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IMDbPro

The Nightingale

  • 2018
  • 18
  • 2 h 16 min
AVALIAÇÃO DA IMDb
7,3/10
39 mil
SUA AVALIAÇÃO
POPULARIDADE
2.278
42
Aisling Franciosi in The Nightingale (2018)
A young woman in 1800's Australia seeks vengeance for horrific acts committed against her family.
Reproduzir trailer2:20
5 vídeos
99+ fotos
Drama de épocaSuspenses psicológicosAventuraDramaOcidenteSuspense

Em 1825 uma menina irlandêsa persegue com a ajuda dum aborigene, chamado Billy, a um official britânico em Tasmania, depois que ele fez um terrivel acto de violença contra sua familia.Em 1825 uma menina irlandêsa persegue com a ajuda dum aborigene, chamado Billy, a um official britânico em Tasmania, depois que ele fez um terrivel acto de violença contra sua familia.Em 1825 uma menina irlandêsa persegue com a ajuda dum aborigene, chamado Billy, a um official britânico em Tasmania, depois que ele fez um terrivel acto de violença contra sua familia.

  • Direção
    • Jennifer Kent
  • Roteirista
    • Jennifer Kent
  • Artistas
    • Aisling Franciosi
    • Maya Christie
    • Baykali Ganambarr
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    39 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.278
    42
    • Direção
      • Jennifer Kent
    • Roteirista
      • Jennifer Kent
    • Artistas
      • Aisling Franciosi
      • Maya Christie
      • Baykali Ganambarr
    • 453Avaliações de usuários
    • 176Avaliações da crítica
    • 77Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 25 vitórias e 37 indicações no total

    Vídeos5

    Official Trailer
    Trailer 2:20
    Official Trailer
    The Nightingale
    Trailer 2:16
    The Nightingale
    The Nightingale
    Trailer 2:16
    The Nightingale
    The Nightingale
    Trailer 2:20
    The Nightingale
    The Nightingale - Official IFC Films Trailer
    Trailer 2:20
    The Nightingale - Official IFC Films Trailer
    Weekend Box Office: August 2 to 4
    Clip 0:55
    Weekend Box Office: August 2 to 4

    Fotos111

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    + 105
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    Elenco principal99+

    Editar
    Aisling Franciosi
    Aisling Franciosi
    • Clare
    Maya Christie
    • Baby Brigid
    Baykali Ganambarr
    Baykali Ganambarr
    • Billy
    Addison Christie
    • Baby Brigid
    Damon Herriman
    Damon Herriman
    • Ruse
    Harry Greenwood
    Harry Greenwood
    • Jago
    Claire Jones
    Claire Jones
    • Harriet
    Ewen Leslie
    Ewen Leslie
    • Goodwin
    Sam Claflin
    Sam Claflin
    • Hawkins
    Charlie Shotwell
    Charlie Shotwell
    • Eddie
    Michael Sheasby
    Michael Sheasby
    • Aidan
    Charlie Jampijinpa Brown
    Charlie Jampijinpa Brown
    • Uncle Charlie
    Eloise Winestock
    Eloise Winestock
    • Luddy
    Magnolia Maymuru
    Magnolia Maymuru
    • Lowanna
    Matty Barker
    • Goodwin's Ensign
    • (as Matthew Barker)
    Charles McCarthy
    • Convict Violinist
    Ben Morton
    • Wallace
    Matt Burton
    Matt Burton
    • Outpost Soldier
    • Direção
      • Jennifer Kent
    • Roteirista
      • Jennifer Kent
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários453

    7,339.4K
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    Avaliações em destaque

    8yusufpiskin

    "What's wrong, soldier boy? Did your mommy not love you?"

    The most brutal and intense movie i've ever seen in my life.

    People walked out, someone fainted. Completely unflinching and horrifying from start to finish, and many scenes made me so uncomfortable i didn't want to watch anymore. Jennifer Kent is the only person who could have made this film, and her exploration of female trauma and colonialism's impact on the aboriginal peoples of Australia & Tasmania was incredible. I'm gonna go throw up now.
    9kosmasp

    Not a sing a long

    After Babadook, you'd be excused to expect another horror movie. But this filmmaker has other plans. And what intriguing and complicated plans they are. The story is really interesting and it does keep it real. With all the ugly faces it brings up. I am not sure about the evil character being "humanized", but I get what she is trying to say there too.

    There are so many things, details in this well researched and well crafted movie, that I don't think everything will be seen the first time around. What you do have to go through (and I don't think this will get better with repeat viewing) are some very nasty and vile scenes happening to some of the characters you should care for. So this is anything but an easy film to watch. It is harrowing and it is draining. But in a sense it may also be "rewarding", if you consider the things it touches and brings forth ... every nation, every land, every country has their own fair share of dark history they probably don't like to be reminded of.

    So tread lightly, be aware of the slow pace, but still brutal story(telling) ... and go on a dark journey ... Really dark!
    8ferguson-6

    Vengeance is thy name

    Greetings again from the darkness. With only her second feature film, Jennifer Kent (THE BABADOOK) has created a near cinematic masterpiece. The only thing holding it back is the historical subject matter and the no-holds-barred approach that will surely limit its audience. From an emotional aspect, the film is extraordinarily uncomfortable and disturbing to watch; however, from a filmmaking perspective, it's a thing of beauty. The two sides of my brain were at war the entire time.

    Set in 1825 Tasmania, the opening scenes are ominous and cloaked in dread - even though nothing has happened (yet). We just feel it in our bones ... things are about to go wrong. And oh my, do they ever go wrong. Now you are likely similar to me in that your knowledge of 1825 Tasmanian history is quite limited. This was the era of "The Black War". The British were in the midst of colonizing the country. Violence was prevalent towards women, native Aboriginals, and even the land and existing culture.

    Clare (Aisling Franciosi, "The Fall") is a young Irish woman, recently married with a newborn. She has served her 7 year sentence for theft (likely food for survival) and is now an improperly indentured servant to the ambitious and quietly despicable Lieutenant Hawkins (Sam Claflin, THE HUNGER GAMES). Clare is headstrong, but wise enough to understand her place. Her husband Aidan (Michael Sheasby, HACKSAW RIDGE) lacks the same judgement and his foolish attempts to deal directly with Hawkins results in the atrocity that leads to the core of the story.

    When her pleas for justice fall on the deaf ears of the British military, Clare's need for vengeance transforms her into a woman-obsessed. Due to the harsh elements of the Tasmanian forest, Clare reluctantly agrees to hire an equally reluctant Aboriginal tracker/guide. Billy (Baykali Ganambarr) takes the job, and the two have little respect for each other as the trek begins. As a female Irish convict, Clare was treated poorly by the British, yet she somehow views herself as superior to Billy. On the other hand, Billy lumps all white people into the category of those to hate and distrust. This pair make quite a statement on racism, classism and pre-judging others. Of course, as their journey continues, their similar backgrounds and commonalities are revealed, bringing these two broken people closer together and building mutual respect.

    This is a part of history that Australia understandably doesn't work to keep in the forefront. But the atrocities were very real and Ms. Kent's film never shies away from the gut-punch of a moment. And though it takes place during this dark period with numerous appalling characters, the core element to the Clare's story is determining the consequences and price of seeking vengeance. How does one hold on to compassion and humanity while trapped in an environment that is barely survivable? Does violence truly beget violence? Is there another way? One of the most striking elements of the story is the contrast of mindless slaughter against the intimacy of vengeance. The British soldiers seem to pay little mind to their victims, while Clare is an emotional wreck when violence is required. It's quite a thought-provoking debate.

    This is the first leading role for Aisling Franciosi and she is a marvel. Clare is quite a complex character and Ms. Franciosi is remarkable ... as is her singing voice. Also impressive is the performance of Baykali Ganambarr as Billy. Known as a stage performer, this is Mr. Ganambarr's first film role and he is terrific and believable as a young man looking to move on from a life that hasn't been kind or fair. Other key supporting roles include Damon Herriman ("Justified") as Hawkins' right hand man, and Charlie Shotwell (CAPTAIN FANTASTIC) as young Eddie. All performances are strong, and filmmaker Kent was obviously attuned to presenting the authenticity of the period, even down to the spoken language. The costumes never look like something out of a Hollywood warehouse and cinematographer Radek Ladczuk captures the harshness of the land and brutality of the people. It's a gripping tale focused on the reaction to the deepest of personal loss. The reward is there for those brave enough to give it a watch.
    7pennypenser

    Realistic and well made, but brutal

    I was interested to see what the director of "The Babadook" would make next, and I was not really prepared for this period piece filled with equal amounts of realism and brutality.

    This is a very well made film, with great performances from the main leads, set in a time of colonisation on the island of Tasmania, when the white settlers were waging war against the first nations people.

    But this is a tale of revenge, with a strong woman determined to avenge the death of her husband and baby at the hands of the corrupt and evil British Colonial men.

    As hard as it is at times to watch, it is very compelling, the story and characters engage you and I had to see how it would play out, not guessing at how it would all end and being surprised at the ending.

    The depiction of the realism of the difficulty of living at such a time was like a punch to the solar plexus.
    Red_Identity

    Solid

    This isn't an easy film to watch at times, but it's definitely one that is crucial and is very well done.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      "I've always had a fascination with Tasmania," writer-director Jennifer Kent said. It was considered the most brutal of the Australian colonies, known as 'hell on earth' through the western world at the time. Repeat offenders were sent there; the rapists, murderers, hardened criminals. And severe punishments were devised for them to strike fear in the hearts of those back in Britain, to deter them from crime. Women on the other hand, who'd often committed minor crimes, were sent to Tasmania to even the gender balance. They were outnumbered eight to one. You can imagine what kind of an environment that would set up for women. It was not a good place or time for them. And in terms of the Aboriginal invasion, what happened in Tasmania is often considered the worst attempted annihilation by the British of the Aboriginal people and everything they hold dear."
    • Erros de gravação
      Claire's dress has hook and eye fasteners on the back which were not invented until 1902.

      Incorrect. Hook & eye fasteners have been commercially produced in England since the 1600s. Commercial production in the US did not start until the early 1800s, but this film is not about the USA.
    • Citações

      [last lines]

      Billy: I'm still here you white bastards! I'm not going anywhere! I'm home!

    • Cenas durante ou pós-créditos
      " Tasmanian Aboriginal culture is a living culture. The Aboriginal language used in this film is called 'Palawa kani'. It was created by current day Tasmanian Aboriginal people using records of their original languages. Aboriginal actors cast in this film are from mainland Australia. They and we pay our respects to the aboriginal people of Lutruwita (Tasmania) past and present."
    • Conexões
      Featured in Chris Stuckmann Movie Reviews: The Nightingale (2019)
    • Trilhas sonoras
      The Nightingale
      Performed by Aisling Franciosi

      Violin by Charles McCarthy

      Written by Ciáran Bourke, Barney McKenna, Ronnie Drew and Luke Kelly

      Published by Logo Songs Ltd

      Administered by Universal Music Publishing MGB Australia Pty Ltd

    Principais escolhas

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    Perguntas frequentes26

    • How long is The Nightingale?Fornecido pela Alexa
    • This film is not available in any theaters in my state, and not available to rent or buy in DVD or streaming. How and where can I watch this?
    • Which variety of Gaelic is spoken in this film?
    • I can't find the movie! where can I buy or watch the movie??how this is possible? the movie disappeared?

    Detalhes

    Editar
    • Data de lançamento
      • 23 de dezembro de 2021 (Brasil)
    • Países de origem
      • Austrália
      • Estados Unidos da América
      • Canadá
    • Centrais de atendimento oficiais
      • Adelaide Film Festival Investment Fund
      • Causeway Films (Australia)
    • Idiomas
      • Inglês
      • Gaélico irlandês
      • Aborígene
    • Também conhecido como
      • Chim Sơn Ca Trả Thù
    • Locações de filme
      • Oatlands, Tasmania, Austrália
    • Empresas de produção
      • Causeway Films
      • Adelaide Film Festival
      • BRON Studios
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 2.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 400.209
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 35.882
      • 4 de ago. de 2019
    • Faturamento bruto mundial
      • US$ 988.687
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 16 min(136 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.37 : 1

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