Bridgend

Got to be honest, I did not get what was going on. I'm thinking perhaps I'm just too old to understand what's going on in the minds of teenagers, though at the same time, I do remember times as a teenager when I left like just letting go.

The movie is based on actual events. A small town in the south of Whales that has had a high suicide rate among teenagers from 2007- 2012 and no explanation was given for why this was happening as the teens killed themselves without giving one.

It looks like the filmmakers are trying to make as real of a narrative as possible to what was going on in the town. Exploring the day to day lives of these kids as they attempt to live their lives to the fullest until one day they just decide they don't want to anymore.

I did like the look of the movie, and how it flowed. The main character, Sara was great to look at, I loved her interactions with other characters such as Thomas and Jamie, it was beautiful to watch and felt very natural, just a bunch of kids connecting. Also felt the music greatly added to the film. Bridgend really feels like the filmmakers are running the events through their heads to find an answer themselves to what's going on but never do.

Bridgeend works without a plot, which does not work for me. The movie is met for a certain type of person and I'm definitely not that person it's trying to reach and I just have to except that.

I did like the cinematography the art direction and the acting, but the concepts do not reach me and because of that I needed the answer these kids could not find.

Tricky. For anyone familiar with the very real instance about the spate of suicides that has blighted the Welsh county of Bridgend, then this film is likely to be a mixed viewing experience. For sure during the film one can't help but keep thinking about the real events, the theories and facts of such, so it's a little distracting because Jeppe Rønde's film demands the utmost attention throughout.

It should be noted with all seriousness that this is only a meditation on the real events, it's not offering up answers, so people should seek out all official text and documentary of the events for the real picture. The film operates in the haunting space of the ethereal, both narratively and visually, with the youngsters at the story's core firmly caught between two worlds. The behaviour of the youths here will cause consternation in some quarters, their recklessness and daring on the surface not making sense, but really that's the point. Sense doesn't operate, not here or in the real world.

There's a number of striking sequences that show Jeppe Rønde as someone who has something to offer the indie art cinema circle. Such as the naked youngsters floating silently in the lake that has become their getaway place, and the finale at same lake that is akin to lambs paddling to their slaughter. Of course the director has had to fend off charges of sensationalism, romanticising suicide etc, that was to be expected, but he hasn't. He has produced a film of intrigue and emotional depth, one that stays with you long after that haunting final shot has vanished. 7/10

Bridgend attempts to explore a deeply unsettling real-life tragedy, but despite its eerie atmosphere and strong cinematography, the film struggles to deliver a coherent or impactful narrative. The misty, bleak landscapes perfectly set the tone, and there's an undeniable sense of dread throughout. However, the storytelling feels vague and frustratingly elusive, failing to provide meaningful insight into the tragic events it depicts.

Hannah Murray delivers a committed performance, bringing raw emotion to her role, but the film's repetitive nature and lack of depth make it a difficult watch. Instead of diving into the psychological and societal factors behind the story, it leans too much on mood and abstraction, leaving the audience disconnected rather than immersed.

While the film deserves credit for its ambition and visual aesthetic, it ultimately falls short of being a gripping or thought-provoking experience.

This is a social drama, not a horror movie, in the true sense of the word. I am getting a bit tired of movies in the horror section, that really aren't horror. Wasted too many hours watching some truely aweful pschodramas. Having said that, it is a real shame they chose to slot this into the horror catagory, as it is actually not a bad film, if a little muddled in places and has a relevant story to tell.. The basic premis, a cop arrives in a town that has had a spate of ongoing male teenage suicides. Almost 80 in 5 years, that works out to just over one every 3 weeks. An alarming numer, particularly as it is based on historical fact, if more than a little exaggerated.

The films main problem from my perspective, is that it is a journey with no destination. Nothing is really explained, there are hints of some kind of cult, or supernatural influence, but it never goes beyond hinting. The final scene is beautifully cinegraphic, but as a whole the movie would have earned another 2 stars if it hadn't of mascaraded as a Horror film.

This is one of those movies that you quite enjoy watching because the acting is good and you want to find out what's going on vis a vis the compelling and suicide-packed plot. Sadly you never do. It becomes increasingly ludicrous without respite. Shame. I thought it was going somewhere...