reichardt
    • Roteiristas
      • Kelly Reichardt
      • Maile Meloy
    • Artistas
      • Michelle Williams
      • Kristen Stewart
      • Laura Dern
    • 115Avaliações de usuários
    • 168Avaliações da crítica
    • 82Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 11 vitórias e 49 indicações no total

    Vídeos3

    Official Trailer
    Trailer 2:06
    Official Trailer
    Certain Women--Official Trailer
    Trailer 2:06
    Certain Women--Official Trailer
    Certain Women--Official Trailer
    Trailer 2:06
    Certain Women--Official Trailer
    5 Indie Film Gems of Kristen Stewart
    Clip 1:01
    5 Indie Film Gems of Kristen Stewart

    Fotos77

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    Elenco principal21

    Editar
    Michelle Williams
    Michelle Williams
    • Gina
    Kristen Stewart
    Kristen Stewart
    • Elizabeth Travis
    Laura Dern
    Laura Dern
    • Laura
    James Le Gros
    James Le Gros
    • Ryan
    Jared Harris
    Jared Harris
    • Fuller
    Ashlie Atkinson
    Ashlie Atkinson
    • Secretary
    Guy Boyd
    Guy Boyd
    • Personal Injury Lawyer
    Edelen McWilliams
    Edelen McWilliams
    • Fuller's Wife
    John Getz
    John Getz
    • Sheriff Rowles
    James Jordan
    James Jordan
    • Hostage Specialist
    Matt McTighe
    Matt McTighe
    • Officer Tommy Carroll
    Joshua T. Fonokalafi
    • Amituana
    Sara Twist
    Sara Twist
    • Guthrie
    • (as Sara Rodier)
    Rene Auberjonois
    Rene Auberjonois
    • Albert
    Lily Gladstone
    Lily Gladstone
    • The Rancher
    Stephanie Campbell
    • Teacher 1
    Kilty Reidy
    • Teacher 2
    Marceline Hugot
    Marceline Hugot
    • Teacher 3
    • Direção
      • Kelly Reichardt
    • Roteiristas
      • Kelly Reichardt
      • Maile Meloy
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários115

    6,416.6K
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    Avaliações em destaque

    3eyasta

    There are limits...

    I appreciate a pretty wide variety of films. I wouldn't call myself an indie junkie, but I like creativity that gets me to think or be aware in a new way and indie can certainly do that. Of course, sometimes aspects of a film will evade me (what was X about? what did Y mean?) and then I seek out others--and IMDb--to fill in the gaps.

    I have to admit, I left this film lost and unsatisfied. Too MUCH of it was a gap for me. Sure, I had some basic insights: how the normal-ness of life is worthy of attention and how the painful constancy of loneliness exists in so many lives. The acting was good. I found the long pans and the "un-action" movie action interesting. At least for a while. But by about halfway, that was it. Those insights just repeated themselves. I spent the second half hoping for something to shed light, to at least tie some loose ends together. But it never came.

    And it wasn't just me and my friend. As we sat in the emptying theater after the movie, discussing our thoughts about it, an elderly lady shuffled out behind us and said, "I don't mean to blow my own horn, but I have a Ph.D. in English Literature. And STILL I can't figure out what that movie was about! Do you?" So it wasn't just me.

    This is all I can conclude: This film slowly detailed 3 vignettes, suggesting there was something being told. Then it had nothing to say. Maybe it's a Zen thing. But it wasn't a satisfying experience for me. The stories came out of nowhere and went nowhere, albeit with some beautiful scenes and emotions presented along the way and excellent acting. When it was over, there was no "there" there for me. I think that's what left me feeling unsatisfied. It was like a pretty mosaic left in pieces. I can infer that someone formed a design with it and I want to see that design. But it's in pieces and, try as I might, I can't put the pieces together. In fact, it feels like some pieces are missing. So I walk away baffled.

    Maybe this says more about me than this movie. Whatever the case, I walked away unsettled and not in an enlightened way. That didn't feel good.
    Red_Identity

    Entrancing and atmospheric in unexpected ways

    Kelly Reichardt surely makes films like no one else right now, and without really trying too hard to be different, edgy, or unique. Her vision and voice just come across powerfully in her films, in their sensibilities and in their unspoken moments of quiet, harmony, and sensitivity. Although I wasn't really a fan of Night Moves, I was of Wendy and Lucy and of Meek's Cutoff. I believe this may be her best film yet. All three female leads (four if you want to count Stewart) do a really fine job. Particularly Lily Gladstone, who is a real force to be reckoned with and who I hope to see in the future again. This is a quiet and tender film, powerful for what it doesn't explicitly say rather than for what it does.
    7ReganRebecca

    An uneven triptych

    Kelly Reichardt is one of those director/writers who has made it their focus to film, the unfilmable, ordinary people in their downtime simply reacting or not reacting to things. This is all well and good, and each piece of Certain Women works beautifully on their own, but as a collection pulled together it feels random and unfocused and not in a good way.

    The three stories of Certain Women are all set in and around the same small town in Montana and are also loosely connected (a few side characters show up in different segments which are more of a distraction than a convincing narrative thread). The women of the three stories are Laura (Laura Dern) a personal injury lawyer dealing with a disabled and embittered client who won't accept that he signed away his rights, Gina (Reichardt's muse Michelle Williams, working with her fort the third time) an uptight woman trying to get the material needed for her dream home, and Jamie (newcomer Lily Gladstone, amazing), a lonely rancher who unexpectedly falls for a lawyer she meets in the strangest of circumstances. The stories are all very undramatic and subtle but in Reichardt's hands the material absolutely sings. There is a lot of depth and nuance to these characters and it is wonderful to watch them. Unfortunately she does not afford equal time to all the characters and this has the effect of making her film feel lopsided.

    The best segment in the film is the one with Gladstone's rancher, and I sincerely wish that Reichardt had worked out a way to pad it out with 40 more minutes of material because at 50 minutes it is the longest segment by far and it is the most interesting and the most poignant.
    7proud_luddite

    A good and unique indie film

    In rural / small-town Montana, three stories interact: a lawyer (Laura Dern) seems unable to set boundaries with an ex-client (Jared Harris) who is unhinged and deranged; a rather uptight woman (Michelle Williams) tries to find motivation in building a new home even though her husband and teenage daughter are growing more and more distant from her; a young rancher (Lily Gladstone) is infatuated with a recent law graduate (Kristen Stewart) who arrives in her town twice a week to teach an educational law night class.

    "Certain Women" is written and directed by Kelly Reichardt and based on short stories by Maile Meloy. Like other Reichardt films (her best is "Meek's Cutoff" (2010)), this one tells so much in the unspoken word - where a silent reply says so much more than a bluntly worded statement. She is blessed with a superb cast who can make the viewer feel so much with a camera lingering on their faces.

    It's tempting to think "nothing is happening" at the beginning of each segment. But once viewers catch on to Reinhardt's unique style, they can see that a lot is actually happening. The Gladstone/Stewart story stands out for various reasons and not just the great acting (Gladstone rightly won many awards for her performance). It provides a great re-telling of the tragic story of someone having a crush on another who aspires to be (or already is) in a higher class in the socioeconomic hierarchy.

    Their story, like the others, have a theme of loneliness and isolation even for those who are surrounded by people. This film has a special and unique charm that is quite rewarding. - dbamateurcritic.
    JohnDeSando

    Strong women, weak men, strong story.

    Director Kelly Reicart knows strong women and the strong circumstances they've faced moving West (Meek's Cutoff) and more than 100 years later the modern Northwest (Certain Women). Big Sky Country, Montana, is the modern setting: Billings, Bozeman, and environs, the places where three women are ignored by men, misunderstood by both men and women, and call many of the shots that may end up putting food on their tables and courage in their hearts.

    Although feminists should be proud of the three heroines in Certain Women, their actions are not so much the stuff of heroics as they mostly navigate around misogyny and sloth in a world that mostly listens to men first even if the women are right most of the time.

    Laura Wells (Laura Dern) is an attorney with not really a thriving practice, but she gets along. One client, Fuller (Jared Harris), is a worker trying in vain to get more compensation for an accident while he slowly becomes derailed. In the most fraught incident of the trilogy, she must enter a building with a bullet-proof vest to face him as he holds a guard hostage. That she is the one to confront him, and not a crisis squad, is one of the stories' touches that clarifies why the heroines are "certain" women.

    Gina Lewis (Michelle Williams) is building a prairie house, part of which will be built with a pile of stones, she, not her husband, tries to convince an old man to sell. Her quiet resolve in the face of mostly feckless men is not so much heroic as it is her certainty that she must be the strong one.

    Jamie (Lily Gladstone), a portly ranch hand who falls for an evening school teacher-lawyer, Beth Travis (Kristen Stewart), is the least glamorous of the three (no I Phone for this cowgirl) but with an inner depth that eclipses the other two. Jamie and Beth's evening ride to the diner on a horse is romantic in a subtle way rarely seen before.

    If you think I haven't described anything dramatically worthy of a full-length motion picture, you're right. The real drama bleeds out of the actors' interior depictions, the personal strength that overcomes diminishment by the vast plains, snow-capped mountains, and weak men.

    Because the three episodes are derived from native Maile Maloy's short stories, Certain Women is a tour de force of feminism disguised as rambling stories of women making a hard living in a hard West. Hooray for them as the cowboys and the horses are not the real forces at work.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Reichardt revealed that one of the reasons she chose to shoot on film was because snow appears "flat" in other formats. Interestingly enough, when she began shooting, there was little to no snow at all in Montana.
    • Erros de gravação
      When Elizabeth Travis first starts her school law course, she begins writing her name as "Eliz..." on the blackboard, then wipes it out and simply writes "Beth". A little later a fully written but crossed out "Elizabeth" appears next to the "Beth".
    • Citações

      Laura: It'd be so lovely to think that if I were a man I could explain the law and people would listen and say, "Okay."

    • Conexões
      Featured in Women Make Film: A New Road Movie Through Cinema (2018)
    • Trilhas sonoras
      Play with My Heart
      Performed by Taye Johnson

      Courtesy of Yebo Music by arrangement with Bank Robber Music

    Principais escolhas

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    Perguntas frequentes20

    • How long is Certain Women?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de fevereiro de 2017 (França)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Ciertas mujeres
    • Locações de filme
      • Livingston, Montana, EUA(law offices at 116 Callender St. and 110 B South St.)
    • Empresas de produção
      • Film Science
      • Glass Eye Pix
      • Stage 6 Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.087.585
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 60.898
      • 16 de out. de 2016
    • Faturamento bruto mundial
      • US$ 1.531.261
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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