Notícias

The Open City Documentary Festival, taking place across London between the 5th and 10th of September 2017, will present three films by Belgian filmmaker Pierre-Yves Vandeweerd: Lost Land (2011), For the Lost (2014) and The Eternals (2017). The films, shot mostly on 16mm and Super 8, are poetic essays exploring the lives of those affected by exile, conflict, loss, and the ecology of harsh environments, hauntingly soundtracked by British Avant-Garde musician Richard Skelton. Ahead of the festival I interviewed Vandeweerd concerning the aesthetic and thematic connections between his films, his anthropological approach and the role of language in his cinema.Notebook: You’ve studied anthropology, amongst other subjects, and you’ve worked as a teaching assistant in a Philosophy and Literature department. What led you to utilize filmmaking as an extension of your research? Pierre-yves Vandeweerd: The first area I worked in as an anthropologist, at the beginning of the 90s, was Niger in West Africa.

Gem Wheeler Mar 16, 2017

As the Julie Ann Collins case gains in complexity, the only thing that's certain is there are more twists and turns to come...

This review contains spoilers.

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The disturbing revelations uncovered during a search of the Collins family home are the focus of the Prime Suspect prequel’s third episode, as Julie Ann’s whereabouts in her last days finally start to emerge from the haze of half-truths surrounding her murder. The ongoing investigation into the Collins’ personal affairs turns up another unpleasant secret when a bloodstained golf club is found among a set hidden in an understairs cupboard. George Collins initially sticks to the version of events he’s previously told Di Bradfield, but, when confronted by evidence that he was visited by the missing Eddie Phillips,...

As part of the 2016 Galway Film Fleadh, Underground Cinema are proud to present the Irish Premiere of In View the extraordinary directorial debut of Ciaran Creagh whose previous feature Parked starring Colm Meaney was a winner at the Fleadh in 2011.The world premiere of In View was held at the Dallas International Film Festival in April 2016 and the producers are delighted to present the film for the first time in Ireland at the festival. When In View was written it was always the director’s hope that one day the script would be made into a film and not just remain words stuck in his head. According to In View’s producer, David Byrne, "It is extremely difficult to get funding to produce a feature film especially one of this genre. Everybody said we were mad to even attempt to make such a film. Never did we realise that so...

Festival guests will include director Jim Sheridan and actress Ruth Negga.

Netflix-acquired war-drama The Siege of Jadotville - which tells the true story of a battalion under attack in the Congo in the 1960s - leads a strong line-up of Irish cinema at this year’s Galway Film Fleadh (July 5 - 10).

The film stars Jamie Dornan as Commandant Pat Quinlan, who led an Irish battalion of United Nations soldiers during a tense stand-off against local troops and foreign mercenaries in the Congo in 1961.

The Parallel Film-produced title, a directorial debut by Richie Smyth based on the novel by Irish journalist Declan Power, will have a special screening at the Fleadh.

It is one of several Irish films that will bow at the Fleadh, which runs from July 5th-10th. The festival will also focus on world cinema and Finnish cinema. Guests include director Jim Sheridan, actress Ruth Negga and screenwriter Kirsten Smith.

Property Of The State, a drama...