Cheia de graça

Great movie of precise dialogue, well written and faithful to orthodoxy. As a Catholic I was comforted to see that there are still people capable of doing movies like this. A person like Mary deserves much more but this film will be taxed a worthy tribute. Mary is the best bridge to Our Lord and God Jesus Christ. One of the achievements of the film is to convey to the viewer the greatness of the spirit of Mary. In addition, they play with great consideration issues as important at the time as the opening of the church to non-Jews. The rhythm of the film is deliberately slow. The beauty of the landscape serves as a framework for reflection and dialogue of the characters. All this is leaving its mark on the soul of the viewer who, at the end of the film, feels that something has changed inside. Worth watching!

Full of Grace, directed by Andrew Hyatt, aspires to be a reflective and spiritually profound portrayal of Mary of Nazareth's final days. While its intentions are commendable, the execution falls short, resulting in a film that feels more like a static tableau than a compelling narrative.

The performances, particularly Bahia Haifi's turn as Mary, aim for reverence but often come across as subdued and detached. The lack of emotional range in the characters prevents the story from resonating on a deeper level, leaving the audience feeling distanced rather than immersed.

Visually, the film leans heavily on muted tones and minimalist settings to evoke a sense of sacredness. While this approach complements the contemplative nature of the subject matter, it also contributes to the film's slow pacing and lack of dynamism. The dialogue, filled with theological reflections and philosophical musings, often feels more didactic than dramatic, further distancing the viewer from the characters' experiences.

Hyatt's direction appears focused on creating an atmosphere of reverence, but in doing so, it sacrifices narrative engagement. The film's meditative approach could have been effective with a stronger emotional core, but instead, it often feels like a sermon rather than a story.

Full of Grace seeks to provide a spiritual experience, but its lack of narrative energy and emotional depth makes it a challenging watch. While it may appeal to a niche audience with an interest in religious films, it struggles to connect with viewers on a broader level.

Rating: 3/10 - A well-meaning but lackluster depiction of Mary's final days.

First, I have to say that based on so many one star reviews its almost like a 'Hit Job' is going on; they certainly could not have seen the same movie I did. Second, while I do believe in the existence of 'God' I would not say that I am very religious at all. BUT - I don't think that one's religious beliefs (or none) have anything to do with this movie.

This was THE BEST unheard of movie I have watched this year. I had never heard of it, and sitting around at Christmas time, I was surfing Netflix one night and came upon this movie. The description wasn't much, simply that an elderly Mary reflects upon her life, or something to that effect. Instead, it was an existential thought piece along the lines of 'My Dinner with Andre'. Although we know that the 'Virgin Mary' is the focus, it could have been anyone. An elderly woman reflecting on her life and the extradordinary events she has witnessed. She waxes philosophical with a hand maid, Sara, and then Peter, and finally others. Questions of LIfe ad Death, Fate, Redemption, and the Eternal Hereafter all come into play.

This is no 'religious' sales pitch, but instead a rational reflection of one's place i the cosmos when one has born witness to extraordinary things. Very well done, and has inspired me to look for other titles from the writers.

First things first. This is a Catholic film. It does reflect Catholic teaching. It shows how Mary experienced Christ and everything she says and does points to Him. It also shows the respect she had among the apostles, this is often lacking in other stories. It also show the early church Mass. The film has a great meditative pace. The photography is beautiful. The acting is far better than many mainstream films.

This film is visually stunning, with a beautiful soundtrack and powerful acting performances. It continues to haunt me weeks after seeing it. Somehow it manages to portray two larger-than-life historical figures, Peter and Mary, in a way that makes them very human and remarkably current. At the same time it remains true to the saintly nature both surely possessed, and provides insight into the historical struggles of the early church. The film manages to remain non-denominational, such that Christians of any background, and perhaps even spiritually oriented non-Christians, can enjoy it.

By the end of the film I had been moved to tears more than once, I felt I could relate to Mary and Peter in a way I never had before, and I felt closer to Christ, despite his not appearing in the movie at all. A true triumph of independent film making.