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Lily Tomlin is superb here starring as the acerbic Elle, a known poet and author, who's having trouble writing again after her same-sex partner, of some 38 years, passed away. One day, Elle gets a surprise visit from her granddaughter Sage, who tells Elle that she's pregnant and needs over $600 for a scheduled abortion later that day. Julia Garner is also excellent in her portrayal of Sage.

Thus the two women will begin an odyssey around town in an attempt to raise the money. At times, things will get crude and rude, and there are some rough spots, but there's also some good humor and I thought it all culminated in an uplifting ending.

Marcia Gay Harden, Judy Greer, and Sam Elliott also add well to the mix in supporting roles. Additionally, the film is well written and directed by Paul Weitz (About a Boy).

All in all, this indie at only 1 hr. and 18 min. in length, led by Tomlin and Garner, with strong support from the cast, kept me absorbed and interested in how it would all play out.

I thought it was a great film, very enjoyable as a girl and her grandma search for the money so that she can get an abortion.

The whole thing felt like it was two joints away from Being a stoner comedy, especially from the perspective of Lilly Tomilin's performance in it as the eccentric grandma with some serious baggage of her own who wishes to help her granddaughter, and on the this journey they take together the granddaughter learns a lot about her grandmother without coming all out to reveal anything. Lilly Tomilin takes first billing on the poster even though it seems like Julia Garner's character is really the center of attention as she explores Grandma's universe.

I Like Sam Elliot's role in the movie as well. Maybe he was just that charming, like he was supporting Blythe Danner in I'll See You in My Dreams or I feel for the character he plays, the one time love interest of Grandma before she came out of the closet. Either way it works.

It's an amusing story about family coming together when one is in need. We all should be lucky to be able to relate to what's going on. It's also about it never being too late to come though for those you love.

Very humorous.

Greetings again from the darkness. Perhaps your mental picture of a grandma is the familiar form of a Norman Rockwell painting … a sweet, bespectacled little lady baking pies or knitting booties or kicking back in a rocking chair as the grandkids romp around her. If so, Lily Tomlin will jolt you into reality with her performance in this latest from writer/director Paul Weitz (About a Boy, American Pie).

The film kicks off with Elle (Ms. Tomlin) breaking up with her much younger girlfriend (Judy Greer). As with many relationship break-ups, the tone shifts quickly with an increase in 'let's talk about it'. Elle tosses out "You're a footnote" as a zinger that quickly ends any hope of reconciliation. It's an uncomfortable opening scene that aptly sets the stage for what we are going to witness over the rest of the movie … Elle has lived quite a life, but has been unable to move on since the death of her long time companion – a recurring subject throughout.

The six segments of the film are titled: Endings, Ink, Apes, The Ogre, Kids, Dragonflies. Don't expect those descriptions to help you guess the direction of the film. Instead, it plays out like a road trip through Elle's past … albeit with a very contemporary feel. See, her granddaughter Sage (Julia Garner) shows up at the house asking to borrow $600 for an abortion. Despite her career as a poet of some notoriety, Elle is tapped out at the moment. So the two of them set out in Elle's 1955 Dodge Royal (Ms. Tomlin's real life car), and proceed to visit people (and hit them up for cash) who have played a role in Elle's most interesting life.

During this journey – which all happens during a single day – the ladies cross paths with Sage's clueless boyfriend (a miscast Nat Woolf), a transgender tattoo artist (Laverne Cox) who owes Elle the money she lent for enhancement, a small business owner (the final appearance of the late Elizabeth Pena) who is a bit more tough-minded than Elle gives her credit for, a long ago ex-husband of Elle's (the best performance from Sam Elliott in years) who still carries heartbreak , and most bombastic of all, Elle's daughter and Sage's mom – a workaholic, no non-sense, Type A professional (played with vigor by Marcia Gay Harden).

Much will be made of the film treating Sage's decision so matter-of-factly, but it makes for nice contrast to Juno, where the decision to abort an unwanted pregnancy is abruptly reversed when she's told the baby has fingernails. This movie even offers a tip of the cap to that scene (bravo Sarah Burns), but is never preachy or heavy-handed in its dealing with Sage. It's a young girl in a real life situation, and she is depending on her dysfunctional family to provide financial and moral support.

One might describe this as an art-house movie with wider appeal. Lily Tomlin makes this a must-see, as do Julia Garner and Sam Elliott. Some will avoid it due to the abortion topic, but this is much more a story of three strong women who are related to each other – even if they don't always relate to each other.

Grandma (2015)

*** (out of 4)

Elle Reid (Lily Tomlin) breaks up with her girlfriend (Judy Greer), which was her first relationship since the love of her life died. Moments afterwards her granddaughter Sage (Julia Gamer) shows up asking for money to get an abortion later in the afternoon. With Elle being broke the two set out to try and come up with the money as well as learn about a few mistakes in their past.

GRANDMA isn't a masterpiece or even a very good movie but it's a breezy entertainment that manages to have some great performances, a few nice laughs and a couple tender moments as well. The film comes from writer-director Paul Weitz and it's certainly an entertaining movie even if it never reaches the heights that I'm sure everyone was shooting for.

The film manages to find Tomlin giving one of the best performances of her career as this hot-tempered lesbian who will stop at pretty much nothing to get her opinion across and help her granddaughter. I thought she was very believable in the part and there's no question that the actress can handle sharp comments but it's the heart she brings the character that is so memorable. Gamer is also very good as her partner in crime and manages to build a real character. Greer and Marcia Gay Harden are both good in their small supporting roles but it's Sam Elliott who steals the picture in a very heart-wrenching performance. I'm not going to spoil what his sequence is about but it's certainly the highlight of the film.

At just 78 minutes there's certainly nothing too demanding here and there's really not too much to the story. The ladies hit the road and we see Elle having to deal with several members of her past. I'm sure the subject matter might turn some people off but it's really nothing too offensive and it's handled in a very good way. GRANDMA is a good little gem that's going to be remembered for the performances.

"Grandma" is one of those short little nice independent films that touches the heart showing that life is full of change, hope and finding a new path for each. The grand old Lily Tomlin is Elle a past her prime college professor who's down in the dumps she's broke money wise and she's just broken up with her gay lady love Olivia(Judy Greer). To complicate matters one day her granddaughter Sage shows up one day needing 600 dollars and guess what it's for an abortion as Sage was knocked up by her boyfriend who hit the road! Then it's a funny and feel good road journey to obtain the 600 for an abortion and along the way it's a bonding of love and friendship as Sage's mother and Elle's daughter Judy(Marcia Gay Harden)an uptight and business like society snob provides the money for the procedure. Still thru it all each discover a journey of hope and a new beginning and Lily Tomlin's performance is shining even with her grand old age.