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4,7/10
3,6 mil
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Adicionar um enredo no seu idiomaTo colonize Mars, 21st century scientists seed the planet with algae and cockroaches. 500 years later, the first manned mission to Mars loses contact with Earth, and a second spacecraft is s... Ler tudoTo colonize Mars, 21st century scientists seed the planet with algae and cockroaches. 500 years later, the first manned mission to Mars loses contact with Earth, and a second spacecraft is sent to investigate.To colonize Mars, 21st century scientists seed the planet with algae and cockroaches. 500 years later, the first manned mission to Mars loses contact with Earth, and a second spacecraft is sent to investigate.
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Some reviewers have taken this movie far too seriously and read far too much into the it.
So imagine an 80's kids cartoon does The Breakfast Club with the plot of Aliens, all with a modern take. That's basically it. Plus being as it's Japanese you get crazy fight scenes with insects, bonkers daft and nothing to trouble the brain.
So imagine an 80's kids cartoon does The Breakfast Club with the plot of Aliens, all with a modern take. That's basically it. Plus being as it's Japanese you get crazy fight scenes with insects, bonkers daft and nothing to trouble the brain.
OK, here's the shocking truth: this film, which ought to have the English language title of 'Cockroach Planet', is pretty bad. In it, Miike abandons any of the art-house pretensions about which people find to argue and discuss in some of his other work, in place of lurid and batty SF fantasy. At the start it rips off 'Blade Runner' - almost shot-for- shot in a couple of places. The characters are shallow. The central idea is ludicrous. The plot is underdeveloped. The flashbacks do nothing to advance things, can be confusing and, at least once, amusingly bathetic. The CGI can be substandard. The director slips in a gratuitous Yakuza moment, and thinks it cool. There is also a token terrorist announced as a job description, and a villain who is, patently, a fashion victim. The cockroaches, who move super-fast at one moment and can fly their legions, usually stand round and stare at their victims quizzically, waiting for them to gear up before attacking slowly. The evil insects are cute, rather than menacing, and when they grin, look like they wear dentures. There are what appear to be the pyramids of Giza on Mars; I don't know why, even when explained on screen - but that's OK I guess, as we never get close. And of course the science is ridiculous.
So I watched this colourful, surreal, and jaw-dropping extravaganza marrying insects and cinematic insanity ... and was thoroughly entertained. In short, don't expect more for your money than you get from all of the above which, as you now know, is plenty: just rush to see it like I did, and be pleased. At least there is no boring John Carter and they are not talking about botany again.
So I watched this colourful, surreal, and jaw-dropping extravaganza marrying insects and cinematic insanity ... and was thoroughly entertained. In short, don't expect more for your money than you get from all of the above which, as you now know, is plenty: just rush to see it like I did, and be pleased. At least there is no boring John Carter and they are not talking about botany again.
When u think Japanese stories wouldnt get any weirder but u are just so wrong everytime. Any point of the movie u just sorta keep asking why youre still watching this but ... i honestly dont know and dont have an answer to that.
Why would people wanna imagine this sort of a thing? Is even more baffling question. Im confused
Why would people wanna imagine this sort of a thing? Is even more baffling question. Im confused
To be perfectly frank, I entered this with very low expectations. Miike Takashi has made some fantastic films, and he's also made some utter rubbish. The question is commonly one of how self-indulgent he will deign to be, versus commitment to actual substance over empty style. With this being a sci-fi action piece, and a manga adaptation at that, I could only assume that the worst of the filmmaker's predilections would take hold here. And well, it becomes apparent very quickly that 'Terra Formars' is not one of the man's better movies. It's not one of his absolute worst, either, but the most we can really say here is that it's very passively enjoyable. Which is fine, I suppose, but if "very passably enjoyable" is our benchmark for cinematic quality, where does that leave us?
Seeing as Miike's whole oeuvre is rather hit or miss, it's reasonable enough to suppose that he's the problem. But in fairness, it's not necessarily all him; maybe Nakashima Kazuki's adapted screenplay is the trouble. Maybe this is an instance of a story told through manga that doesn't work in another medium; maybe the "live-action" interpretation is the issue. Maybe it's the proliferate computer-generated imagery, or the half-measure special makeup. For all I know, the manga itself is just as floundering. Wherever the responsibility lies, I think there are some fun ideas scattered throughout, and some imagery that on paper - literally, on paper - might have looked great. The conception of this adaptation faced a difficult road in the first place, however, and the execution is not just demonstrative of fashion over function, but of flash over fashion. There is value in this flick, but the result is mixed at best.
Except in exceedingly rare circumstances, CGI ages rapidly and poorly, and looks worse the more we see of it. In the case of this eight-year old picture I believe the digital rendering mostly holds up quite well so far, and it might be fine if it were employed more sparingly - but since 'Terra Formars' is filled head to toe with it, it swiftly becomes very tiresome. I can't fault the effects artists, makeup artists, or most anyone else working behind the scenes for the work they turned in, but the use is excessive, and the fundamental designs of many visual elements - the cockroaches, and the augmented humans - generally do NOT look good. With passing exception, they simply don't; we're talking "earnest but not professional" Halloween costumes, or appearances that more closely resemble those from B-grade fare of the 60s and 70s rather than contemporary fare. Again, I trust that on paper all this comes off better, but that doesn't help us with this live-action title.
From violence and action scenes, to sequences of intended spectacle, to effects that tend more toward embellishment, this is shaped with inclination toward bombast and flair more than anything else, and certainly more than judicious, compelling storytelling. I repeat that there are some fun ideas on hand, and for that matter some genuinely good ones; this includes information that gets revealed about some characters, and the powers they have been granted. Unfortunately, the information about powers gets inserted in a way that feeds into the overt stylization; characters' backgrounds are revealed in a gawky manner that fails to achieve the desired dramatic effect, and which routinely halts what momentum the saga had theoretically been building. The dialogue is pretty bad, and those facets of the plot that aren't predictable are just flimsy and less than convincing. Not all characters get fleshed out, either, and those that do not end up feeling hollow. This opens the door for Miike to fill in the gaps with his self-indulgence, as seen with the character of Professor Honda and Oguri Shun's performance, and such bits don't come off well.
Also coming off poorly, for the record: the music. Where an orchestral score is employed it's rather nice; where chords of rock and electronica are employed, it's much too over the top, almost as if Miike reached out to American nu-metal bands who were a flash in the pan fifteen years prior. Whoops.
The good news is that 'Terra Formars' fairly squarely met my expectations. The bad news is that 'Terra Formars' fairly squarely met my expectations. It's not awful, and with what the visuals and the story have to offer at their best, this is entertaining to some degree. It's no ta high degree, however, and this is a feature that neither requires nor inspires active engagement. Sometimes that's all we want to help pass the time, but even so there was distinct room for improvement here. If you like 'Terra Formars' more than I do, I'm glad for you; I won't be giving this a second thought, and I can't bring myself to give it as a recommendation, either.
Seeing as Miike's whole oeuvre is rather hit or miss, it's reasonable enough to suppose that he's the problem. But in fairness, it's not necessarily all him; maybe Nakashima Kazuki's adapted screenplay is the trouble. Maybe this is an instance of a story told through manga that doesn't work in another medium; maybe the "live-action" interpretation is the issue. Maybe it's the proliferate computer-generated imagery, or the half-measure special makeup. For all I know, the manga itself is just as floundering. Wherever the responsibility lies, I think there are some fun ideas scattered throughout, and some imagery that on paper - literally, on paper - might have looked great. The conception of this adaptation faced a difficult road in the first place, however, and the execution is not just demonstrative of fashion over function, but of flash over fashion. There is value in this flick, but the result is mixed at best.
Except in exceedingly rare circumstances, CGI ages rapidly and poorly, and looks worse the more we see of it. In the case of this eight-year old picture I believe the digital rendering mostly holds up quite well so far, and it might be fine if it were employed more sparingly - but since 'Terra Formars' is filled head to toe with it, it swiftly becomes very tiresome. I can't fault the effects artists, makeup artists, or most anyone else working behind the scenes for the work they turned in, but the use is excessive, and the fundamental designs of many visual elements - the cockroaches, and the augmented humans - generally do NOT look good. With passing exception, they simply don't; we're talking "earnest but not professional" Halloween costumes, or appearances that more closely resemble those from B-grade fare of the 60s and 70s rather than contemporary fare. Again, I trust that on paper all this comes off better, but that doesn't help us with this live-action title.
From violence and action scenes, to sequences of intended spectacle, to effects that tend more toward embellishment, this is shaped with inclination toward bombast and flair more than anything else, and certainly more than judicious, compelling storytelling. I repeat that there are some fun ideas on hand, and for that matter some genuinely good ones; this includes information that gets revealed about some characters, and the powers they have been granted. Unfortunately, the information about powers gets inserted in a way that feeds into the overt stylization; characters' backgrounds are revealed in a gawky manner that fails to achieve the desired dramatic effect, and which routinely halts what momentum the saga had theoretically been building. The dialogue is pretty bad, and those facets of the plot that aren't predictable are just flimsy and less than convincing. Not all characters get fleshed out, either, and those that do not end up feeling hollow. This opens the door for Miike to fill in the gaps with his self-indulgence, as seen with the character of Professor Honda and Oguri Shun's performance, and such bits don't come off well.
Also coming off poorly, for the record: the music. Where an orchestral score is employed it's rather nice; where chords of rock and electronica are employed, it's much too over the top, almost as if Miike reached out to American nu-metal bands who were a flash in the pan fifteen years prior. Whoops.
The good news is that 'Terra Formars' fairly squarely met my expectations. The bad news is that 'Terra Formars' fairly squarely met my expectations. It's not awful, and with what the visuals and the story have to offer at their best, this is entertaining to some degree. It's no ta high degree, however, and this is a feature that neither requires nor inspires active engagement. Sometimes that's all we want to help pass the time, but even so there was distinct room for improvement here. If you like 'Terra Formars' more than I do, I'm glad for you; I won't be giving this a second thought, and I can't bring myself to give it as a recommendation, either.
I checked this out after reading the synopsis. I was hoping this would have some cool sci-fi ideas or something, but this is Sci-Fi like Dragonball Z is Sci-Fi. It's fun and imaginative at times, but it's absolute nonsense.
The basic premise is that we terraformed mars with moss and cockroaches, but the roaches evolved into massive humanoid beings whose only evolutionary purpose seems to be punching people's heads off. Luckily the humans have serums they inject themselves with that imbue them with the advantages of certain insects, but how a child might think of it where it's like very specific superpowers.
It's entertaining in a silly kind of way, but it's incredibly stupid.
The basic premise is that we terraformed mars with moss and cockroaches, but the roaches evolved into massive humanoid beings whose only evolutionary purpose seems to be punching people's heads off. Luckily the humans have serums they inject themselves with that imbue them with the advantages of certain insects, but how a child might think of it where it's like very specific superpowers.
It's entertaining in a silly kind of way, but it's incredibly stupid.
Você sabia?
- CuriosidadesThis movie is based on a very popular manga in Japan. One of the possible reasons for its popularity might be that in Japan many children grow up being "fans" of insects in the same way that some kids are "fans" of dinosaurs. A lot of Japanese kids have a deep knowledge about different kinds of bugs.
- Erros de gravaçãoThe film features real-time conversations between the Earth and the expedition on Mars. This is not possible as it takes roughly 5-20 minutes for a radio signal to transit between the Earth and Mars.
- ConexõesVersion of Terra Formars (2014)
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- How long is Terra Formars?Fornecido pela Alexa
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- Terra Formars
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- Faturamento bruto mundial
- US$ 5.546.898
- Tempo de duração1 hora 48 minutos
- Cor
- Proporção
- 2.35 : 1
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