Ouija: Origem do Mal

It is a decent horror film, but surely better than the first. The previous part was an usual teen themed horror where everything started as a playful. But this one was a prequel and it focused on the origins. A single mother with two daughters is making money helping the people who want to contact their beloved dead ones. The things changes when her little daughter started to communicate the spirits of her own. The chaos unleashes, the house becomes haunted and the family begins to fall apart.

Keeping it simple is what worked out well for the film, despite thematically borrowed from others, scenes were kind of familiar and characters intentionally developed. Particularly the priest role was the most overused in any horror film. Followed by the twist. That turning point was good, but not a new. Nice performances and well shot film. Ouija is a fine concept for a horror theme and with this film's somewhat success, I hope the next one would only get better. So it is worth a watch, if you're not anticipating a something special.

6/10

This prequel has no business being as good as it is. The first Ouija film came out in 2014 and quickly faded away into obscurity. So imagine my surprise when they decide to make a 'prequel' of all things. I hunch is that The Conjuring films have been pretty successful and they are set in the 70's, when things were a little creepier, no cell phones and genuine scary aesthetic. Imagine my surprise again when up and coming horror filmmakers Mike Flanagan was the man behind the camera. The underrated mirror horror flick Oculus and deaf home invasion flick Hush were two of his recent outings. Things were looking not too bad for this flick and to top it off, it received some pretty decent reviews.

Alice and her two daughters run a scam business in which they "speak to the dead". The mother justifies this business by telling her youngest daughter, Doris, that it helps people move on and get closure. When her eldest, Lina, plays the new Ouija boardgames at a friends house, she tells her mother to incorporate it into her act. She does and things take a sinister turn when they scam becomes reality.

It's hard to make a game board scary. The first film tried, failed and this one tries and succeeds for the most part. Any non-horror fan might balk at the idea that this film is good, but I consider this movie to be one of the most underrated flicks of the year. Flanagan knows how to build solid tension and he doesn't rely on cheap scares or an obscene amount of gore. This film has none of that. Careful framework and lighting is all he needs to create an unsettling atmosphere. Whenever someone decides to look through the ouija glass piece, you feel yourself tense up expecting something to happen.

Kids in horror films are the go to for anything scary. Most movies tend to cast children horribly and they end of ruining the film. Doris, played by Lulu Wilson delivers an innocent and somewhat chilling performance as the youngest daughter. Her goodbye message to a young boy about what it feels like to be strangled to death is an excellent scene to send chills down your spine. No scary images, sounds or blood needed. Just a child delivering one monologue about suffocating you.

Obviously the film is far from perfect, but it doesn't cater to the happy ending crowd either. It takes some chances and for the most part, lands them. I was surprised by how much I liked this film, which may be why the rating is higher than what others would tend to give a film like this. Had the first film never existed, this would be a bigger hit.

Perhaps the most shocking and surprising treat of the 2016 Halloween season is director Mike Flanagan's prequel tale "Ouija: Origin of Evil"- a skillfully crafted, tasteful and highly atmospheric follow- up to the disastrously bad 2014 thriller "Ouija." It's frankly stunning just how good a film Flanagan was able to build from such a poor foundation, weaving a tale that honestly not only runs laps around it's far inferior predecessor... but honestly made me completely forget about what came before. In my mind, "Ouija" will be a forgotten victim of studio greed, while this prequel will stand tall as the "true" film based on the iconic and controversial board-game of terror.

In the 1960's, widow Alice Zander (Elizabeth Reaser) works as a fortune teller out of her home, staging false séances with the help of her teenage daughter Paulina (Annalise Basso) and younger child Doris. (Lulu Wilson) After purchasing a Ouija board as a new gimmick for her work, Alice does not notice that Doris has become overtaken by a deranged and mysterious force associated with the board, instead believing that her young daughter's newfound abilities and knowledge of things she could not possibly know are signs that unlike her, Doris is a real medium. However, as Doris' abilities become gradually all the more powerful and sinister, Alice and Paulina must band together to try and break her free from the devious spirits of the past that have taken ahold of her physical form...

Flanagan directs from a script co-written by Jeff Howard, and much like his wonderful previous efforts "Oculus" and "Hush", here he continues to shine as one of the finest new voices in horror. There's a certain sense of taste and thoughtfulness he injects into his work, as he takes his time to try and establish strong character and interpersonal relationships, in addition to identifiable human drama which helps to accentuate the fear that builds. He also just knows how to deliver a darned good scare- a skill he uses expertly throughout the entire runtime here to build a great sense of foreboding dread.

The performances are all stellar as well, helping to add to the film's high quality and impact. Elizabeth Reaser is fantastic as the mother Alice, and you really get a feel for a person lost after the death of their beloved spouse who is trying to hold it together for the sake of her children. Wilson is a great new Doris and does remarkably well for an actress of such a young age. Supporting roles by the likes of Henry Thomas are all uniformly strong and help to round out the cast in likable performances. And Annalise Basso steals the show as Paulina (also known as "Lina"), who becomes our main focus and is a strong presence on-screen. At only 17 years old, Basso is definitely one to keep an eye on in the future. She possesses talent far beyond her years, and is the beating heart of the film as a sister and daughter struggling to help her sibling and mother from the forces at play- both supernatural and emotional.

The film does falter at times a bit, which is where it loses points. Despite the first film being decidedly very poor by comparison, this film does a bit of distracting ret-con work that may bother those who are familiar with the original. Some major details of the backstory and rules are changed, which made it feel a bit inorganic as a continuation. It's also a bit too heavy on the scares up- front, which lessened their impact. I would have preferred more slow a buildup. And it does lack some drama since this is a prequel and you'll be able to guess some of what happens based on this fact.

Still, that cannot stop this from being a darned good and very well- assembled supernatural horror. It's not one of the best horror films ever made by any means, but it's a solid and highly entertaining thriller boasting some heart, some good scares and a great cast. This is the movie you've been waiting for if you've wanted to see a movie based around the idea of the dreaded Ouija board. My advice? Skip out on the first film and just watch this as a stand-alone. It's far more rewarding an experience than the awful original could ever hope to be.

I give "Ouija: Origin of Evil" a strong 8 out of 10. If you're open minded, be sure to give it a shot, especially if the last one let you down. Take it from me... this is a very pleasant surprise.

It's 1967 Los Angeles. Alice Zander (Elizabeth Reaser) runs a crooked spiritual reading business out of her home. She uses her daughters Lina (Annalise Basso) and younger Doris (Lulu Wilson) in operating her scams. They incorporate an Ouija board into their production. While trying to contact the girls' dead father, Doris seems to make real contact. Father Tom (Henry Thomas) is the headmaster of the girls' school. Mikey (Parker Mack) has a crush on Lina.

Surprise! This is actually good. It is well-made. The characters are well-drawn and well-acted. I wouldn't say that this is breaking down any new walls but there is good in doing good work. I do have a couple of small nitpicks. For some reason, Alice and Father Tom go out for what looks like a fancy dinner. It almost looks like a date if it weren't for the characters. Second, I would keep the possibility that Doris is scamming everyone until further into the movie. It would be nice to have Father Tom uncover the whole situation as a reveal. The good are the actors, the mood, the simple premise, and good construction. It's a shocker that this is all pretty good.

It's rare to find a sequel that surpasses the first these days, but Ouija: Origin of Evil manages to just that. Not that it was a very tough feat considering the original was one of the most lame-brained movies I've seen in a while, but Origin of Evil improves upon its predecessor tenfold - just not enough to make it really worthwhile.

It's obvious that Mike Flannigan is on his way to becoming one of our true masters of horror, but this film seems more like a paycheck movie for him and it shows. He does the best he can with the tepid material, but ends up using the old "distorted faces/mouths with rolled back eyes" effect a few too many times and it quickly becomes tedious.

Like all of Flannigan's films, it's wonderfully well cast and beautifully put together. I just wish they'd spent a little bit more time with the script. You might be better off watching Flannigan's Hush, Absentia, Gerald's Game, Occulus, or The Haunting of Hill House.