Uma Mulher Americana

"American Woman" follows Debra, a thirty-something single mother in small-town Pennsylvania, whose young adult daughter, Bridget, disappears mysteriously. Debra is left to raise Bridget's infant son, Jesse. A volatile and reckless personality as it is, Debra does not take Bridget's disappearance easily, and finds comfort in her older sister, Katherine, who lives across the street from her. The film charts the family's lives together over the next eleven years.

One of the better dramas I've seen in recent years, "American Woman" is a well-written and evenly paced character study that follows a woman in the precarious situation of having her child go missing. Surprisingly, though, that is only halfway what this film is really about. The bulk of the script's weight lay in the fallout of the disappearance, and the ways Debra navigates life and raises her grandson.

In the wrong hands, this kind of story could easily go sideways, but the writing here is strong, and the performances are stellar. Sienna Miller brilliantly portrays the small-town wild-child mother who begins the film as a drunken, chain-smoking grocery store worker, and finds her in a much different state by the conclusion. The character arc is fraught with emotion, and Miller handles it beautifully. Playing counterpoint (also brilliantly) is Christina Hendricks, who has a softer presence as Debra's regimented, responsible sister. Pat Healy and Aaron Paul portray two of Debra's troubled lovers, while Sky Ferreira appears as Bridget, who is only in several scenes in the beginning, but whose presence haunts the film like a ghost. What is truly great about the film is that it captures human relationships in a manner that feels authentic; everything from the dynamics between the family members, to Debra's small-town ennui, to her various relationships with men feel true. If you aren't one of these people, you know one of them, and the slice-of-life nature of the film never manages to devolve into caricature or cliche.

Another surprise here is that the film is genuinely moving. The last thirty minutes contain several moments that are fraught with emotion, including one that had me fighting tears. I am not someone who tends to cry during films (in fact, it's only happened with one other), but the emotional thrust of the film snuck up on me without my really seeing it coming. Several reviews have complained that the film sidelines the missing person/crime plot in favor of exploring other components of Miller's character, but I think those people are missing the point here; this is not a "missing person" film, but rather a drama about people who experience having a missing family member. We tend to forget that the lives of families of missing persons go on, albeit under the pressure of the past resurfacing at any moment. When it does, it brings the audience to their knees as much as it does Miller's character. I think it precisely because the film follows this chronological, true-to-life trajectory that it manages to strike an emotional nerve.

As well-done as the film is, I unfortunately don't believe it will get the audience it deserves. It appears to have received essentially zero marketing, and has been quietly dumped in theaters at the beginning of the summer blockbuster season. The title is also a bit misfitting for the film, which doesn't help either. It's truly a shame, as "American Woman" is a moving, brilliantly-acted drama that finds human truth more often than many of its counterparts. 8/10.

Gripping performance by Sienna Miller as a smalltown young mother / grandmother, coping with the mysterious disappearance of her teenage daughter and left to raise her grandson on her own. The film spans over many years and exhibits interesting character growth as life goes on. Christina Hendricks also delivers an excellent performance as her next-door sister, as well as the rest of the family. It's been awhile since I've seen a good drama and American Woman has delivered the goods. Best film I've seen in the Toronto Film Festival so far.

Siena Miller gives a terrific performance. Christina Hendricks and Aaron Paul are fine, but most of all the story and script really moved me. I saw the last 3/4 of this in a hotel on pay-per-view. Couldn't rewind it to the beginning, so the very next night, I watched the first part just to get the back story on the characters . Highly recommended if you're looking for something other than a comic book-driven action story.

Coming fom the writer of Out Of The Furnace and the producers of Manchester By The Sea, this portrait of a blue-collar Pennsylvania woman wasn't going to be champagne and roses. While those films boasted well-rounded female characters, they played second fiddle. Here, Sienna Miller's Deb is the main attraction - in all her contradictory, pedestrian glory. Following Deb from 32 (a hot mess grandma) to 40 (taking control of her life), American Woman builds a rich picture of a flawed, recognisable female character. Deb dates unsuitable men while living with her teen-mum daughter, Bridget (Sky Ferreira), and baby grandson, Jesse. Her sister, Katherine (Christina Hendricks), helps when things go wrong - and they go horrifically wrong when Bridget disappears. But Bridget's absence is almost happenstance to Deb's tale of survival, as she weathers an abusive relationship to ensure Jesse has a home. It takes years for her to feel worthy of a decent partner. Maybe Aaron Paul's brickie is the one... You'll guess the outcomes, but what works is the slow-burn combo of convincing dialogue and Miller's unvarnished turn. She should be in the awards conversation - but the performances outstrip the film, so American Woman may not sufficiently linger in audiences' imaginations.

So if you like fast paced action, don't bother. If you like sublimely acted, well paced, brilliant character development, please give this a watch. This isn't a film about a mother trying to find her daughter, this is about an incredible journey of one woman and watching Sienna Miller's character develop over the course of this film is breathtaking. I cried. A lot. And I rarely, rarely cry watching films. There is something incredibly authentic about this film that draws you in and leaves you feeling as if you were some way involved in the lives of these characters. Bravo