A Bruxa

I found "The Witch" to be a generally unnerving film, and one which--though I would not place it in the pantheon of scariest flicks I've ever seen--had some moments that I'll not easily forget.

The atmosphere Eggers creates alone is enough to wrench serious dread from scenes other directors would be otherwise unable to make even remarkable. The score, too, helps cull this dark tone and adds life to a film that can be borderline tedious.

That being said, "The Witch" is not for everyone. It is strange, slow but steady, gruesome at points, and almost un-watchable at others. There are two sides to this film; one which I had hoped the director would stick to concerning the family and their struggle with religion and isolation; and another which plays as an undercurrent to most of the film and then takes charge in the end. Sadly, it is this second side which keeps me from giving the film a better score, and that ultimately hurts the film in the very final scene.

Overall, I enjoyed "The Witch" and its originality. Eggers has achieved a film that, for all its low-budget and independent film background, feels richer and better made than many horror entries of late. Should you decide to see it, a word of caution: do not expect a fast-paced movie full of jump scares and creepy crawlies emerging left and right. As the opening credits remind the audience, this is a folktale. One that does not shy away from exploring the real dark places.

When you leave the theater in stunned silence, I think the film did its job. The Witch is the next low budget horror film to reach the theaters this year, and it's easily the best. The film rarely ever relies on jump scares to get your head spinning as the core of this film's brilliance lies with its haunting imagery and eerie score.

It's hard for an audience of this day and age to get into a period piece set in the 17th century without any big name actors or action elements. And I have to admit that I wasn't sure I wanted to see a film like this, especially with its horror elements. But my eyes were pealed from beginning to end. I wouldn't say anything about the story shocked me or had me confused, but the imagery, score, and uncompromising nature to Robert Egger's direction left me breathless. Within 10 minutes I was looking at the screen and whispering to myself "why would you go there?", "Don't do that!", or "come on, really?". Not because I thought it was poor story- telling, but because I was so invested as to what these characters were doing.

With that said, I don't think this film is for everyone. It's brutal, harshly relentless, and utterly disturbing. The characters use all 17th century dialogue and the cinematography sets this grey and ominous tone. The imagery from beginning to end will stick in your head as it has done with me. But that's the way horror films should be. I wouldn't say it's more a psychological thriller because there are plenty of terrifying moments, but it is more for the 'Under the Skin' crowd than it is for people who love 'The Conjuring'. Even in its harsh moments, I was always invested and I can't deny the quality of the writing, directing, and acting all around. This is how you make a horror film.

+Terrifying imagery

+Egger's direction

+Invested from beginning to end

-Sometimes the dialogue is difficult to follow

7.6/10

This is more of a historical psychological thriller than a Hollywood blood and guts horror film.

The film is a loving and accurate recreation of Puritan New England in the 1600s with everything from the language to the sets being authentic to the period. That in and of itself makes it fascinating to watch. Having lived in Virginia, where the Jamestown Settlement and the 1600s sometimes can seem like they happened the day before yesterday, I especially enjoyed the film. The location, in Ontario, reminded me of rural Virginia in winter, which made me quite homesick. So the film might have affected me more than some other audience members.

The Witch is a fascinating glimpse into Christianity as practiced by 17th century Puritans. Satan and Evil are almost tangible presences in the woods and wilderness of the New World, while God is a distant, cold, and demanding being who must be constantly begged for forgiveness and mercy, since all human thoughts, words, and deeds seem to be gravely sinful and offensive to his eyes.

A family of seven (parents, four children, and an infant) are exiled from their plantation community for not adhering to the accepted interpretation of scripture. They build a farm at a distance from the plantation near a frightening wood. The farm is failing (the family won't have food to last the winter). Meanwhile, the infant has been snatched from the oldest daughter while in her care at the edge of the wood. From this point on the family either descends into madness or is destroyed by Satan in the form of a witch who lives nearby in the woods. How the family's disintegration is interpreted will depend on which century's point of view you choose to use.

This is what I call a good movie. But it is not for everyone. After seeing the trailer, lots of people thought they get a horror spectacle. I'll never understand why, because the trailer itself is very slow, just like the whole movie.

The movies has a slow pace but its still intense. And it will only feel intense if you give in and not wait for action and speed. This movie is no Hollywood spectacle.

The movie feels like a depiction of real life. No stupid jokes and exaggerated action scenes. Slow and calm dialogues. I liked the way the witch was enacted too. I am happy to see that she is not shown as a crazy woman jumping around eating toads.

On the other side, I wished there would have been a deeper insight into the witches thoughts.

So... go and see if you want more than silly Hollywood witches.

This is a story set in the early colonial period of New England. It has the authenticity of a well-researched historical drama, up to and including dialogue delivered in a period accent and vocabulary (softened a bit so that it's easy to understand). Instead of drawing on historical events, though, it draws on historical folklore -- it's the story of witchcraft afflicting a family, such as might have been told at the time.

The characters are a very believable, ordinary family, with the sorts of tensions and problems you'd expect from people living a hard and substantially isolated life after being exiled from the local colonial town. They also have period Calvinist attitudes, and the storytelling doesn't present an outsider's view of this or offer a modern commentary, but instead it just displays these attitudes and tells a story from the characters' standpoint.

Their reliance on period folklore means that it doesn't strictly follow modern horror movie tropes, either. It has the slow build of a modern psychological horror/thriller as well as the standard formula where tragedies start from tragic flaws, but the traditions it's drawing on depend on a Calvinist's conception of flaws, and treat witchcraft as a horrible, well-understood occurrence rather than a shocking supernatural surprise. This story applies these perspectives.

It's very well done in terms of writing, acting, and other aspects of execution, so it might have cross-over appeal to fans of horror, folklore, or straight period drama from colonial America.