O Clã

This is a fun little movie. Watching it is truly an experience. Knowing that it is based on a true story really blows the mind!! Wow! Completely crazy story.

Really well made and superbly acted. This is a cracking little movie!!

My wife and I saw this film at the Louisiana Film Festival last night not knowing what to expect. Before I go on, my wife and I have totally different views and tastes when it comes to the art of film but this time we both came out of "El Clan" pretty satisfied. This film started off pretty slow but did get a little more riveting as it went on. There really were no big surprises or twists in this film. It was pretty much straight forward but got more interesting as the film went on. The story is simple; The Puccio Family, who is a model family on the outside, is a family that is in the business of kidnapping rich people for money and then killing them. Arquimedes Puccio (Guillermo Francella) is a respectable store owner who has an adoring wife and five respectable kids but all of this is a front for what they really do, simple but good. The acting in this film was great, especially from Guillermo Francella who played the part of Arquimedes Puccio, the totalitarian leader of "El Clan". The program director for the film festival mentioned, because this film didn't win or get a nomination for the foreign film category at the Oscars, Twentieth Century Fox decided to drop it, which is a shame because it's actually a decent film. I had no regrets seeing it.

Greetings again from the darkness. It seems inherent within human nature for kids to want to make their parents happy and proud. Most of the time the reverse is also true: the majority of parents want to be good role models for their kids. However, when the latter is not true, things can get pretty ugly … even frightening. Such is the case with the real life story of the Puccio family in Argentina.

Acclaimed Argentinean director Pablo Trapero (Carancho, 2010) gives us a look at the Puccio crime family, and in the process draws parallels between the political turmoil and re-structuring of Argentina as it returned to a democracy in the early 1980's.

The façade of the happy family makes for perfect public cover as horrendous crimes are perpetuated … often in the basement of the family home. Arquimedes (Guillermo Francella, The Secret in Their Eyes 2009) is the father who often seizes on the celebrity of his rugby star son Alex/Alejandro (Peter Lanzani) to catch their victims off-guard. The family Modus Operandi is pretty simple: kidnap-collect ransom- kill. Arquimedes was known for his hospitality, often offering home-cooked meals to the victims as they were chained in the family basement. Quite a contrast to the brutality involved in the crimes.

The film raises many questions, and makes us wonder where the line of guilt is drawn between committing a crime, and simply looking the other way. It's presented as if Alex felt compelled to support his father's endeavors even though it caused major internal struggles for him. Certainly the mother/wife (an excellent Lili Popovich) made the conscious decision to do what was necessary. It's especially unsettling to see Arquimedes helping his daughter with her school work, while the most recent victim is shackled in the cellar.

As Argentina's Oscar submission for Best Foreign Language film, it didn't make the final cut, but it's absolutely at the level of the five nominated films. Fans of Scorcese and Coppola crime films will see the influences, and the film rates with such crime gems as A Prophet (2009) and Animal Kingdom (2010).

Few years after the dictatorship in Argentina by Rafael Videla is overthrown, the remaining members of that military order begin a life of crime, using as an excuse that the Argentinians sold the country and pushed the patriots into catastrophe. At this time in history, is where the story of Arquímides Puccio (Guillermo Franchella) and his family take place. Puccio is an old retired military who starts kidnapping rich youngsters not just for the money, but to satisfy an evil mind that wants suffering. However, his five children, Alejandro (Peter Lanzani), Maguila (Gastón Cocchiarale), Silvia (Giselle Motta), Adriana (Antonia Bengoechea) and Guillermo (Franco Masini), are the ones who end up with the biggest sorrow. This brilliant movie is not a conventional crime thriller, it also explores the psychological illness of all the members in this family caused by the oppressing voice of Puccio's patriarchy. Alejandro, the brilliant and successful eldest child, is the connection between us and the pain inside the characters. The narrative of the story begins by the end, and so it goes interchanging present and future, until they collide in a sublime climax when all the feelings and thoughts of the children explode. Each one of the characters, even though they were real, are so astoundingly designed that you can feel the hate of the father; the indifference of the mother; the rage, the fear and even the love of the children. Another remarkable aspect of this movie is the BSO, featuring an accurate selection between The Kinks, Credence Clearwater Revival, and Argentinian rock of the 80's like Seru Giran and Virus. This is also a portrait of the post-dictatorship era as a fictional interpretation of the feelings of an old retired military, his new war, and his new army: his family.

Just returned from the cinema. I liked the movie and the acting of all the characters, in particular from Guillermo Francella who already proved very well that he's not only excellent for humor but also an excellent drama actor.

The movie has a superb 80's atmosphere in every detail, from cars, clothes, phones, music (the music in this film is awesome!).

Regarding the story -which was true- the movie helped me understand much better the events and to correlate how Puccio got to that situation.

I really recommend this movie and I hope you have the opportunity to see it.