We Are Monsters

Agree with the only other reviewer below and hopefully the only other person who's ever seen this movie besides me. Every single one of these movies are the same -- innocent girl gets kidnapped and brutally raped by psychopaths, one of whom is stereo-typically mentally retarded, and then eventually she gets revenge in the end and the movie ends. Boring as hell with terrible acting and no unique twists.

And enough already with the so called "shock value" of these types of movies. We've seen it all before. Many times in fact. There's really no point in doing a movie like this anymore unless you're going to really change things up. And this movie certainly doesn't even attempt to do that. Dumb plot, dumb actors, dumb movie. Pass.

After a successful business meeting, a woman is kidnapped and held hostage by a psychopathic killer and his henchman who begin to systematically beat her down and have their way with her, forcing her to resort to extreme measures to get away live.

Overall, this was a solid and serviceable effort. The fact that this one manages to get to the point immediately here with the abduction and eventual arrival at their lair happens quickly in this one. That turns the intensity up within the film as the dirty, bloodsoaked environment they begin to humiliate and torture her in that signals the kind of appropriate behavior which can be quite intense at times with the perverse sexual torture and degradation designed to beat her down. The escape attempts and times she fights back setup the final half where this picks up considerably with the brutality stakes featuring a depraved and brutal brawl around the house before getting to the main confrontation which is graphic, gruesome and designed to bring everything that's happened to a satisfying resolution. These here give this one a lot to like that holds this one up. There are some problems here. The main issue here is the unnecessarily humanizing attempts done on the lead villain here when those scenes don't matter much. There's no sense in him having a wife and son unaware of what's doing when they're never shown on-screen, all we end up getting is a single voice-call and all they end up doing is causing a break in between the torture showing how they find out who she is which is also a missed opportunity using that as motivation to kidnap her. The other minor flaw is the wrong-headed tone to the finale where this one tries to make her retribution feel cathartic in a sense yet comes off more as gratuitous violence. Since nothing she does is in any way an eye-for-an-eye mentality for what happened to her as theirs was sexual while she goes for straightforward brutality, there's an off imbalance to this section but it's not that big of a deal.

Rated Unrated/R: Extreme Graphic Language, Extreme Graphic Violence, Nudity and several rape scenes.

Okay, this isn't going to be a gem but for me it did still offer some nasty moments. The story is rather simple, girl being kidnapped and raped, she escapes somehow and is out for revenge. I was surprised that the rating was so low.

If you want to see a typical Hollywood blockbuster forget it because it shows that it was a low budget flick. It take a while before things go wrong and it's only once the girl is out for revenge that it becomes a brutal flick and people could get offended by some torturing done by her. Clocking in under 90 minutes makes it worth the trip to see it. As said before, there are moments that will make you grab the remote but the effects are really well done which makes it a delight for the geeks of nasty brutal revenge flicks.

Gore 1,5/5 Nudity 1/5 Effects 2,5/5 Story 2/5 Comedy 0/5

I found this one fairly entertaining and Hanna Oldenburg (Emma) and Ralf Beck (Jim) were pretty effective in their roles. While this is a rape/revenge story that features two rapes, I wouldn't say the rapes were particularly gratuitous and they showed very little skin. LOL, me saying that any "rapes" were not gratuitous is a bit of a non sequitur, but as these things go in the cinema world, they really weren't.

The violent scenes were quite well done and special effects pretty decent for a low-budget film. I've certainly seen a lot worse and these were good enough to make their impact. I found the screenplay to be fairly original, with some good one-liners that are not usually found in movies of this type.

In the climactic scenes near the end I was impressed with the expressions that Emma emoted as she wreaked her revenge on Jim. She was simultaneously repulsed by the actions she was taking yet inspired to gather strength to do even more to him. Not quite Oscar-worthy, but that was a nice mix that seemed pretty realistic for someone who had never been so violent in her life...yet was absolutely driven by her hatred of the man who raped and tortured her.

It's pretty easy to toss off these types of movies as just another "seen one, seen 'em all" type of film. This one offered a little more realism that sometimes made you forget that this was a movie with a camera, director, lighting, sound equipment, etc. Surrounding the action. And I never overlook all that stuff, even when watching the most horrific slasher/horror type movies.

Reviewers Notes:

1. Yet another torture porn in the grand tradition of films like I SPIT ON YOUR GRAVE and LAST HOUSE ON THE LEFT. Seen one, seen em all.

2. The date stamp says 2015 which is actually the creepiest thing in the movie (among many many creepy things) because the settings, the direction, the cinematography, the script, the acting, all of them scream 1974. Which raises the question, why would anyone want to do a film in 2015 that is completely indistinguishable from similar stuff shot about a half-century ago??

3. The only other thing worth mentioning is the "tease" scene off the top where the kidnapper/abductor tells his fellow kidnapper/abductor that he wants to try "something different" with the new girl, he wants to make her "love" him. And for a fraction of a fraction of a fraction of a second, the poor viewer (any viewer watching this film is automatically in deep distress, hence the adjective) might think that the producers and writers did this film because they have something new and different to add to the genre. But then the moment quickly passes, and you realize they do not.