A Próxima Pele

really loved the way this film built up to the ending. All the cast was great and like many a Spanish movie, this did not disappoint. Highly recommend this movie. I wonder if these are other movies with Alex Monner in the lead. He brought out the anguish of the character without overdoing it!

This film is about a problematic young man being reintroduced with his mother. He has amnesia about his past. Is he the real missing child? By the end of the film I couldn't care less. It is a sad film about miserable people living in a hostile environment. Everyone seems to be angry and lonely or bored. The film trudges along to its sad ending without any redeeming feature in its grey colour monotones and linear story to make it more interesting other than its misery. The characters other than the main one are not developed and makes the film boring. Besides there are no likeable characters at all. The acting though is first class throughout especially by the main protagonist.

I have just watched it on Netflix. I've yet to name a Spanish movie that I did not really like. May be it was "Leaving" (2009), Partir (original title), which I think is an exception, for Sergi López was a miscast. Everyone's acting in The Next Skin, including Sergi López were very good. I was really impressed with Àlex Monner performance. The film kept me engaged from the first minute through the very end. The tension was building up nicely and kept me guessing what the next scene was going to bring. I deeply cared about the characters. The ending was totally different from what I thought it would be. Overall The Next skin is a nicely made film I recommend to watch.

A strange tale of the prodigal son : Gabriel (Alex Monner) returns to his home to find his mother (Emma Suarez) a widow and an uncle (the always reliable Sergi Lopès) ,who becomes jealous because he considers Gabriel ,the son, a rival .Which is not entirely false,because the mother/son relationship is oedipian ,and thus may explain the short homosexual scene with Joan,a pal who knows (too) many things about the teenager's past .

In fact , the screenwriters allows some doubt to remain about the so called son's identity ("she would have welcomed a daughter!" uncle (mom's lover) claims ); and if the boy seems to remember his childhood's friend , there's a (black) gap in his memory,as far as his late father is concerned ; the screenplay is sometimes not firm enough , in this story with echoes of Tennessee Williams ;also handicapped by very dark scenes ,the cinematography sometimes leaving something to be desired .

In spite of these reservations , " la propera pell" can be recommended ; the Gabriel/youth worker is more complex than it appears at first sight : the man tells his protégé that he ,too, was a teenager with a past he wants to forget (this is a cliché, but it avoids pathos and sentimentality). The snow-covered mountains are shrouded in a shady atmosphere and an impending threat hangs on the hero ;the mother ,a woman from the south ,longs for a sunny place (a metaphor). Bruno Todeschini 's lines are generally in French ,but 90% the lines are in Catalan.

It's a movie with a simple plot, but it has enough depth to be interesting.