Filho do Vento

The film is truly spectacular on the account of visuals. The production design is one of greatest in recent Hindi films. The sets, the artistic props, the designing is really commendable. With great production design, comes greatest in cinematography. Kudos to Savita Singh's cinematography brilliance that made this film looks totally a visual treat. Seriously, I have not seen such beautiful frames in recent times, without VFX. The basic concept was well thought too.

But, with all these superb things in hand, the film doesn't able to make to what it could be. The screenplay got messed up in the film's way to make it under historical event. Yeah, it could have been one of the greatest film in Hindi film industry. But, it all lacks at film's narrative part. The characters been so melodramatic about each situation makes a regular Hindi film, which it should not be.

The director looses his brilliant idea by indulging more of a melodramatic romantic recipe into it. The film paces up in between, dialogue teaches us good. But, when the flight tries to be up high, it gets lost in the romantic clouds. It sees a great potential journey suffering from jet-lag here.

It should be pure epic exploring the core idea more, yet it is somewhat inspirational.

If one has a serious claim to make in front of the entire world that it was an Indian scientist actually responsible for the first ever flight in the air with a plane (years before the Wright Brothers), then what path the director is expected to follow?

Obviously he has to make it as believable as possible with all logical reasoning, historical references, evident proofs and a powerful screenplay/execution that convinces the viewers to believe in every proceeding on the screen arousing a proud collective patriotic feeling in the end among his audiences.

But sadly that is not the vision followed in HAWAIZAADA directed by Vibhu Virender Puri (his debut in feature films), who amateurishly walks on an entirely unexpected, silly and illogical path to portray his important point and then completely falls flat unable to convince the viewers from any angle of his unfortunately. In other words, instead of presenting a logical take, Vibhu comes up with an entirely fantasy version of the claim, with a dream like execution having a clear, visible, heavy hangover Sanjay Leela Bhansali. And as I believe a Bhansali influence is surely capable of ruining more films than making them to be honest.

Commencing on a confusing note in its first scene itself, HAWAIZAADA keeps stressing more on colourful frames, heavy costumes, unrequired props, mindless romance and mediocre songs with a questionable comic touch that turns out to be weird throughout till the end. The script carelessly moves into various unclear directions, coming back to the main topic at intervals that eventually leads to a loss on interest and one starts questioning that what are they upto with such a messed up narration simply heading nowhere. The unnecessary stuffed melodrama, comedy and songs hardly give you anything to praise in its boringly long duration and that further forces you think that how could this even excite the makers reading it on the paper too.

Interestingly the biggest culprit of the screenplay/film remains its soulless romance and soundtrack that hampers its overall impact pretty badly and the film pathetically drags both in its first and second half featuring all unimpressive characters and their interactions. Its cinematographer, choreographer, editor and background score composer actually follow the vision of their director perfectly who probably wished to make a musical-fantasy-costume-drama instead of a realistic, believable historical film making a big claim in front of the entire world. The film's average soundtrack is hugely worked upon with innovative arrangements and variety but doesn't have that required melody to pull you in. For instance there is a traditional folk kind of song conceived with all western instruments and Ayushmann himself composes a Ghalib ghazal "Dil-e-Naadan"that has huge similarities with the one sung by Somesh Mathur in his album on Ghalib released many years back.

In the performance section, we have many honest efforts being made here assuming its probably a path breaking film about an astonishing fact never talked about before. Ayushmann Khurrana puts in the best with his utmost sincerity and so does Mithun Chakraborty as the main scientist, but they both get hugely betrayed by the poor writing and confused direction. Pallavi Sharda does nothing great to draw your attention and the same can be said about the rest of the cast too ranging from average to bad. Still among these uninspiring acts, a child artist Naman Jain does deliver an enjoyable natural performance in his few scenes.

Summing up, HAWAIZAADA remains a big opportunity wasted both in terms of cinema and as a document that could have been a solid support to the fact that an airplane was first invented in India before the Wright Brothers (and I was personally looking for the same in the film). It neither presents that amazing chapter of history with some logical justifications nor is able to convince the viewer through its messy execution wandering in various directions. In fact it seems that both the writers and their director were more interested in showing the romance, songs and drama instead of the invention being tried by the two men. As a result it comes out to be a childish fantasy take on the subject ruining a solid premise and after watching it I really doubt anyone would readily believe in the presented fact that it was an Indian scientist who did that significant invention first before the westerners.

In real terms, that is the damage this film has probably done to the debatable truth….unfortunately.

(NOTE : For record, the film is based on the life of scientist Shivkar Bapuji Talpade (of Maharashtra) who is credited for inventing the first air plane years before the Wright Brothers.)

Inspirational for Indians.. should be watched by young... made in a different style of fantasy and fiction.. but based on true story about the first person who made a flight machine and he happened to Indian.

Vibhu Puri's 'Hawaizaada' is a highly ambitious, well-made film, but its uneven overall. A look at the life of scientist Shivkar Bapuji Talpade, this period piece is visually appealing, but too many songs & a stretched romantic-track, hit the film hard.

'Hawaizaada' is Based on the life on an Indian scientist Shivkar Bapuji Talpade, who is credited to have constructed India's first unmanned plane is the tale of the hardships that he went through on the journey to discover.

'Hawaizaada' needed to be more about Talpade & his Mentor's genius, rather than being a romantic-story about Talpade & his lady-love. Being a biopic, you except the film to be a detailed take on Talpade's journey about the scientist that he was, not who he romanced. Also, there are too many songs in the film. In fact, the first-hour has a song popping up every 10-minutes.

Vibhu Puri's Screenplay has moments of power, when the film actually talks about Talpade's ambition, but is mostly side-lined by its stilted romantic-track. Less of romance & more of drama would've made 'Hawaizaada' a biopic to reckon with. But sadly, that doesn't happen here!

Vibhu Puri's Direction, however, is stunning. In terms of visuals, 'Hawaizaada' is a beauty. Each & Every Frame has been captured beautifully, there is not a single dull frame in this biopic. The Cinematography is top-class & The Art Design is incredibly accurate. Editing is not sharp at all. The film is lazily paced & a bit too long. The Songs are melodious, but appear forced in the film.

Performance-Wise: Ayushmann Khurrana as Shivkar Bapuji Talpade, delivers a terrific performance. He rises above the faulty script & manages to keep the proceedings alive to a large extend, thanks to his impressive portrayal of the late legend in science. Mithun Chakraborty dominates every scene he appears in. As Ayushmann's eccentric mentor, he's exceptional. Pallavi Sharda as Ayushmann's lady love, looks gorgeous, but is saddled with the film's weakest track, & hence, she doesn't leave a mark.

On the whole, 'Hawaizaada' is made with passion, no doubt, but a stronger script was the need of the day!

If one wants to make a film in any science based invention than he has to do lots of research work and if he won't be able to find much stuff to convert it in film but still wants to make others aware about this fact then there are lots of other mediums, like short film, documentary, handbills, news article except film. Lack of research work is major drawback of this film. First they tried to compensate it with a love track which is also very boring. Love track worsens it further and applies break on already slow movie. There is nothing in the name of story, screenplay, just an information. Dialogues are impressive. What was the inspiration or idea behind making a plane is not there except that an Indian wanted to make it. Execution and obstacles both looks very unreal and childish. Somehow after watching this movie you start doubting that is it fact or fiction as they have presented it in film. Person is genius to think about making a Airplane but not even think a bit about how to control it or land it, trying comes after. Safety measures would have worked or not its another thing but not even thinking about it is not digestible. Premise is Maharashtra but you cant find it neither in language nor in set designs, only speaking few Marathi words do not justify it. Costumes are so bad that the jail dress looks like as night suit. Background score gives feeling that it is not proud of India but dedicated to a particular religion but suddenly took a U turn and started giving feeling of another religion then a tasteless combination of both. Cinematography is good but it is obsessed with pigeon, candle and focus shifting. Performance wise Ayushmann Khurana looks as if he is smiling in sad scenes. Even fantastic actor Mithun Da looks very average, Director has to be blamed for this. Nothing to say about others. Child actor Naman Jain as lead male actor nephew is very good. Music is good as an independent album but does not fit in the film.