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The Measure Of a Man

As a person grows older, so does the amount of responsibility. The carefree days slowly fade away and eventually the 9-5 grind becomes the norm. One common fear for this majority is the loss of income. Nothing's scarier than losing your income and having to figure out how to pay for thousands of dollars worths of bills. Most individuals don't have enough to last 2-3 months. Most don't even have 1,000 dollars saved. This with many other factors can be a death sentence for people, and The Measure of a Man presents this fear in a harrowing light

The Measure of a Man (directed by Stéphane Brizé) follows an unemployed factory worker (played by Vincent Lindon) by the name of Thierry Taugourdeau, in working-class France. With the combination of age and only have a niche set of skills, finding work proves to be an obstacle.

The director pulls no stops when it comes to grounding the film in reality. The film almost seems like some sad documentary. Each conversation scripted to be as grounded as possible. One example would be the scene right from the beginning. It establishes in the first couple of minutes just how dire Thierry's situation is. You watch as her argues with agency worker, explaining how he just spent months training to be a crane operator, just to find out that experience plays a huge factor in the hiring process. You see how much this weighs on him, and how it affects the people around him.

The film comes with no score, other than the one song for the credits at the end of the film. Another decision made to contribute to the realism of the film. No dramatic cues telling you how to feel. This was a risky movie, and fell onto the actors to actively convey the emotions in the film. This decision, for the most part, pans out perfectly. The only times it doesn't work out is when the scenes seem to drag on just a little too long, which seems like a reoccuring theme. During the film, there's a scene where Thierry and his wife (played by Karine de Mirbeck), are selling their mobile home they used for vacation. They haggle on the price, and the awkward exchange feels qeniue at first. Eventually, it goes on for too long, and you feel like it's a little forced. Thankfully, these scenes are few in between.

The Measure of a Man presents a fear that any working person has time to time. I would almost say this is the best horror thriller of the year based on the fact that it presents you with a real world problem, and makes you feat it. I've never felt more drive to do my job than after I saw this film. The amazing performances combined with the realism provided by the script creates a film that leaves you wondering "What if this happened to me?"

8/10

LA LOI DU MARCHÉ's main quality is its honesty. Lindon, as the cdntral character, portrays the current Everyman, with the added burden of a handicapped child, which makes things that much more difficult. Lindon's performance is first class in its simplicity and honesty, but his wife, and his fellow workers also do very well in their smaller parts.

Direction is interesting, often using cinema verité moves, and it keeps targeting the sordid nature of human survival in the current world.

This is the problem we all face: we work to survive and, as we do, we compete with others also trying to survive, and we survive by ratting on them, and exposing the illegalities they commit. Given that no human is a saint, it is obvious that it is only a matter of time before you find somehing to send someone out of the "paradise" of employment. And once that has happened, the way back into the job market is well nigh impossible.

That is the law of the market, a law where human rights are easily trampled under the weight of economic and performance considerations, and where spying on, and suspecting, fellow human beings is bread and butter.

Lindon's character is looking hard for a job to meet his child's treatment's costs, and he has to accept duties that most of us would probably feel dismayed about. And so does he, and that is his moral dilemma by movie's end.

LA LOI DU MARCHÉ is not easy to watch, but its honesty makes it a must.

The French Film La loi du marché was shown in the United States with the title The Measure of a Man (2015). It was co-written and directed by Stéphane Brizé.

In a short introduction before the film began, the presenter pointed out the the actual translation of the French title would be "The Law of the Market." Both titles tell us something about the plot of the movie. "The Measure of a Man" emphasizes the basic humanity of the protagonist. "The Law of the Market" emphasizes the basic inhumanity of the marketplace-driven society in which he lives.

Vincent Lindon plays Thierry Taugourdeau, who has lost his skilled labor job because of a factory closure. (Other displaced workers want to sue the company for pulling out of France to go elsewhere. Apparently, this isn't legal if the company is making a profit in France. However, Thierry isn't interested.)

Thierry is accustomed to getting a good salary in a respected job. As the film opens, we learn that he has taken a three-month course in order to learn how to be a crane operator. He informs the government employment counselor that the course was worthless. Companies will only employ crane operators that are already experienced construction workers. Why did they advise him to take a course that couldn't lead to employment?

The film continues in the same vein. Thierry truly wants to work to support himself, his wife, and his son with cerebral palsy. (The son is portrayed by Matthieu Schaller, who does indeed have cerebral palsy.)

We follow Thierry from frustration to frustration as nothing he does brings him employment. Finally, he obtains employment, and that is where the measure of a man begins.

This is a fascinating--but painful--movie to watch. We're accustomed to unhappy stories in which the protagonists are down-and-out, and the situation is hopeless. This plot doesn't fit into that mold. Thierry has had a comfortable, middle-class life. He's intelligent and resourceful. Even so, he can't counter the forces of society that tell him that he and his family have to move down a notch--or more--in order to survive.

Vincent Lindon is brilliant in this role. We can identify with him and it is not a comfortable feeling. Lindon won the Best Actor award at Cannes for this portrayal, and I'm not surprised. It's worth seeing this film just for an opportunity to watch a superb actor succeeding in a difficult role.

We saw this film in the excellent Dryden Theatre in Rochester's George Eastman Museum. It was shown a part of the outstanding Rochester Labor Film Series.

For reasons I don't understand, this movie has a dismal IMDb rating of 6.8. Possibly, reviewers found it simply too depressing. Yes, it's depressing, but it reflects reality, and I think it's definitely worth seeking out. It's available on DVD and Blu-Ray. It's too important a film to miss.

people seem to be missing the point on this. This is life how it happens. There is no great drama in a lot of our lives, just overcoming difficulties or succumbing to them. The protagonist here shows an incredible amount of grace when faced with many difficult situations. He's tried, over and over again, to do what is asked of him, most of it is reasonable, but it seldom actually helps his situation. It is very, very well acted and well photographed. I think it is like a modern Agnes Varda. You have to educate yourself and/or face a few situations like these shown to appreciate a film like this. I think folks are missing the point. Is the life portrayed common? Yes. Does the man try to rise above the things that have happened to him? Yes. Does he do so with a true sense of what is important and what isn't? Yes. Does he do so with a huge amount of grace? Yes, I think so, and that what impressed me most. It really does show what the measure of a man should be.

A Ken Loach-a-like - showing real lives at a genuine pace, but without the hard edge. If the movie set out to show the crushing mundanity of the the lives of working class people, it succeeds. However, do not be put of by this, as the main protagonist manages to demonstrate a dignity throughout. Nevertheless, do not expect a hubris- cum-nemesis tale. It looks at the workaday politics that the majority of life's cannon fodder are forced to negotiate. A scene in which his performance at interview is analysed by peers is upsetting, demonstrating the schadenfreude characteristic of the socially-challenged, enjoying the notion that somebody is worse off than themselves... If you like Loach derivatives, you will certainly enjoy this.