Avaliações do Metacritic

Its salvaged parts combine into an internally incongruous but crazily unique whole.

The Bad Batch further solidifies the strength of Amirpour’s idiosyncratic vision, which takes familiar details and bends them into spiky bursts of unpredictability.

There is a great deal to savor here and yet it’s hard to shake the sense that The Bad Batch is a film stuck in neutral. We await that kick into a higher gear but it’s just too cool to be bothered.

Even when the dramatic momentum slackens, the movie's grindhouse world remains vividly rendered and immersive.

Ana Lily Amirpour has learned a few lessons from QT about the disreputable joys of blending kitsch and ultraviolence.

The film doesn’t quite live up to its creepy, savage opening, or carry through its best ideas.

Though there’s much to savor in the pic’s lavishly distressed visuals and soundscape, its narrative feels increasingly stretched and desultory.

The perils of the broader-canvas follow-up to the sleek and economical indie debut are writ large: this is “Difficult Second Album: The Movie.”

Amirpour is a talented director with a wonderful eye but her style lacks substance and her obvious influences - the Mad Max franchise and the wonderful LQ Jones film A Boy and his Dog - are so superior as to almost completely nullify her derivative contribution to the genre.

After the tense opening, coherent drama goes by the board.