Eat Me

A woman hides all her dildos and then decides to end it all by ingesting pills. After she passes out two men break in doing a home invasion. Things get a little weird from here on in.

A well done film which could have easily been a play since everything takes place in one room over the course of one night. It does get pretty crude and sick at times (golden showers, rapes etc.) then switches to people baring their souls, so it is an emotional rollercoaster.

The acting was top notch which really helped the overall dynamic. These are weird characters to pull off and they get the job done. The added bonus was the jazz score as sound effects in crucial scenes like the hammering of piano keys as someone's penis got bit.

You'll either enjoy this one or you'll think its just plain weird but a definite must see.

This is not your usual run of the mill, "house invasion" movie. It is very different to anything you will have ever seen before within that genre. The scene is set with an attempted suicide superimposed by a house invasion. What follows is disturbing, comedic, and bizarre. You feel an uncomfortable witness to brutality and degradation, but the movie and tight acting holds your attention enough to see it though. It's an original and compelling movie, and leads us to question what our lives really account for.

Can't recall another movie like this. the dialog is authentic. it's paced nicely. nice simple score. it is quite jarring. has some kind of underlying message, but i'll have to watch it again before cementing an opinion on that. this is as good a movie as is possible with a 50k budget, 3 actors, and one location, which is actually the lead character/screenwriters house.

This disruptive, provocative flick is structured like a crime-drama - a suicidal single resident, a home intrusion, a violent sexual assault and off we go - but writer/star Jacqueline Wright and the director named Adrian Cruz never let anything settle, never let you feel that you've got it all figured out. They somehow manage to elevate their seemingly simple story and arguably even simpler production values into a multifaceted dissection of morality, power struggles and various implications of sexual deviance. Jacqueline Wright obviously knows which buttons to push, and she pushes them to save her life (or at least her career), but from some blatant dabblings into exploitation territory quite a few interesting thoughts emerge. The interplay between Wright and Brad Carter, who plays the youngest of the intruders, is at times stirring.

This art piece is definitely a drama.

No horror. No mystery. There is some solid Good Girls-ish humor.

And I did not like the movie until more than halfway through its duration.

Even then, the plausibility is unacceptable. The dialogue would be excellent for NOT that situation.