Kongens Nei

With fine screen writing and heartfelt direction, Norwegian war drama "The King's Choice" (2016) is truly engaging and very well made.

The fifth feature film by director Erik Poppe and the fourth on which he co-operates with screenwriter Harald Rosenløw-Eeg (here assisted by screenwriter Jan Trygve Røyneland), "The King's Choice" boasts a grand performance by Danish actor Jesper Christensen and a beautiful score by Swedish Johan Söderqvist (one of the most important film composers in Scandinavia today).

Erik Poppe's history depiction "The King's Choice" (original title "Kongens nei") is about the Norwegian royal King and governments reaction to being invaded by Hitler-Germany on the 9th of April 1940.

Erik Poppe has made the brilliant "Trouled water", "Hawaii Oslo", "Schpaaa" and "A thousand times good night", but has outdone himself here, maybe only equaled by "Troubled water". The script is based upon the history telling book by Roy Jacobsen, and is written by Norwegian novelist and re-known script writer Harald Rosenløw-Eeg.

The film depicts what happened in the of the most defining days of the Norwegian democracy, where the Danish born king, after 35 years after being chosen as the King of Norway after his arrival in 1905, when Norway decided to become a kingdom. We also follow the Norwegian government, and how the military reacted to the shock of being invaded by the Third Reich power.

I must say that this film simply could not be depicted more correctly. Except for the King and the Crown prince actually was driven in a newer DeSoto, which only war nerds and aficionados would know, this is painstakingly accurate.

The film is no action movie, but a historic drama, and as such it fulfills my expectations as the best Norwefian war movie to date. Though the film has some action filled sequences, the main thing is the choices that has to be made which defines this drama. And not only the King's choice, but also the when fie was to be called against the war ships and the German troops in their chase of the king. The troubled government which not at all were able to show the same determination as the king, and so on. Many difficult choices.

The film isn't at all afraid of dwelling at these choices, and this makes my day. The film making is really heartfelt, and the instruction of the actors are superb. Danish actor Jesper Christensen is simply jaw-dropping in his role as King Haakon the 7th, and Anders Baasmo Christensen isn't far behind in his role as Crown Prince Olav. However, Austian actor Karl Markovics is simply stunning as Kurt Bräuer. And I could go on. Many great roles! Poppe is a criminally great instructor and director.

And it would have been a catastrophe of epic proportions if this film had taken short cuts. Thank God they didn't. The film is not only accurate and defining history telling, it's also a mile stone in Norwegian cinema and film history.

It's about the most dramatic days in Norway 20th century history. 8-11 April 1940, the time of the German attack. Norwegian military is unprepared. The king, the government and the parliament leave Oslo.

The Germans want to negotiate after occupying main Norwegian cities. They turn directly to the king, trying to make it his decision to avoid more bloodshed. That's his decision. And there is an answer.

Jesper Christensen is tremendous as king Haakon, making the moral dilemma more complicated than it's described in the script. Much is really filmed theatre here, but you tend to forget it, when Christensen is on the screen. Which he is very much.

War history films look beyond battle to examine how things came to be. A fine example is the Norwegian bio-pic The King's Choice (2016). It tells the little-known story of the first three terrifying days when the Nazi war machine rolled into Norway and demanded that its ageing monarch surrender to the inevitable. Instead of the usual emphasis on military action, this film offers an extended essay on the moral responsibilities of leadership that is as relevant today as ever.

In April 1940, a fleet of German ships slips through Norwegian defences and issues an ultimatum: surrender or perish. Denmark had only recently capitulated to Germany but Norway's King Haakon VII (Jesper Christiansen) had no intention of following its example. Norway's traditional neutrality and antiquated military capacity made it seem defenceless, but it still managed to sink one warship which infuriated Hitler. A German envoy urged the King to accept a peaceful surrender and save Norwegian lives, but he refused to make it easy for the Nazis to take Norway. The Norwegian parliament was in disarray, nominally led by a Nazi-sympathiser with the surname Quisling, a word that universally has come to mean traitor. The nation was terrified and only the royal family was left as a symbol of hope and inspiration. Hitler was desperate to capture the family alive as a trophy for Nazi supremacy. The revered King and his heir apparent son fled to the countryside with Nazis in pursuit. Along the way, the envoy, his few remaining parliamentarians, and even his son, repeatedly urge the king to surrender. While Norway's collapse was inevitable, the royal family escaped to London where they led the Norwegian resistance for the remainder of the war.

There are several reasons why this film deserves praise. The most obvious is that it illuminates a piece of history that most people, except Norwegians, know very little about. It is a measured, sombre study of leadership with a competent cast, excellent cinematography, and detailed period sets and costumes. It provides a finely wrought portrait of a nation facing catastrophe using minimal dramatic embellishment yet with tension that rises over its long running time (two and a quarter hours). Jesper Christiansen plays King Haakon with regal authenticity as he goes from being a grandfather figure playing with children to a giant of integrity in the face of an extraordinary moral dilemma. The king's choice was his and his alone, and the film captures the enormous strain of knowing that Norway had no prospect of resisting the Nazi juggernaut yet believing that a nation's dignity should never be surrendered.

Despite its epic qualities there are some minor quibbles. Foreign language translations inevitably struggle with nuance and keeping up with dialogue is made more difficult when white sub-titles appear against white backgrounds, The film's pace would have benefited from more editing, less CGI and fewer scenes of the royal family in flight. But otherwise this is a gripping character-driven film that provides a fascinating glimpse into Norway's war history.

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I really liked it. I say it's a "niche" movie because I'm American. Were used to seeing films about the US and UK battles of WWII. This is a mostly quiet film, with modest action sequences. Most of it revolves around the intense pressure on King Haakon and his family. You can feel his anguish. The loving but strained relationship with the Crown Prince is depicted well. I recommend this film to anyone with interest in the first year of WWII.