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IMDbPro

Ele Está de Volta

Título original: Er ist wieder da
  • 2015
  • Not Rated
  • 1 h 56 min
AVALIAÇÃO DA IMDb
7,0/10
53 mil
SUA AVALIAÇÃO
Oliver Masucci in Ele Está de Volta (2015)
Assistir a Trailer [OV]
Reproduzir trailer1:13
1 vídeo
99+ fotos
Comédia de alto conceitoComédia de humor negroFantasia sobrenaturalSátiraComédiaDramaFantasia

Adolf Hitler acorda no século 21. Ele rapidamente ganha a atenção da mídia, mas enquanto a Alemanha acha isso divertido e charmoso, Hitler faz algumas observações sérias sobre a sociedade.Adolf Hitler acorda no século 21. Ele rapidamente ganha a atenção da mídia, mas enquanto a Alemanha acha isso divertido e charmoso, Hitler faz algumas observações sérias sobre a sociedade.Adolf Hitler acorda no século 21. Ele rapidamente ganha a atenção da mídia, mas enquanto a Alemanha acha isso divertido e charmoso, Hitler faz algumas observações sérias sobre a sociedade.

  • Direção
    • David Wnendt
  • Roteiristas
    • David Wnendt
    • Mizzi Meyer
    • Timur Vermes
  • Artistas
    • Oliver Masucci
    • Thomas M. Köppl
    • Marc-Marvin Israel
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    53 mil
    SUA AVALIAÇÃO
    • Direção
      • David Wnendt
    • Roteiristas
      • David Wnendt
      • Mizzi Meyer
      • Timur Vermes
    • Artistas
      • Oliver Masucci
      • Thomas M. Köppl
      • Marc-Marvin Israel
    • 148Avaliações de usuários
    • 75Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 7 indicações no total

    Vídeos1

    Trailer [OV]
    Trailer 1:13
    Trailer [OV]

    Fotos107

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    Elenco principal79

    Editar
    Oliver Masucci
    Oliver Masucci
    • Adolf Hitler
    Thomas M. Köppl
    • Benimmcoach
    Marc-Marvin Israel
    • Fußballjunge
    David Gebigke
    • Fußballjunge
    Paul Busche
    • Fußballjunge
    Fabian Busch
    Fabian Busch
    • Fabian Sawatzki
    Gerdy Zint
    • Pantomime
    Nancy Maria Brüning
    • Mutter mit Kinderwagen
    Lars Rudolph
    Lars Rudolph
    • Kioskbesitzer
    Franziska Wulf
    Franziska Wulf
    • Franziska Krömeier
    Christoph Maria Herbst
    Christoph Maria Herbst
    • Christoph Sensenbrink
    Thomas Thieme
    • Senderchef Kärrner
    Katja Riemann
    Katja Riemann
    • Katja Bellini
    Michael Ostrowski
    Michael Ostrowski
    • Rico Mancello
    Christoph Zrenner
    • Gerhard Lummlich
    Nina Beesk
    • Redakteurin my TV
    Rocco Coufin
    • Redakteur my TV
    Michael Grenzau
    • Redakteur my TV
    • Direção
      • David Wnendt
    • Roteiristas
      • David Wnendt
      • Mizzi Meyer
      • Timur Vermes
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários148

    7,052.5K
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    Avaliações em destaque

    9fredrik-118-277895

    Brilliant blend of humor and brutal seriousness

    In the very start the movie seems so innocent and a little silly. The colors are all bright. The humor though is really entertaining and i like that the Germans can joke about this topic themselves. As the movie goes on we see a lot of footage of ordinary Germans saluting Hitler and complaining about the immigrants, it connects really good with the time we live in. The movie gets more and more serious, and the main character finds out it's the real Hitler. I think the well made transition from being all innocent and humorous describes Nazi Germany. No one thought it would go this far. Really touched me even though i've seen quite a lot of movies about Nazi Germany. 9/10
    9donb-519-335075

    Brilliant, funny, but very scary

    How to make a comedy out of very tragic events and characters? Adrian Brody did it in "Life Is Beautiful" about life in a concentration camp. "Look Who's Back" does it via the premise that Adolf Hitler returns to modern day Germany. Of course everyone believes that he is an actor - one who disturbingly never steps out of character. The audience knows that he cannot - as he actually is Hitler. Much of the film is humorous as Hitler tries to reestablish himself as "The Fuhrer" and tries to understand and cope with modern day technology and attitudes.

    Oliver Masucci is brilliant as Hitler -playing the role so straight that he became very scary near the end. The brilliance of Hitler was aptly demonstrated as people began responding to the hate - filled rhetoric he employed on various television shows. In real life the industrialists supported Hitler because they were sure they could control him - they could not. The church supported him because they thought he would be useful to them and that they could control him - they could not. Finally the German Army threw in with him because they wanted to get rid of their rivals - Hitler's "brown shirt" Army - the Sturmabteilung (SA). He got rid of Strasser and Rohm and thousands of others as he dismantled the organization which carried him to power. But alas the Army also could not control him.

    In the movie, he becomes a media star because of viewership and ratings. We see glimpses of the audience saying like "I think I agree with him, and he makes a lot of sense." The TV moguls are building their careers on his outrageousness and resulting popularity.

    His grasp on people is creepy, insidious and feels quite realistic. This film shows you how riveting he could be - and gives you a glimpse into how he came to power.

    So, beyond laughs - the message clearly is that this could happen again. We must be aware of potential dictators in our midst. A few people in the movie saw that he really was Hitler - and they were discarded at the end of the movie.

    This movie is not a condemnation of Germany - past or present. Hitler in the movie postulates at the end of the film that we cannot get rid of him - because he is a part of us. I hope that is not true.
    edwindsor-20680

    Thought Provoking But Deeply Biased

    This film is intended to be about the way modern German society deals with important issues facing them, and they way they can quickly come under the spell of a "strong leader" ETC. Unintended by the film makers I suspect, was the way the modern left exposed themselves in the way they see those who dare to disagree with their positive views on globalisation and internationalism.

    The main message of the film seems to be that those Germans (or Europeans in any European nation) who believe that Germany isn't some giant refugee centre for the rest of the planet, and that Germans have a right to their own indigenous land, not the rest of humanity, are just like Der Fuhrer.

    An example of this can be seen in real time news footage of a Swede making the suggestion that asylum seekers, heaven forbid, should actually accept the cultural and societal norms of Sweden. Oh how "Evil" of that "intolerant" man! The film is well made and funny (who'd a thought Germans had a sense of humour?) in places. But take the leftist political message with a grain of salt. Europeans have EVERY RIGHT to be concerned about their demographic integrity and migration from the developing world that never seems to cease. They have the right to be concerned about these things without being demonised as Nazis or anything else.
    8sergi_translate

    More impactful than expected

    I like movies that make me think. Er ist wieder da, was suggested to me as a comedy, and not being particularly fond of comedies, what I got was way more than expected.

    The movie treads a sensitive line with sufficient care, but what is most important to me, with plausibility. Even the few places where the script becomes "unreal", in general the coherence and treatment of the insertion of THE character in present society is preserved, and that is for me an enormous value in itself. The probing of current times by the use of this major historical character is remarkably able to become an exercise of philosophy and even introspection.

    In my opinion an extremely challenging script becomes here alive by his own merits, and the acting supports this substrate quite solidly.

    I laughed, and even if I today would better file it as a tragicomedy, For the sake of our times let's call it a comedy. And I very much hope, from the bottom of my heart that, in the next years to come we can continue to say, that it was so.
    8empty-bin

    This isn't about Hitler...

    ...And that's why it was so scary.

    This is a thriller. The premise is Hitler has some how come through time and believes fate has brought him here to clean house (again). However, the film was actually using this metaphor to describe the coming of the next Führer if we're not careful. If we let down our guard we absolutely WILL see the rise of the next Adolf Hitler.

    The character of Hitler spoke the truth, mostly. His rhetoric cut to the heart of today's problems. It was a German production so, obviously, he spoke directly to German issues but again, Germany was just the stage and Hitler the puppet. The puppeteers were revealing a global truth wrapped in a local narrative.

    Recall the time Angela Merkel, today's German Chancellor, called G.W. Bush on 9/11 and the subsequent "War on Terror" saying something to the effect of, "We've seen this before...!" THIS is what the movie is getting at.

    This film is filled with amazing though often chilling street interviews featuring Hitler interrogating work-a-day people. Many of the younger of these people so open to the apparent humor or irony were embracing him, taking "Hitler selfies" - other older spectators and interviewees apparently LONGED for someone to take the reins and whip (Germany) into shape, getting rid of "suspicious-looking, bearded Salafists", etc. And these were not actors. The film was illustrating for you how Hitler rose to power the first time and how easily and quickly it could happen again.

    This was a beautifully done movie. I have the book as well and I prefer the movie.

    Interesses relacionados

    Jim Carrey in O Mentiroso (1997)
    Comédia de alto conceito
    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Comédia de humor negro
    Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson in Os Caça-Fantasmas (1984)
    Fantasia sobrenatural
    Peter Sellers in Dr. Fantástico (1964)
    Sátira
    Will Ferrell in O Âncora: A Lenda de Ron Burgundy (2004)
    Comédia
    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    Elijah Wood in O Senhor dos Anéis: A Sociedade do Anel (2001)
    Fantasia

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Oliver Masucci went out as Adolf Hitler in public as part of the film's guerilla-style scenes. All reactions from the civilians were real, and Masucci improvised his dialogue.
    • Erros de gravação
      Hitler is portrayed by 6'1 1/2 inch actor with brown eyes, Oliver Masucci. Adolf Hitler was only 5'8 and had intense blue eyes.
    • Citações

      Adolf Hitler: Do I look like a criminal?

      Kioskbesitzer: You look like Adolf Hitler.

      Adolf Hitler: Exactly.

    • Cenas durante ou pós-créditos
      During the first closing credits news reports about racism in Europe are showed.
    • Conexões
      Edited from Münchner Runde (1996)
    • Trilhas sonoras
      Bubba Dub Bossa
      Written by Robby Poitevin

      (C) & (P) BPM Score Music Series

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    Perguntas frequentes18

    • How long is Look Who's Back?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 9 de abril de 2016 (Brasil)
    • País de origem
      • Alemanha
    • Centrais de atendimento oficiais
      • Constantin Film (Germany)
      • Official Facebook
    • Idioma
      • Alemão
    • Também conhecido como
      • Ha vuelto
    • Locações de filme
      • Berlim, Alemanha
    • Empresas de produção
      • Mythos Film
      • Constantin Film
      • Claussen Wöbke Putz Filmproduktion
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • € 2.956.960 (estimativa)
    • Faturamento bruto mundial
      • US$ 25.513.752
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 56 min(116 min)
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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