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IMDbPro
Aaron Taylor-Johnson in Na Mira do Atirador (2017)

Avaliações do Metacritic

Na Mira do Atirador

57

Metascore

26 avaliações · Fornecido por Metacritic.com
  • 75
    The Film StageDan Mecca
    The Film StageDan Mecca
    At its core, The Wall serves as a well-made, engaging war-time thriller that showcases Liman’s abilities as a top-notch storyteller, no matter the shape or size of the story being told.
  • 70
    VarietyPeter Debruge
    VarietyPeter Debruge
    The Wall succeeds because of Worrell’s words.
  • 67
    ConsequenceClint Worthington
    ConsequenceClint Worthington
    Liman is no stranger to tense, effective thrillers – his last outing was the criminally undervalued Edge of Tomorrow – and on that level, The Wall surprisingly works.
  • 63
    Slant Magazine
    Slant Magazine
    The Wall packs a surprisingly savage punch by boiling the exploits of battle down to its essential elements.
  • 60
    Screen DailyTim Grierson
    Screen DailyTim Grierson
    An effective, albeit somewhat artificial, exercise in suspense, The Wall derives much of its propulsion from Aaron Taylor-Johnson’s grunting, grimacing performance as a wounded US soldier squaring off with an unseen Iraqi sniper.
  • 60
    We Got This CoveredMatt Donato
    We Got This CoveredMatt Donato
    Aaron Taylor-Johnson deserves more credit as an actor, because he's the only reason this Iraq War thriller hobbles steadily on two legs.
  • 58
    IndieWireDavid Ehrlich
    IndieWireDavid Ehrlich
    The director’s instincts are a bit too broad to sell the full psychic horror of this scenario, and Taylor-Johnson will never be accused of being able to shoulder a movie by himself, but a super coherent sense of space and a vivid feel for the environment help The Wall to remain upright to the end.
  • 50
    The Hollywood ReporterTodd McCarthy
    The Hollywood ReporterTodd McCarthy
    While one can admire the commitment, technique, concentration and stamina required to keep the pressure cooker at maximum temperature, it still feels like an exercise, one so dramatically monotonous and tonally high-pitched that you want to escape almost as much as the characters do.
  • 50
    Movie NationRoger Moore
    Movie NationRoger Moore
    When The Wall goes wrong, it doesn’t instantly crumble, though you can feel the foundation collapsing underneath the film’s feet. Taylor-Johnson, who must carry it, holds our interest. It’s just that we know, judging from that fatal flaw screenwriter Dwain Worrell built in as a plot contrivance, that it won’t end well, either.
  • 50
    Village VoiceAlan Scherstuhl
    Village VoiceAlan Scherstuhl
    Liman, for all his action acuity, struggles to make lying behind a wall exciting. He manages some tense and rousing sequences, but between them yawn scenes of the killer jabbering bullshit and the hero passing in and out of consciousness.
  • Veja todas as 26 avaliações em Metacritic.com
  • Veja todas as avaliações externas sobre Na Mira do Atirador

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