Transtorno

When I review this one, I think of Tony Scott's MAN ON FIRE - it self a remake of an Elie Chouraqui's film starring Scott Glenn - and of course the coming soon Florent Emilio Siri's ELYAS, starring Roschdy Zem in a seemingly EQUALIZER or JOHN WICK like character. A former special forces soldier become a bodyguard for a wealthy family and who will have to face many dangers towards this same family - beautiful wife and - or - kid. But the movie I review now is only a bit action oriented, however not that much, it is more focused on the psychological matter, character relationship study. But it is directed by a woman, with a great dose of sensitivity, evoking the post war traumatic disorder. Unlike what the Florent Emilio Siri's film trailer suggests. ELYAS - which I will comment, don't worry - will be far more focused on the action packed stuff, as was his famous NID DE GUEPES. So, this very movie MARYLAND is a hell of a film, especially from a woman director. A wonderful little gem, offering a terrific performance from Mathias Schoendaerts. Excellent action sequences, especially a very brutal, bloody one. It was shot in Saint Jean Cap ferrat - south of France, French riviera - a town where you have hundreds of huge, gigantic billionaires villas and castles, fancy mansions mostly owned by Russian oligarchs and other wealthy, very very wealthy, businessmen whose "affairs" are far from being so legal...If you know what I mean. So, watching this movie reminds me my vacation site, and I am not a very wealthy business man !!!!

French cinema has come a long way and is close to overtaking Asian cinema as my favourite world cinema. This has all the right ingredients for the type of thriller I personally enjoy the most. Suspense? Plenty. Intense? Sure. Psychologically stimulating? Ehhh. This was an intriguing concoction to mix PTSD psychology with a home invasion flick. It's just a shame the former wasn't explored to its maximum potential. Don't get me wrong, the utilisation of hallucinogenic imagery and delusional paranoia is well executed. In fact, it's what powers the narrative. The story itself is completely forgettable, bland and undeveloped. However, the attention to our protagonist is what truly captivates. Matthias Schoenaerts was the perfect casting choice for Vincent. His brute physicality and cold exterior unleashes plenty of inner torment for the character. You can tell through Schoenaerts' facial expressions that our character is brimming with determination and conflict. A superbly strong performance. Diane Kruger was also good and definitely held her own. The cinematography was incredibly seductive. The usage of slow motion, dark shadows and shades of purple really enhanced the experience. The contemporary sound design also highlighted the scenes of PTSD, which I appreciate. Alice Winocour's direction felt fresh, in particular the "over-the-shoulder" camera shots where we see what Vincent might (or might not...) be seeing. Including such intimacy really draws you into the narrative, especially the dialogue is minimal. It's a piece of visual storytelling, which in turn makes the plot less intricate and ambiguous. Whilst it does not necessarily work constantly, I was entranced by this and really enjoyed it. Some more attention to the story would've made it that much better, but it's worth a watch.

This is not your usual "home invasion" film.It's above all an incredible sensory experience.Alice Winocur (who directed 2 years ago the magnificent "Augustine") creates a great combo between drama & paranoid thriller.And don't expect a love story ala Bodyguard. Matthias Schoenaerts is phenomenal as usual.It's quite an intense performance.You're truly seeing things through the eyes of his emotionally damaged character. Diane Kruger is also solid but the movie truly belongs to King Matthias.The ending could have been slightly better but it doesn't take anything away from the quality of the film. The soundtrack is also very catchy : Gaffelstein is a genius ! He creates a very atmospheric environment. A must see !

In a twist on the story of a combat veteran with post-traumatic stress disorder attempting to adjust to civilian life, director Alice Winocour realigns the balance of the narrative to focus as much on romance and one woman's perspective as action and a psychologically wounded man.

Vincent takes odd jobs as he lobbies to return to combat as a soldier. Despite its inherent dangers, combat at least is a place where he has a mission and purpose. Civilian life is not so kind. It is confusing, degrading and offers little in the way of sympathy for what Vincent has been through. A side job as part of a security team, together with his military pals, takes Vincent to a mansion, party and pretty woman who attracts his eyes and focus. In the ensuing days Vincent is drawn into a personal security detail for her. When she is targeted for kidnapping, the pair must draw upon not just Vincent's military training, but upon their basic qualities as human beings. Because each of them has moved in different spheres until then, this may not work so well.

The sound selections and wounded hero narrative are reminiscent of the Nicolas Winding Refn films that I love. However, Winocour cannot quite match Refn's levels of tension, chemistry and spectacle. I admire the acting of Matthias Schoenaerts and he does not disappoint here. While the film has some potential to live up to, there is ample suspense and intrigue inside the characters and the scenes that envelop them. Seen at the 2016 Miami International Film Festival.

I think I was expecting more of an action thriller, but this movie was turned down to three.

A guy name Vincent is hired to protect a woman and her son from bad guys looking harm her.

Some action does happen in the movie, but it was very quiet and uneventful. A bit of a a shame cause I wanted to like the movie. It was very inventive in its scale.

I think the real problem is that I'm not getting any personality from the main characters. I went to go see because Matthias Schoenaerts was the main character. I liked this guy in other movies, but he seemed dull heading up his own flick.

I wanted to see the laid out plan work out, but I was not getting enough energy.

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