O Rei Carlos VI declara que o Cavaleiro Jean de Carrouges resolva a sua disputa com o seu escudeiro, desafiando-o para um duelo.O Rei Carlos VI declara que o Cavaleiro Jean de Carrouges resolva a sua disputa com o seu escudeiro, desafiando-o para um duelo.O Rei Carlos VI declara que o Cavaleiro Jean de Carrouges resolva a sua disputa com o seu escudeiro, desafiando-o para um duelo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 44 indicações no total
Avaliações em destaque
The basic motif to admire this film is the image of Dariusz Wolski. Earth colors, falls and early springs, winter and tones of browns and gray.
The second is the acting and the most impressive work seems be by Jodie Comer.
Not the last - the force of gifts and precision of Ridley Scott to propose a beautiful exploration of contemporary problems.
It is an impressive film for themes and for dialogues , for confrontations and fight scenes and for the wake up of truths. A Medieval story very modern in its fundamental traits. A chain of confirmations about actors talent, an admirable construction of the motives, reactions and answers of characters.
Short, a great film and proof of a provocative art of unique director.
The second is the acting and the most impressive work seems be by Jodie Comer.
Not the last - the force of gifts and precision of Ridley Scott to propose a beautiful exploration of contemporary problems.
It is an impressive film for themes and for dialogues , for confrontations and fight scenes and for the wake up of truths. A Medieval story very modern in its fundamental traits. A chain of confirmations about actors talent, an admirable construction of the motives, reactions and answers of characters.
Short, a great film and proof of a provocative art of unique director.
Really enjoyed it! Worth the watch. Great actors and still such a great director. Not his best work but still great. Always worth watching his movies.
Seen the film at a screening at the Venice Film Festival.
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
Legendary acting and scenario... It may just seem a little boring to some people. But that doesn't mean the movie is bad. The plot of the film is very well processed. In addition, the film reflects its time very well. I think it deserves 8 points. I did not give 2 stars. This is because of the last duel that gave the film its title. The last duel didn't go as I expected. I wouldn't expect professional soldiers to fight with many mistakes. And I think the last duel should have lasted longer. Anyway, despite everything, it was a movie that I loved very much. Have a good time. Don't forget to watch this movie in a calm state. This increases the pleasure you will get.
Going into watching this I wasn't expecting anything else but some quality period piece with the bonus of sounds and images of glistening swords and all manner of medieval paraphernalia. This being a Ridley Scott film, I was of course expecting being at least thoroughly entertained.
I suppose me writing a review should mean my expectations were _exceeded_.
In short, "The Last Duel" is actually somewhat of a crime thriller, a "who dun it" story. It is a well built slow-burn movie, if these things are in your style. Acting was top-notch all the way through, even for familiar faces of Affleck and Damon. It seems Scott had his muse with him making this because it's kind of the sum of its constituent parts that makes it work as well as it did for me -- it doesn't skimp on the visuals (with medieval dramas I believe set pieces are important to a degree), actors are professional -- like I said even Affleck and Damon do a splendid job that didn't have me evoke any of their other more mundane roles -- , and the plot burns with a engaging flame like a candle.
I don't like movies that are only cerebral or only everything but. Last night I watched "Prey" which I heard was one to watch, and frankly I was bored 10 minutes in. This one I can recommend for the objective quality factor at least, however; but to each their own, of course.
I wouldn't want to leave this review without mentioning the important message -- yes, really -- that tried to show the enormous weight medieval women had to metaphorically carry and live with, even those admitted in king's court, their plight while being merely a leaf in the wind of fate, among feuding men. This movie made me reach deep into my moral core feeling compassion for the women who lived some half a millenia ago. And it did so in a way deserving of their legacy, if one dares to say so. As banal as it may sound, it had me thinking about the horrors medieval Christianity inflicted on everyone, and about fraternity culture between such men for whom women never became anything but objects.
I suppose me writing a review should mean my expectations were _exceeded_.
In short, "The Last Duel" is actually somewhat of a crime thriller, a "who dun it" story. It is a well built slow-burn movie, if these things are in your style. Acting was top-notch all the way through, even for familiar faces of Affleck and Damon. It seems Scott had his muse with him making this because it's kind of the sum of its constituent parts that makes it work as well as it did for me -- it doesn't skimp on the visuals (with medieval dramas I believe set pieces are important to a degree), actors are professional -- like I said even Affleck and Damon do a splendid job that didn't have me evoke any of their other more mundane roles -- , and the plot burns with a engaging flame like a candle.
I don't like movies that are only cerebral or only everything but. Last night I watched "Prey" which I heard was one to watch, and frankly I was bored 10 minutes in. This one I can recommend for the objective quality factor at least, however; but to each their own, of course.
I wouldn't want to leave this review without mentioning the important message -- yes, really -- that tried to show the enormous weight medieval women had to metaphorically carry and live with, even those admitted in king's court, their plight while being merely a leaf in the wind of fate, among feuding men. This movie made me reach deep into my moral core feeling compassion for the women who lived some half a millenia ago. And it did so in a way deserving of their legacy, if one dares to say so. As banal as it may sound, it had me thinking about the horrors medieval Christianity inflicted on everyone, and about fraternity culture between such men for whom women never became anything but objects.
Você sabia?
- CuriosidadesAt the wedding, the clergy kiss each other, then one kisses Carrouges, then he kisses his bride. This was a real practice in a medieval Nuptial Solemn Mass; the "kiss of peace" was given by the priest celebrant to the deacon, who in turn gives it to the subdeacon, who gives the kiss to any other clergy present in choir dress, and it is also given to the groom, who then gives the kiss of peace to his bride. The kiss of peace was also given to royalty, if present at a Solemn Mass. At modern Catholic Masses, the sign of peace is usually a handshake, exchanged by all people present at the Mass.
- Erros de gravaçãoThe crowd shouts, cheers, and gasps during the duel. This feels completely believable, but in real life trials by combat (including the one depicted in the film) actually took place in absolute silence, as any spectator making noise or otherwise disturbing the judicial duel was punishable by death.
- Citações
Marguerite de Carrouges: I am telling the truth.
Nicole de Carrouges: The truth does not matter.
- Trilhas sonorasLa blanche biche
Traditional
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El Último Duelo
- Locações de filme
- Cahir Castle, Cahir, County Tipperary, Irlanda(as Argentan ; Carrouges and Le Gris reconcile)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 100.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.853.945
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.759.151
- 17 de out. de 2021
- Faturamento bruto mundial
- US$ 30.552.111
- Tempo de duração2 horas 32 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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