Enquanto o Christian luta com seus demônios interiores, a Anastasia deve confrontar a raiva e a inveja das mulheres que vieram antes dela.Enquanto o Christian luta com seus demônios interiores, a Anastasia deve confrontar a raiva e a inveja das mulheres que vieram antes dela.Enquanto o Christian luta com seus demônios interiores, a Anastasia deve confrontar a raiva e a inveja das mulheres que vieram antes dela.
- Prêmios
- 3 vitórias e 13 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's really not as dire as many of the armchair critics around here are making out. It's essentially just a well made, but derivative melodrama with some of the old BDSM thrown in to spice things up.
I have to admit I didn't notice much different with the change of directors. It does seem to follow on fairly logically from the first film, but if you're stepping in for the first time, you shouldn't have too many problems picking up the gist of things. I'd never try to argue the storyline is all that deep.
Dakota Johnson makes the film for me. She is a very appealing Ana and carries off the the vulnerable/strong character thing really well. Unlike some of the other reviewers around these parts, I think she succeeds in displaying plenty of chemistry with Christian. And speaking of that well-known male dominant, let me just add that I think Jamie Dornan plays that part quite well. Yes, he does appear kind of wooden and emotion-lite, but that's the way Christian is written in the books. And as many are aware, author EL James had a very big influence in the adaption of her books to the screen. For a start, her hubby Niall Leonard, is the sole script writer! All those expecting a vastly different screen persona of Christian are just whistling into a gale of a wind.
It was fun seeing Kim Bassinger turn up playing Elena, considering she starred in Nine and a Half Weeks, back 30 years or so ago and that film kicked up the same sort of reaction from critics as 50 Shades etc. ( It was also a commercial hit.) I'd never try to deny that the films all share great similarities. But that's Hollywood for you! What goes around, definitely comes back around!
Now about those little balls ...
I have to admit I didn't notice much different with the change of directors. It does seem to follow on fairly logically from the first film, but if you're stepping in for the first time, you shouldn't have too many problems picking up the gist of things. I'd never try to argue the storyline is all that deep.
Dakota Johnson makes the film for me. She is a very appealing Ana and carries off the the vulnerable/strong character thing really well. Unlike some of the other reviewers around these parts, I think she succeeds in displaying plenty of chemistry with Christian. And speaking of that well-known male dominant, let me just add that I think Jamie Dornan plays that part quite well. Yes, he does appear kind of wooden and emotion-lite, but that's the way Christian is written in the books. And as many are aware, author EL James had a very big influence in the adaption of her books to the screen. For a start, her hubby Niall Leonard, is the sole script writer! All those expecting a vastly different screen persona of Christian are just whistling into a gale of a wind.
It was fun seeing Kim Bassinger turn up playing Elena, considering she starred in Nine and a Half Weeks, back 30 years or so ago and that film kicked up the same sort of reaction from critics as 50 Shades etc. ( It was also a commercial hit.) I'd never try to deny that the films all share great similarities. But that's Hollywood for you! What goes around, definitely comes back around!
Now about those little balls ...
20U
One of the worst movies I've seen in years. Terrible acting, no plot and pointless sex scenes.
While not having particularly high expectations, it must be said, I did go into this film with an open mind. However only a few minutes in and I already felt the urge to leave and fill my brain with something less awful and mind rotting.
It's not just the non-existent plot and hammy acting that let this film down, although they were major factors, the chemistry between the two leads was like watching two planks of wood getting together. None of what I saw made me believe he was an irresistible sex god with a dark side. And with Ana, let's just say biting ones lip every time something is suggested gets a bit old.
Furthermore, without wanting to spoil, is her IQ supposed to be about 50? I have to ask because she pretty much agrees to everything he says, and not in a dom/sub kind of way, more just because she doesn't seem to have the mental ability to argue. You have to wonder how she's employed in the first place.
I've seen some absolutely dire films but I can honestly say this is the worst film I've ever seen.
It's not just the non-existent plot and hammy acting that let this film down, although they were major factors, the chemistry between the two leads was like watching two planks of wood getting together. None of what I saw made me believe he was an irresistible sex god with a dark side. And with Ana, let's just say biting ones lip every time something is suggested gets a bit old.
Furthermore, without wanting to spoil, is her IQ supposed to be about 50? I have to ask because she pretty much agrees to everything he says, and not in a dom/sub kind of way, more just because she doesn't seem to have the mental ability to argue. You have to wonder how she's employed in the first place.
I've seen some absolutely dire films but I can honestly say this is the worst film I've ever seen.
The predictable plotting and the boring dialogues makes this sequel automatically uninteresting. "Fifty Shades Darker" is worst than the first movie because the characters have learned nothing and repeat the exact same unhealthy relationship. The two beautiful protagonists do their bests to treating sex like a pleasurable activity but is not enough and the result is not good. The thriller narrative, involving persons from Grey's strange past, exposes the shallowness of the story. What made the first unit of this trilogy so much better than the current version is that everything was then new. But now that we are familiar with the equipment in Christian's lavish penthouse, the novelty is gone and the boredom is here.
Storyline: 0/10 I don't really see any up or down in the story-line. It's only sex and sex and nonsense stuff. I meant "stuff" because there's nothing to describe. Honestly, people come to watch the movie because of the sex scene only, and it is even worse than the 1st part. Lesson: if you're rich, you get everything, even a sex slave. That is literally everything from the movie. I rarely say a movie is bad, but this movie is so bad that I even hate it. I regret my $10 and 120minutes watching a bunch of BS like this.
Você sabia?
- CuriosidadesAna says "I expect you to call me Ana. I don't expect you to fetch me coffee unless you're getting some for yourself, and um, the rest we'll just make up as we go along." Melanie Griffith, Dakota Johnson's mother, said the same thing in Uma Secretária de Futuro (1988).
- Erros de gravaçãoIn Christians apartment, several 'set' items changed from the first movie. Even though the writers want you to believe the second film's story picks up shortly after the end of the first film's ending. The art piece on the window wall changed. The large table in front of the window where in the first film he states that he's "Fifty shades fucked up" changed. Most visually obvious was the fireplace. This second film has a much larger one and now there's a TV above it where there was none in the first. The design of the staircase changed dramatically. The door to the playroom was white, but now it's dark.
- Citações
Anastasia Steele: [while they are in a supermarket, Christian is pushing the cart, looking uncomfortable] When's the last time you went shopping?
Christian Grey: Houston. A week ago.
Anastasia Steele: What'd you buy?
Christian Grey: An airline.
- Cenas durante ou pós-créditosIn the theatrical & home media releases, the brief teaser trailer for Cinquenta Tons de Liberdade (2018) is shown halfway through the closing credits. On the HBO version, the trailer is deleted to go to straight into the shortened Perfect World Pictures logo.
- Versões alternativasThe running time quoted by IMDB, "1h 58m," is for the theatrical release. There is also an extended, unrated version, running about 13 minutes longer. The unrated version includes more sex and nudity and also alternate, more explicit takes, with 2 extended sex scenes plus 1 additional one, wherein the couple engage in sex after a game of billiards. It also has two scenes with Jennifer Ehle as Carla, Dakota Johnson/Anastasia's mother. Ehle is thus only credited in the unrated cut.
- ConexõesFeatured in Film '72: Episode #46.1 (2017)
- Trilhas sonorasThe Scientist
Written by Guy Berryman, Jon Buckland (as Jonathan Buckland), Will Champion (as William Champion), Chris Martin (as Christopher Martin)
Performed by Corinne Bailey Rae
Produced by Corinne Bailey Rae & SJ Brown
Corinne Bailey Rae appears courtesy of Good Groove Recording
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Cincuenta sombras más oscuras
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 114.581.250
- Fim de semana de estreia nos EUA e Canadá
- US$ 46.607.250
- 12 de fev. de 2017
- Faturamento bruto mundial
- US$ 381.545.846
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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